OVO

The Skin Horse
1982
Written by Nigel Evans and Nabil Shaban
Featuring Nabil Shaban with Nick Finden, Tony Gerrard, Tina Leslie, Kathleen Venner

Documentaries on the disabled can be difficult to watch. Not in the sense of such films being ugly. Documentaries on the disabled can be difficult to watch because one simply can’t find them. Frederick Wiseman shot Titicut Follies in 1967. The film depicts the lives of inmates at the Bridgewater State Hospital for the Criminally Insane. Their lives were made up of being bullied, forced feed, sprayed with a high-pressure water hose and confined in unlit windowless rooms. In 1968 the film was removed from distribution and all copies were ordered destroyed by Massachusetts Superior Court Judge Harry Kalus.  Judge Kalus said he acted in the interest of the privacy of the inmates. The following year in that the film was allowed to be shown but only to health care professionals. Wiseman appealed the decision to the Supreme Court, which declined to review the case. According to Wikipedia, “the dispute marked the first known instance in the history of the American film industry that a film was banned from general distribution for reasons other than obscenity, immorality or national security.” Superior Court Judge Andrew Meyer lifted the ban on the film in 1991, on the condition “a brief explanation shall be included in the film that changes and improvements have taken place at Massachusetts Correctional Institution Bridgewater since 1966.” Today you can buy a copy of Titicut Follies from Zipporah Films, Inc.

No such luck for The Skin Horse. Channel 4 (formerly Central Television) commissioned the 1982 film but does not sell it. No one sells it, not legally. Worldcat does not list it as existing in the interlibrary loan system.  Exactly one private library has it in their collection. If you are exceptionally fortunate you may have seen it one of the few times it has been broadcast on television. The documentary isn’t banned, it is merely unavailable.

The Skin Horse is a documentary by and about disabled people and their sex lives. Not their secret longing and private thoughts, although these are part of the film. This is a documentary about sex, sex among the disabled, sex between the disabled and the able.

Co-author and narrator Nabil Shaban does not skirt around the issue. The Skin Horse is an adult film, made by and for adults able to speak most clearly about themselves. Perhaps mere suggestiveness would not have succeeded in this film. Perhaps like the Last Poets or Valarie Solanas, the time for subtlty ended long ago for Shaban. When a person is just a little different from the norm, suggestiveness and being coy are more common. When we find a birthmark or personality quirk in a partner it stands out for a moment and then is gone. When one or one’s partner isn’t even considered fully human by some people, the time to beat around the bush ends. The average life span of the disabled is shorter than that of the non-disabled. The average screen time of the disabled is measured in minutes-per-decade compared to the screen time of the non-disabled. A wink and a nod just isn’t going to cut it. These are stories told once, and there’s no follow-up special presentation later on. The Skin Horse is honest in a way most sex documentaries only aspire to be honest.

The honesty begins with a discussion of beauty.  In antiquity philosophers claimed physical beauty was a virtue, like honesty or courage. Deviation from the form was either a punishment or a moral weakness. The etymology of the word monster is that of a beast sent by the gods as a warning. In the 21st Century other theories of beauty predominate. The Skin Horse speaks of four theories of beauty.  All quotes are from The Skin Horse.

Is beauty like the sun, radiating from a center and growing cold with distance? Some sections of The Skin Horse support this classic idea. Nabil: “Most disabled or deformed people I met at special school, sheltered workshop or crip college couldn’t wait to go to bed with an able-bodied person. I know that to be true of me.”

Is beauty is in the eye of the beholder? Perhaps disability does not matter. Those who are left handed tend towards mental illness, higher rates of suicide and imprisonment and shorter life spans. But being left handed is not seen as a disability. Nor are glasses on a person with a slight vision problem. Perhaps what we see as beauty or as a disability is arbitrary, a frame of reference we are free to modify or reject. This was the thinking behind the foundation of the Outsiders in 1979. The Outsiders “is a vibrant social and peer support network of disabled people. We are many different things to our many members. [...] Whenever possible, Outsiders works together with other groups to campaign for the acceptance of disabled people as sexual partners.” The Skin Horse includes interviews with a founder of The Outsiders: “If I’d thought about it before I started I don’t think I would have ever dared to do it because I never really thought it would work, everyone said it wouldn’t work. But actually, however disabled you are you are still able to love somebody and be loved. So the most amazing marriages and… parings… have taken place. Dispite the fact that they might not only be disabled but also homosexual. Goodness knows, they’re just like anybody else.” The Skin Horse also includes interviews with a member of Outsiders, Jack: “Everyone’s got ability and disability.”

