Ian MacEwan and Jason Leivian: The Yankee

20 January 2012 » art, comics, ovo

Ian MacEwan (aka popjellyfish) has published his online comic The Yankee.

The Yankee is a dumb American. He’s Cosmo Vitelli. He’s Prince Rogers Nelson. He’s a Richard Pryor monologue. Psychedel-economic fiction set in the Nation States of America.

See Ian’s previous work in OVO 20 JUVEN(a/i)LIA for Evil Eye by Hakim Bey.

Trevor Blake: SOPA / PIPA Blackout, Left and Right

18 January 2012 » blog, freedom of speech, ovo

I believe in the complete freedom of thought and speech [...] I believe that it is better to tell the truth than to lie. I believe that it is better to be free than to be a slave. And I believe that it is better to know than be ignorant . – H. L. Mencken

Wikipedia:

In carrying out this protest, is Wikipedia abandoning neutrality?

We hope you continue to trust Wikipedia to be a neutral information source. We are staging this blackout because (as Wikimedia Foundation Trustee Kat Walsh said recently), although Wikipedia’s articles are neutral, its existence is not. For over a decade, Wikipedians have spent millions of hours building the largest encyclopedia in human history. Wikipedia is a tremendously useful resource, and its existence depends upon a free, open and uncensored Internet. SOPA and PIPA (and other similar laws under discussion inside and outside the United States) will hurt you, because they will make it impossible for sites you enjoy, and benefit from, to continue to exist. That’s why we’re doing this.

Today, 18 January 2012, a number of the websites I read have made their content inaccessible or difficult to access in protest of two proposed laws in the United States.  These laws (Stop Online Piracy Act and Protect IP Act) seem likely to have a chilling effect on the internet.  If I’m understanding these laws correctly, my linking to a site that in turn links to a site found to be in violation of copyright laws would get me in trouble as well as the site I link to.  As I am unable to monitor the content of the sites I link to in my 19,100+ blog posts, I may unknowingly be in violation of these laws when all I wanted to do was point out a funny video or an interesting article.

I make it a point to read across the political spectrum.  This is my greatest hope to foster ongoing critical thinking, and often I learn of laws or events from one side of the sausage factory that the other side of the sausage factory is silent about.  That silence may be based on ignorance or it may be a willful silence.  Whatever the reason, I am not diminished by taking in more information.

I note that the SOPA / PIPA blackout is not common to sites that are likely to self-identify as ‘not-left.’  I use the vague term ‘not-left’ deliberately.  My compilation of this list is no claim that these sites are of a kind, aside from a likelihood they would not identify as being on the political left.  How far not-left they are, how that is manifest, varies.  The sites I list below are not necessarily aware of or in agreement with each other.  I am certain that some of them are antagonistic to each other.  Inclusion in this list is not at all a claim that anyone on this list agrees with or is aware of anyone else on this list.  I have looked at each of these sites at least briefly, and I can say that I also do not agree with the entire content of each one.  The problem with SOPA / PIPA is it applies the contagion theory to information: if I link to a site, I’m guilty of what that site contains.  If you think my linking to these sites contaminates me, then I suggest you speak out in favor of SOPA / PIPA – and reconsider reading my site any more, lest you yourself be contaminated.  At the same time, I caution the reader that some of the following sites are factually incorrect, mean spirited, possibly illegal outside the United States, discriminatory and almost certainly not to be read at work.  To the best of my ability, I have confirmed that these sites all reside in the United States.

The Occupy movement in the United States has been allowed months of free speech, then had it taken away.  American Renaissance has been denied a single second of public meeting time for two years.  Occupy is decidedly ‘not-right’ and American Renaissance is decidedly ‘not-left,’ but both share the thirst for freedom of speech and association.  All ‘not-left’ sites are at risk from SOPA / PIPA.  But few ‘not-left’ sites are participating in the blackout today.

Not-Left Sites Participating in the SOPA / PIPA Blackout

Not-Left Sites Not Participating in the SOPA / PIPA Blackout

Daniel Rafatpanah – I Tasted the Blood of My Enemy in My Mouth

12 January 2012 » biographic, fight, portland, trevorblake

Kate Mather, The Oregonian:

Daniel Rafatpanah thought he was going to die. A jittery gunman was marching the 29-year-old and two of his Southeast Portland housemates upstairs to the attic, a handgun aimed at their backs. None of them knew the man, who demanded Popsicles and alcohol before taking them hostage Monday afternoon. But when he placed the gun under his foot to change into a new pair of pants, they knew it was their only chance. “Everything’s in slow-mo, and I’m like, ‘It’s go time.’ It’s time to fight this guy,” Rafatpanah said.