Is beauty a spiritual force? Is beauty to the body as the mind is to the brain? Perhaps beauty and disability are not part of us at all, but a shadow cast by an inner light. Most of the speakers in The Skin Horse hold this theory of beauty. Nabil is a keen researcher into the paranormal, psychic powers, UFOs and utopian politics. Welcome in a single taboo and the rest come marching in. Nabil: “From childhood we learn that there is always more than meets the eye that external appearances are misleading that what exists within us all is always greater than the sum of the parts. [...] To admit love is to admit there is more to appearances. And to admit that we all have to work much harder at being human. We have to consider not only the body but also the soul.” Another man speaks of sex as a spiritual experience rather than a physical one: “I know the joy, the contentment, the feeling of spirituality, the utter relief from the limitations of my body which comes from sex. Just calling it sex is a very limiting word. It’s far more than people think with just one word. My body is very limiting but in sex I feel complete freedom.” Tina Leslie talks about the difference between her body and her self. “Sometimes I eat in front of a mirror to see the mask as other people see me. And try to see their feelings but this is what they see. It’s got nothing to do with me, the real me, a lover sees that, the real me. But I still never quite, quite believe it. But my god, I’d rather this than some celibate martyrdom. [...] Some people see me as an ugly thing. They can’t see me as a being, and as a sexual person, never. Christ, I don’t mind being seen like that. What’s the point of militant feminism? I like men. I don’t want to take refuge in something disabled women use as an excuse supress their sexuality.” Nabil: “To admit love is to admit there is more to appearances. And to admit that we all have to work much harder at being human. We have to consider not only the body but also the soul.”

Is beauty a fetish? Are some beautiful because they are different? Thousands of gigabytes of disability pornography are shuttled about the globe every day, lending some weight to this theory. Nearly thirty years earlier, The Skin Horse made the connection between acceptable fetishes (weight lifters and surgical beauty queens) and unacceptable fetishes (in a word, freaks). Nabil: “Perfection becomes an imperfection, a curiosity, a handicap, and the handicap when taken to its physical extremes becomes an end in itself. Hence, King Size [magazine]. Jonny the Wad. Chesty Morgan. King Dong. Big Bum. And all those freaks we have learned to love and loathe. And some people lust after.” Freaks have their place, but it is a well proscribed place. Nabil: “In the world of sexuality, there are three genders: female, male and disabled. And what is more, traditionally, in the disabled group, we are categorized into monsters or children. Children, eh? So we’re either monsters or children. We’re either abused or patronized. We’re either a fetish or sexless. Never in between. [...] It seem we need freaks not only to reassure ourselves of our own normality but more importantly to help us rediscover something. Perhaps that’s why we create our own freaks in myths, legends, fairy stories, literature and films. Perhaps that’s why we impart a certain humanity in them, and allow them to love and be loved. But of course only in fiction.” Here The Skin Horse shows some of the approved and fictional couplings between able bodied persons and freaks, such as Leda and swan, a maid and a minautor, Kala and Charleton Heston.

If the disabled are (or would like to be) similar to anyone else in their sex lives, are they similar in their lonliness? One man in The Skin Horse says so: “The problem of exploring one’s own sexuality is a problem that everyone has.”  But no matter how we sees ourselves, the challenge in starting and maintaining a relationship (or getting laid) is in how others see us.  One woman in The Skin Horse describes her everyday life at the home for incurables for the past 34 years: “Washed, dressed, put in my chair. [...] Sometimes I ache for the human contact that I’ve been denied. For a new face that isn’t a nurse or another incurable. [...] It’s this sense of waste that I resent most of all. It’s as if people like me are somehow supposed to live our lives beyond frustration. As if part of accepting our lot should include the complete denial of any emotional life at all.” Hey! you’ve got to hide your love away…

Getting off for the disabled can mean breaking laws as well as breaking taboo. One man talks about when his personal assistant brought him to a prostitute: “She was really sort of a bit freaked out by the fact that this guy carried me up the stairs and plunked me on the bed and said ‘there he is.’ I stayed there for about three or four hours. One hears so many terrible things said about prostitutes and I believe it’s still illegal and all that but in that case in point the lady who I saw fulfilled a very useful purpose and I’m eternally grateful to her. [...] The events leading on from [hiring a prostitute] did make me much more relaxed and more self confident in myself as a sexy person, to meet other people, to make relationships, and I suppose over the last few years that has been growing and it’s still growing.”

The men and women in The Skin Horse are largely still with us.  Comedian Tony Gerrard continues to perform. The Outsiders still exists, and is the only place I’ve found that has The Skin Horse in its library. The Skin Horse was where I first learned of Nabil Shaban, and I hope that this review can draw more attention to this singular work. But Shaban has done much more, prior to and since The Skin Horse. He has many stage, film and television credits to his name, some of which are listed below. He was part of the CRASS Collective and in 1980 co-founded the Graeae Theater. Shaban is an artist, an author, an animator, a director, an actor and a musician. He is a father.  How uncomfortable he must feel to know he’s been such a positive influence on my life and the lives of so many others.  Sorry, friend, you’re a hero.

Shaban offers many of his works online. If I Decide to Commit Suicide, You Need Hands and The Fifth Gospel include Tina Leslie, also seen in The Skin Horse. If I Decide to Commit Suicide is a video for Shaban’s poem of the same name. It quotes from Eraserhead by David Lynch, just as The Skin Horse quotes from Lynch’s Elephant Man. You Need Hands is a dark music video. The Fifth Gospel describes Christianity as ‘body fascist’ and shows Shaban and Leslie being patronized during a trip to the non-healing fountains of Lourdes. Morticia is available as a video on demand from amazon.com. Morticia is about a girl who wants to become a vampire. A third party has posted The Strangest Viking online. This is a documentary narrated by Shaban on Ivar the Boneless, a viking who conquered much of England. An excerpt from The Alien Who Lived in the Sheds is online. In The Alien Who Lived in the Sheds is, Shaban shows that for all his fire and thunder he can make fun of himself. Shaban is a believer in the paranormal, but is aware of how such beliefs can look to non-believers. Shaban is an advocate of the outsider, but it not immune from gawking when he meets a fellow outsider. Shaban is his body, but his body is also a source of pain. Alien includes a film within a film, and this film is again one of his poems set to music and video. For all his success in the theater, Shaban has experienced one significant setback. He secured money for a production of his play The First to Go when England joined the war against Iraq. The First to Go is a play about the fate of the disabled under the T4 program in wartime Germany. Shaban returned the government’s ‘blood money’ in protest and the play has yet to find another backer.

Nabil Shaban has successfully scattered the ash circle that kept able and disabled actors apart. He is a man who can be judged on his talents.  Shaban recently turned fifty and has many years of innovation and experimentation ahead of him. Thank you to Nabil Shaban for opening many doors, taking many risks and thumbing your nose at heresy.

Nabil Shaban (selected works)

Stage:

• Godspell (1987)
• The Emperor (1987)
• Hamlet (1988)
• Iranian Nights (1989)
• Measure for Measure (1990)
• Imagine Drowning (1991)
• Fleshfly (1996)
• DARE (1997) [vimeo] [youtube 1][youtube 2][youtube 3]
• Haroun and the Sea of Stories (1998) [wikipedia]
• The Little Lamp (1999)
• Portadown Blues (2000)
• I am the Walrus (2001)
• Knocknashee (2002)
• Jasmine Road (2003)
• Threepenny Opera (2005) [youtube][dailymotion]
• One Hour Before Sunrise (2006)
• Endgame (2007) [youtube]
• The First to Go (2008)
• Marat/Sade (?)