Jonathan Mooney, 26, bearhugged the gunman from behind. Robert Steinfeld, 21, broke a beer bottle over his head. And Rafatpanah started throwing punches, his hands bloodied by the shattered glass. Everyone reached for the gun as the man fell. The man fired a shot as the struggle continued. Rafatpanah’s right hand got sliced open by the gun’s mechanism, and blood poured everywhere.

A neck hold wasn’t working. Not knowing what else to do, Rafatpanah bit the man’s ear. “Let go of the gun, let go of the gun!” he yelled through clamped teeth. “Let go of my ear!” the gunman responded. The two tore apart, and Rafatpanah spat out a bean-sized piece of ear.

“I tasted the blood of my enemy in my mouth,” he said. “And so at that point you realize the stakes have gone so much higher because blood is being drawn – my blood, his blood.”

Rafatpanah lunged toward the gun and wrestled it away.

Article continues, with video.

Previously at OVO:

Trevor Blake: Time Machine (after The Invisibles by Grant Morrison). June 2011. Model: Danny Chaoflux.

Trevor Blake at the Curiosity Club 7 February 2012

04 January 2012 » atheist, books, ovo, portland, trevorblake

Tuesday 7 February 2012
6:00pm to 7:00pm PST (GMT+8)

Hand-Eye Supply
23 NW 4th Ave
Portland, OR, 97209

503.575.9769
Regular Hours: Monday-Sunday: 12pm – 6pm PST (GMT+8)

Trevor Blake: The Sound of the Hammer Greets You on Every Side: Portland Memorials

Between 2009 and 2011 Trevor walked the length and breadth of downtown Portland. When he found a memorial, he transcribed what it said and where it was. Portland Memorials includes all the memorials in downtown Portland. The book is entered this book into the public domain for the same reason Joseph Shemanski gave Portland the Shemanski Fountain: “to express in small measure gratitude for what the city has done for me.” Trevor will discuss the book and the remarkable memorials he found while writing it.

Trevor Blake was born in Knoxville, Tennessee and moved to Portland in 1992. He works as a freelance sign language interpreter. Besides Portland Memorials, he is the publisher of OVO (1987 – present); author of The Buckminster Fuller Bibliography; contributor to The Journal of Ride Theory Omnibus (Portland, JORT 2003); In Extremis (Athens, Survival Kit 1994); Pozdravi iz Babilona (Ljubljana, KRT 1987); and the literature of the Church of the SubGenius.

Hand-Eye Supply

Curiosity Club

Curiosity Club Streaming Video

Portland Memorials
144 pages, 8.5 x 11, $15.00
Thousands of memorials in Portland, Oregon.
[Information] [Print] [Kindle]

Trevor Blake: Floating Bathtub Stopper

02 January 2012 » art, DIY, trevorblake

Trevor Blake: Floating Bathtub Stopper.  Corks, chain, stopper.  2010.

Trevor Blake: Architecture of Occupy Portland

30 December 2011 » architecture, art, portland, trevorblake

Trevor Blake: Architectural Detail of Occupy Portland. 11/11/11. Portland Oregon USA. Public Domain.

More public domain photographs of Occupy Portland by Trevor Blake here.

Trevor Blake: The Liberty Ships

26 December 2011 » architecture, art, books, fight, portland, trevorblake, video

The USS Oregon was launched in 1893 and served until 1919. The battleship’s crew saw action in five wars. The Oregon was scrapped in 1956. The bow, mast and anchor chain of the Oregon are in Tom McCall Waterfront Park, near SW Pine and Naito. One mile north is the Albers Mill Building. The smokestacks of the Oregon were in a Liberty Ship memorial park where this parking lot is now. The Willamette River Greenway Trail runs next to the Building. Walk along it until you find a wall running into the Willamette River. On the other side of this wall are the remains of some Liberty Ships that had been made in Portland. This is what remains of the Liberty Ship memorial park.

Music: Aeolian Piano Roll – Phantom Patrol (1903)

Learn of thousands of other memorials in Portland Memorials by Trevor Blake.

Trevor Blake: Merry Christmas 2011!

23 December 2011 » christianity, music, television, video

Oscar the Grouch: I Hate Christmas [youtube].

Eric Idle: Fuck Christmas [youtube].

Fear: Fuck Christmas [youtube].

The Attery Squash: Santa’s Laughter Mocks The Poor [youtube].

The Rudy Schwartz Project: A Sandwich for Adolph [youtube].

Current 93: Happy Birthday Pigface Christus [youtube]

Rex Martin – Holidays are Coming [vimeo]

See also our extended Story of the First Christmas from 2009.