Film:

• Born of Fire (1983) [imbd]
• If I Decide to Commit Suicide (1990) [vimeo] [youtube][dailymotion]
• City of Joy (1992) [imbd] [wikipedia]
• Wittgenstein (1993) [imbd] [wikipedia] [youtube]
• Skallagrigg (1994) [imbd][wikipedia][youtube]
• Another World (1995) [amazon]
• Gaias Born (1998) [imbd]
• Children of Men (2006) [imbd] [wikipedia][youtube]
• Crip Triptych (2006) [youtube 1][youtube 2][youtube 3][youtube 4][youtube 5]
• Trouble Sleeping (2008) [imbd]
• Morticia (2009) [imbd][youtube][amazon]

Television:

• Walter (1982) [imbd] [wikipedia] [channel 4]
• Walter and June (1983) [imbd] [wikipedia] [channel 4]
• The Skin Horse (1983) [imbd]
• Dr. Who, Vengeance on Varos (1985) [imbd] [wikipedia]
• Dr. Who, Trial of a Time Lord (1986) [imbd] [wikipedia]
• Blue Peter (1986) [imbd]
• Raspberry Ripple (1986) [imbd]
• Billy’s Christmas Angel (1986) [imbd]
• The Fifth Gospel (1990) [youtube][dailymotion]
• Deptford Graffiti (1991) [imbd] [youtube]
• Inmates (1992)
• Age of Treason (1993) [imbd]
• Slave of Dreams (1995) [imbd] [wikipedia]
• Sorry About Last Night (1995) [imbd]
• Supercrips and Rejects (1996)
• The Alien Who Lived in the Sheds (1997) [imbd][youtube 1] [youtube 2]
• The Strangest Viking (2003) [imbd] [wikipedia][youtube 1][youtube 2][youtube 3][youtube 4][youtube 5][channel 4] [guardian]
• The Story of Dr. Who (2003) [imbd]

Radio

• The Ramayana (1994)
• Treasure Island (1995)

Books:

• DARE (2002)
• Dreams My Father Sold Me (2005)[amazon]
• The First to Go (2007) [vimeo] [youtube 1][youtube 2][youtube 3][youtube 4][dailymotion 1][dailymotion 2][dailymotion 3][amazon]
• The Ripper Code (2008) [amazon][dailymotion]

Internet:

• dailymotion: [ScabNabs]
• facebook: [Nabil Shaban]
• geocities: [archive]
• media muppet: [Nabil Shaban]
• vimeo: [Nabil Shaban]
• webby talents: [ScabNabs]
• youtube: [ScabNabs][DoctorNabsTalkPSI]

Trevor Blake is a sign language interpreter who lives in Portland, Oregon USA.

Robert Spencer: A Landmarks Commission Hearing, and Much More

Perhaps predictably, the Landmarks Commission hearing today to consider landmark status for 45 Park Place, the proposed site of the Islamic supremacist mega-mosque overlooking Ground Zero, was about much more than just whether the building at 45 Park Place merited landmark status or not. It quickly became a public forum on Islam, Muslims in America, and the appropriateness of a huge mosque at Ground Zero. [...] I spoke. I started by saying that I shared the view that some others had already enunciated, that this was supposed to be a hearing on the landmark status of 45 Park Place, not about what good citizens Muslims were and how much New York needed an Islamic “interfaith” center. But since that discussion had not been stopped and was thus apparently deemed relevant, it was also relevant that the Imam Feisal Abdul Rauf, leader of the mega-mosque project, was pro-Sharia — a system of law that mandated discrimination against women and non-Muslims, and extinguished the freedom of speech and freedom of conscience. It was also relevant, I said, that he had been dishonest about his funding sources, saying in English that the mosque would be funded by American Muslims, and saying in Arabic that funding would come from Muslim nations. It was further relevant that he had declined to denounce Hamas as a terrorist organization, and that he had helped fund the jihad flotilla that was trying to take arms into Israel. I closed by pointing out that Riddle had said that the building had no unique historical value, but that it did, because it was the only building into which part of a 9/11 plane had crashed, and as such should be a war memorial. A Communist (really! At the Staten Island mosque hearing he actually shouted, “Workers of the world, unite!”) started shouting that I was a bigot, to which I responded that it was not bigotry to point out dishonesty and subversion, and that the Commission should consider carefully whether or not it was being lied to by the mosque proponents.

CNN: Burqa Ban Passes French Lower House Overwhelmingly

France’s lower house of parliament Tuesday overwhelmingly passed a ban on any veils that cover the face – including the burqa, the full-body covering worn by some Muslim women. The vote was 335 to 1. The measure must still go to the French Senate before it becomes law. The Senate is expected to vote on it in the week of September 20.

Abigail Pesta: An American Honor Killing

Around the sprawling, sunbaked campus of Dysart High School in El Mirage, Arizona, not many people knew about the double life of a pretty, dark-haired girl named Noor Almaleki. At school, she was known as a fun-loving student who made friends easily. She played tennis in a T-shirt emblazoned with the school mascot — a baby demon in a diaper. She liked to watch Heroes and eat at Chipotle. Sometimes she talked in a goofy Keanu Reeves voice. She wore dark jeans, jeweled sandals, and flowy tops from Forever 21. She texted constantly and called her friends “dude.” In other words, she was an American girl much like any other.

But at home, Noor inhabited a darker world. She lived a life of subservience, often left to care for her six younger siblings. Noor’s father, 49-year-old Faleh Almaleki, was strict and domineering, deeming it inappropriate for her to socialize with guys, wear jeans, or post snapshots of herself on MySpace. Her responsibility was to follow orders, or to risk a beating. From her father’s perspective, the only time Noor’s life would ever change would be when she married a man he selected for her — back in his homeland of Iraq. Noor, however, had a different vision for herself. Having lived in the U.S. for 16 years, she held dreams of becoming a teacher, of marrying a man she loved, and, most importantly, of making her own choices.

On a cloudless, breezy afternoon in late October 2009, her father set out to end those dreams. As Noor walked across a suburban parking lot to a Mexican restaurant with a friend – a 43-year-old woman named Amal Khalaf – Faleh Almaleki gunned the engine of his Jeep Grand Cherokee and bore down on his 20-year-old daughter and her companion. The women took off running but were no match for the SUV, already traveling close to 30 miles per hour. Suddenly Amal turned, held up her hands in a futile attempt to stop the Jeep, and froze. Moments later, the vehicle struck the women, tossing them into the air. Amal hit the pavement; Noor landed on a raised median, in a patch of pebbly landscaping. Faleh wasn’t done, though. Swerving onto the median, he ran over his daughter as she lay bleeding, fracturing her face and spine. Then, he reversed and sped away.

Passersby heard the roar of the engine, screams, the impact of the bodies as they hit the Jeep’s grill. They saw the women lying on the ground, their sandals scattered across the lot. A witness called 911, and emergency vehicles converged. Amal’s condition was stable; Noor was comatose. Local police characterized the incident as an attempted “honor killing” — the murder of a woman for behaving in a way that “shames” her family. It’s a practice with deep, tenacious roots in the tribal traditions of the Middle East and Asia. (The United Nations estimates that 5,000 women die annually from such crimes.) Women are stoned, stabbed, and, in the recent case of a teenage girl in Turkey, tied up and buried alive. But honor killings in America are a chilling new trend. In Texas, teen sisters Amina and Sarah Said were shot dead in 2008, allegedly by their father, because they had boyfriends. That same year in Georgia, 25-year-old Sandeela Kanwal was allegedly strangled by her father for wanting to leave an arranged marriage. Last year in New York, Aasiya Hassan, 37, was murdered in perhaps the most gruesome way imaginable: She was beheaded, allegedly by her husband, for reportedly seeking a divorce. And this past spring, 19-year-old Tawana Thompson’s husband gunned her down in Illinois, reportedly following arguments about her American-style clothing.