Lisa Loving: ‘Portland Memorials’ Lists City Histories Depicted in Park Benches, Fountains, and More

19 December 2011 » architecture, art, biographic, books, ovo, portland, trevorblake, zine

Portland writer Trevor Blake’s book, Portland Memorials, is a compilation of historical markers to be found by walking through the downtown area. Sound simple? Consider that the author must at some points have practically crawled on his hands and knees to transcribe dates and names from the thousands of “plaques, buildings, statues, benches and fountains” that were grist for his investigations. He even discovered that a few memorials touching on Black history were likely thrown into the Willamette River. The Skanner News traded electronic letters with Blake to get his story on how, and why, Portland has chosen to remember its past.

The Skanner News: Trevor what made you want to put this book together?

Trevor Blake: I wrote Portland Memorials for three reasons. The first reason is an echo of one of the memorials found in the book. The Shemanski Fountain is located at the north end of the South Park Blocks. It was a gift to the city by Portland shopkeeper Joseph Shemanski (1869-1951) in 1926. Shemanski gave the fountain to the city “to express in small measure gratitude for what the city has done for me.” And that is exactly the reason I have written Portland Memorials. I moved to Portland in 1992 and the city has given me as many opportunities, experiences and challenges as anyone could ask for. The second reason is writing a book is a good way to learn a subject, and I wanted to learn more about the architecture and history of Portland. The third reason is it provided some good exercise for the legs and the brain.

TSN: How did you research it, how many memorials are contained in it, and how long did it take?

Blake: I researched Portland Memorials the old fashioned way: I used my feet and my eyes. Over a three year period I walked around every block in downtown Portland, usually two or three times, and whenever I found a memorial I wrote down what it said and where it was using a pencil and paper. No special training or equipment was needed. There are a few websites and books that might have helped but I decided to see for myself what was there, and in doing so I’ve documented many thousands of memorials that are found in no other resource. I thought it would be a fine project for a Summer and include a few hundred items. It is a fine project, but it took three years and includes thousands of names. The best way to find a particular memorial is to look in the index, then find that page, then go to that memorial.

TSN: Can you talk a little bit about the Portland memorials that touch on the African American experience here?

BLAKE: I’m glad you asked this question. One of the most lively memorials downtown is for the Golden West Hotel at 707 NW Everett. This hotel was owned and frequented by African Americans from the early 1900s onward. Of all the memorials I found, this is the only one that includes photographs, text and a recording – the blind can enjoy and learn from this memorial, making it accessible to even more Portland citizens. The Walk of the Heroines on the campus of Portland State University includes the name of nearly thirty Black women civil rights pioneers. Strangely enough, there are three civil war cannons in downtown Portland. Two are in Lownsdale Square and were taken from Fort Sumter, the third was melted down and made into the church bell of First Presbyterian Church. There are some sidewalk plaques in the Old Town area that honor how the Chinese community has interacted with other communities, and one of them (on NW Flanders between 3 and 4) talks about how the Chinese and African American community mingled at the Royal Palm Hotel. There used to be a memorial park downtown dedicated to the Liberty Ships built by many African American workers in Portland during World War Two, but when that property was converted to condominiums most of what was in the park was thrown into the Willamette River.

TSN: What do you want to come from this book?

BLAKE: I want people to read about a memorial and go see it for themselves.  Not to read about it and forget it, not look it up online, but to go see it for themselves. It’s a reminder that each of us will just be a memory some day and that we’d best make hay while the sun shines.

TSN: What’s the most important thing about this town that you hope people take away from reading Portland Memorials?

BLAKE: Portland has preserved much of its history, and that can’t be said about many cities. Sometimes the preservation was by design of the city leaders, but often it was the efforts of individuals. In the 1950s many older buildings were torn down for being old fashioned.  The decorative iron work on the sides of some of these buildings was, shall we say, ‘privately preserved’ by individuals who couldn’t stand to see the art destroyed. Decades later, when Portland again appreciated its history, these works were returned to the city and can be seen in the Saturday Market area. I hope Portland Memorials is read for years to come by those who care about our city’s history.

TSN: Is there a website or other place people can access your book, or any other of your writings?

BLAKE: My book can be purchased in print or for Kindle at this address http://ovo127.com/ovo/ , where there is also a free sample chapter to download.

Originally published by The Skanner News on 19 December 2011.  Many thanks to Lisa and The Skanner.

Rev. Ivan Stang on OVO 20 JUVEN(a/i)LIA and PORTLAND MEMORIALS

16 December 2011 » ovo, portland, subgenius, trevorblake, zine

Rev. Stang:

Dr. Onan Canobite sent two self-published books, one a best-of from his OVO zine and one about the monuments and plaques of Portland Oregon, his town, which he loves, having grown up in Knoxville TN.