Amazingly, honor killings in the U.S. have been largely ignored by the national media. That’s because these incidents are typically dismissed as “domestic” in nature — a class of crime that rarely makes the headlines. Since the murderer is a member of the woman’s family, there’s no extended investigation to capture the public’s attention. Also, the family of the perpetrator rarely advocates for the victim, due to either fear or a belief that the woman got what she deserved. “From the family’s point of view, if the goal is to end rumors about their female relative, the last thing they want is to have the press talk about the case,” says Rana Husseini, a human-rights activist and author of Murder in the Name of Honor. Still, the lack of media coverage or public outcry cannot erase the evidence: Honor killings have washed up on our shores.

Amie Ferris-Rotman: Russia’s Muslim South Triples Sharia Bride Price

Against the backdrop of a bubbling Islamist insurgency, the revival of Islam in the North Caucasus following the break-up of the Soviet Union almost 20 years ago has brought sharia law to the region, revered by both rebels and ordinary citizens alike. The issue of the ‘kalym’, a price paid by a groom to the family of the woman he chooses to marry, is the latest example of a broader trend that has troubled the Kremlin. [...] Polygamy, illegal under Russian law, is encouraged by local authorities in the region. Last month rights workers blamed police for paintball attacks on Chechen women for not wearing headscarves, and Islamist fighters in Ingushetia have gunned down kiosk workers for selling vodka.

Saeed Kamali Dehghan: Campaign for Iranian Woman Facing Death by Stoning

A 43-year-old Iranian woman is facing death by stoning unless an international campaign launched by her children forces the authorities to quash what her lawyer calls a bogus conviction. In a case that highlights the growing use of the death penalty in a country that has already executed more than 100 people this year, Sakineh Mohammadi Ashtiani was convicted in May 2006 of conducting an “illicit relationship outside marriage.” Sakineh already endured a sentence of 99 lashes, but her case was re-opened when a court in Tabriz suspected her of murdering her husband. She was acquitted, but the adultery charge was reviewed and a death penalty handed down on the basis of “judge’s knowledge” – a loophole that allows for subjective judicial rulings where no conclusive evidence is present. Speaking to the Guardian, her son Sajad, 22, and daughter Farideh, 17, say their mother has been unjustly accused and already punished for something she did not do. “She’s innocent, she’s been there for five years for doing nothing”, Sajad said. He described the imminent execution as barbaric. “Imagining her, bound inside a deep hole in the ground, stoned to death, has been a nightmare for me and my sister for all these years.” Under Iranian sharia law, the sentenced individual is buried up to the neck (or to the waist in the case of men), and those attending the public execution are called upon to throw stones. If the convicted person manages to free themselves from the hole, the death sentence is commuted.

James Gordon Meek and Katie Nelson: Cleric Anwar al-Awlaki Puts ‘Everybody Draw Mohammed’ Cartoonist Molly Norris on Execution Hitlist

A charismatic terror leader linked to the botched Times Square car bomb has placed the Seattle cartoonist who launched “Everybody Draw Muhammed Day” on an execution hit list. Yemeni-American cleric Anwar al-Awlaki – the radical who has also been cited as inspiring the Fort Hood, Tex., massacre and the plot by two New Jersey men to kill U.S. soldiers – singled out artist Molly Norris as a “prime target,” saying her “proper abode is hellfire.” FBI officials have notified Norris and warned her they consider it a “very serious threat.” In an English-language Al Qaeda magazine that calls itself “Inspire,” Awlaki damns Norris and eight others for “blasphemous caricatures” of the Prophet Muhammed. The other cartoonists, authors and journalists in Awlaki’s cross hairs are Swedish, Dutch and British citizens.

Dutch News: Van Gogh Killer Has No Regrets

Six years after murdering film maker Theo van Gogh, his killer Mohammed Bouyeri has no regrets about his action, the AD reports on Friday. The paper has got hold of a letter written by Bouyeri to a Muslim group which turned up in Belgium. In the letter Bouyeri writes that he has ‘no regrets’ about the choices he has made and the road he has traveled, the paper says. ‘Not one second in all these years.’