See also: Church of the SubGenius.

Trevor Blake: Architecture

16 December 2011 » architecture, art, portland, trevorblake

Trevor Blake: Architecture. Portland Oregon USA. October 2011. Public Domain.

Trevor Blake: Architecture

09 December 2011 » architecture, art, portland, trevorblake

Trevor Blake: Architecture. Portland Oregon USA. October 2011. Public Domain.

Trevor Blake: Make a Video Projector

04 December 2011 » art, DIY, trevorblake, video

Previously: Make an Enlarging Projector.

First, find an abandoned projection television in 2008. Remove a lens with a hammer.

Lens removed by hammer.

In 2011, mount lens on cigar box base.  Mount video source upside down on cigar box sliding lid with Erector Set pieces from thrift store.  Sliding cigar box lid adjusts focus.  Image is mirror reversed, something that will be accommodated with a mirror in a future video projector – or, it could be used as a rear projector on a transparent screen, or projected from a mirror onto a screen.  This device works well in complete darkness but I don’t have a camera that can take a picture in complete darkness to show you.  Come by and I’ll show you in person.

Cost: older ipod ($79), cigar box (free), lens (free), Erector Set pieces ($2).  TOTAL: $81.00

 

 

Trevor Blake: What Sort of Man Reads OVO?

03 December 2011 » biographic, blog, books, christianity, commerce, fascism, fight, ovo, portland, race, socialism, theocracy, trevorblake, zine


Image c/o Retronaut.

Thanks to the following for linking to OVO.

Eithin links to Liberating Wednesday.
Monday Vatican links to The Concordant Story.
Financial Advices Blog links to The Bonus Army.
Rambone at Indiana Gun Owners links to The Bonus Army.
The American Book of the Dead links to Unspeakable Horrors.

كارل بوبر: من يجب أن يحكم؟

03 December 2011 » books, philosophy, socialism

Translation: “This lecture is by Karl Popper in Zurich in 1958, from the book In Search of a Better World. I translated it from this link.”

Sir Karl Popper: Who Should Rule?

Trevor Blake: Architecture

02 December 2011 » architecture, art, portland, trevorblake


Trevor Blake: Architecture.  Portland Oregon USA.  October 2011.  Public Domain.

Trevor Blake: The Foolish Idea

25 November 2011 » art, biographic, books, fight, video

Today, 25 November, was a special day in the life of Yukio Mishima.  May you have a special day as well.  I don’t want to do what Mishima did, I want to do what I do as fully as he did what he did.

“Young people get the foolish idea that what is new for them must be new for everybody else too. No matter how unconventional they get, they’re just repeating what others before them have done.” – Yukio Mishima, After the Banquet.

OVO triumphus for Yukio Mishima for 2010.
OVO triumphus for Yukio Mishima for 2009.
OVO triumphus for Yukio Mishima for 2008.

… and more.

Ferdinand Bardamu: Bardamu’s Bookbag

17 November 2011 » anarchism, art, biographic, blog, books, comics, games, krankheit, libertarian, magick, objectivist, ovo, portland, sperm, trevorblake, zine

This review of OVO 20: JUVEN(a/i)LIA by Trevor Blake was written by Ferdinand Bardamu, and appeared at his blog In Mala Fide in November 2011.

This is a best-of collection of articles and artwork from OVO, a zine founded and edited by friend of the blog Trevor Blake, “a public record of [his] interests and inquiries.” It’s interesting, it’s weird, and I don’t entirely know what to make of it. I guess it’s because I’m too young to appreciate it – I was barely out of diapers when Trevor was printing up the early editions of OVO on his pal’s company’s copiers in the eighties. To someone of the Internet Era, where narcissistic self-expression is just a couple of mouse clicks away, the effort and dedication involved in compiling an entire magazine, from writing and gathering the material to binding the physical copies and mailing them out, is difficult to relate to.

Still, this is a great little collection of oddities, ranging from poetry to short stories to investigative journalism on offbeat subjects. They include “Holding Games for Ransom,” about how one tabletop game creator found a way to keep online piracy from cutting into his profits; “A Pit Stop Along the Inward Journey,” a stream-of-consciousness tale beginning with white guilt and ending with madness; and “23 Sperm Stories 23,” the longest article in the book, on just about every aspect of sperm, from its discovery, its function, and its future. Of particular interest to us in the manosphere are “Warbucks Intra-Family Communique” and “Becoming More Free” by Ernest Mann. The former is a satirical article on the emptiness and mindlessness of American consumerism; the latter is on how Mann unplugged himself from the Matrix of American culture:

I am wasting less of my time (LIFE) watching, listening to and reading THOUGHT LEADERS, ie, TV, movies, radio, music, newspapers, magazines and novels. These are like spectator sports. They cause me to live life vicariously, ie, second-hand, not real, only in fantasy. These mind conditioners are subtly designed to create not only fear and anger emotions but also create feelings of guilt and inadequacy. These feeling stifle growth and keep one securely in one’s rut. And of course the more visible purpose of the media is to create the desire to acquire (BUY! BUY! BUY!) and keep up with the Joneses. ‘Buying’ uses up my savings. I spent 22 years of my TIME (life) working as a Wage Slave. I helped perpetuate the status quo, ie a world of 98.6% Slaves and less than 1% Elite (Billionaires). I don’t wish to do that any more.

But the real prize is Trevor’s own writings, comprising the second half of the book. They include book reviews (including an exhaustive review of one of my favorites, L.A. Rollins’ Myth of Natural Rights), interviews with such diverse individuals as a bulimia sufferer and an expert on out-of-body experiences/bilocation, and my favorite, “Trajectory Through Anarchism,” in which Trevor tracks the evolution of his political beliefs:

1996: Feeling free of anarchism and a little burned by what I now see was my own hooded thinking, I call up the imp of the perverse to see what other forbidden ideas might be out there. Ayn Rand is suggested, and I read her works. Having already shed one hood I’m less inclined to put another one on, and I do not become an Objectivist. But moving through Objectivism brings libertarian thinking to my attention. It’s something about the sovereignty of the individual… but I’ve walked down that path already and don’t sign on as a libertarian either.

Like The eXile, OVO 20 comes in a 8 1/2 by 11 inch size, to fit artwork and cartoons on the pages – I was particularly amused by “Attack of the Giant Killer Sperm.” One minor issue I have with the design is that all paragraphs in OVO 20 are punctuated with bullet points. I suppose they’re there to make the book look distinctive, but I found them mildly distracting, fooling my eyes into thinking I was reading a series of lists instead of articles.

Still, if you want to take an excursion into the bizarre and come back a little more enlightened, OV0 20 is a fun and informative read. If you’re still not convinced, Trevor maintains a free online archive of all OVO articles here. He also has some words of wisdom for aspiring writers and publishers:

…First and most important, get busy. Your time is already diminished by work and mortality, and neither of those situations is going to improve. Keep a printed copy of what you make and write down the date of when you made it. Large bodies of work and the pleasure they bring are made a few small pieces at a time. Learn about the history of what interests you. Novelty is rare and not always of value for being novel. Your friends are not being documented right now and you are the one who can do a good job with that. Read with regularity outside your area of interests. Nothing will point out your own ignorance and error better than attentiveness to those who disagree with you, nothing makes what you know make sense like learning something unrelated to what you know. Take as many chances as you are willing to take the lumps for.

But most of all, get busy.

Trevor Blake: Ship

07 November 2011 » art, transportation, trevorblake


Ship. July 2011. Pencil.

Jack Donovan: No Man’s Land

06 November 2011 » books, sex, trevorblake

Jack Donovan:

The following three-chapter arc was originally intended to be part of a book project called The Way of Men. The Way of Men is not about feminism, but most popular writing about masculinity is written by feminists, or men who have accepted a handful of feminist assumptions. My intent here was to locate my own understanding of masculinity within the context of a larger discussion about men that has been happening for the past several decades. I wanted to engage the arguments of others in a comprehensive way and extract common themes. I wanted to “show my work.”

Together, these chapters form a short book about the way that masculinity has been maligned, re-imagined and mis-represented by others.

I have decided to make this book No Man’s Land available for free online, because I hope that this material will be useful to other men who are writing about masculinity, feminism, the men’s movement and conflicts between masculinity and civilization. While I have a stack of books on masculinity that come from the establishment — from university presses and from writers approved by the mainstream media — the most interesting writing about masculinity is happening online. You can cite a book, but you can’t quite link to it — not exactly, anyway.

For those inclined to read No Man’s Land as a book, I have made it available in Kindle format, and as a downloadable .pdf file, but it will also remain online as a series of pages on my web site.

I would like to thank my Vulcan friend Trevor Blake for his help editing these chapters.

One last thing

I’m not a tenured academic. I drive a truck for a living. Sorting through this material takes a lot of work. If you find this valuable and want to support my work — toss me a few bucks for beer, guns and books. There’s a “donate” button on my web site.

Jack Donovan: No Man’s Land.