Persian2English: 26 Year Old Woman Raped and Murdered by Basij Members for “Bad Hijab”

Elnaz Babazadeh, a 26 year old woman was raped and murdered by Basij forces in the city of Tabriz (northwestern Iran) last week. According to the reports, Basij forces stopped Babazadeh in her car for not following the Iranian regime’s dress code. Elnaz resisted and ignored orders given by the Basij forces. Then the Basij forces who had initially stopped her jumped into her car and threatened her with a gun. Two other Basij members joined in and all together they beat and raped her. They murdered Babazadeh and dumped her body close to Emamiyeh cemetery. After local investigation was conducted by HRANA members in Tabriz, it was confirmed at Babazadeh’s funeral that the person who killed her was the son of a high-ranking Revolutionary Guards member.

All articles continue at links. Part of a series that never ends… [1][2][3][4][5][6][7][8][9][10][11][12][13] and etc.  It is not the proper role of the State to moderate clothing, but it might be the proper role of the State to make crime and violence more difficult.  A legal ban on the burqa in all circumstances is inappropriate, but a legal compulsion to reveal oneself in some circumstances (banks, airports, during arrests, getting a photo license) might be appropriate.  Hospitals (State and private) should have policies mandating hygienic behavior as a condition for continued employment no matter the religion of the employee.  If washing one’s hands includes revealing one’s hands and is thus against Islam, so much the worse for any would-be Muslim health care worker.  Private businesses are best left to private policies regarding required or forbidden clothing. And having said all that, it is better of courts in France to fine women who wear the burqa than it is for courts in Iran to rape and murder women who no not wear the burqa. These legal and cultural systems are not only different from one another, but one is better than the other. How can I tell? One rapes and murders women who no not wear the burqa, and one does not. The one that doesn’t is better. One culture threatens cartoonists and murders film makers, and one does not. The one that doesn’t is better. One culture has neighborhood stonings of half-buried women as a trial by survival, and one doesn’t.  The one that doesn’t is better.  When individuals from the culture that is worse identify themselves plainly, such as with the burqa, the State of the culture that is better can be tempted to use that easy identifier as a means to preserve itself. But liberty is not easy. Do not ban the burqa. Do not ban Islam.  Existing laws in the West protect freedom of speech, freedom of assembly and protection from violence and intimidation.  Islam is against these laws, but no new anti-Islam laws are needed to keep it at bay.

The latter half of the 20th century saw the built environment merged with media space, and architecture taking on new roles related to branding, image and consumerism. Augmented reality may recontextualise the functions of consumerism and architecture, and change in the way in which we operate within it.

A film produced for my final year Masters in Architecture, part of a larger project about the social and architectural consequences of new media and augmented reality.

See also: Mashed in Plastic.

This video is why director Michel Gondry should be the one to adapt The Three Stigmata of Palmer Eldritch by Phillip K. Dick to film.

Robert Tait, Turkish Girl, 16, Buried Alive for Talking to Boys:

Turkish police have recovered the body of a 16-year-old girl they say was buried alive by relatives in an “honour” killing carried out as punishment for talking to boys. The girl, who has been identified only by the initials MM, was found in a sitting position with her hands tied, in a two-metre hole dug under a chicken pen outside her home in Kahta, in the south-eastern province of Adiyaman. [...] A postmortem examination revealed large amounts of soil in her lungs and stomach, indicating that she had been alive and conscious while being buried. Her body showed no signs of bruising.  The discovery will reopen the emotive debate in Turkey about “honour” killings, which are particularly prevalent in the impoverished south-east.  Official figures have indicated that more than 200 such killings take place each year, accounting for around half of all murders in Turkey.

Radio Netherlands Worldwide, Anti-Islam Book Launch Cancelled:

The book launch was scheduled for Thursday at The World Forum, but was cancelled because the director of the venue does not believe he can guarantee the safety of his guests. The book in question is Islamofobie? (Islamophobia?), written by Islam critic and PVV supporter Frans Groenendijk. The PVV, or Freedom Party is an anti-Islamic opposition party led by Geert Wilders. Green Left party member Tofik Dibi, who was to receive the first book at the launch, says he regrets that the conference centre acted out of fear.

Mahmood Delkhasteh, Rapists in Iran’s regime:

Sexual assault against men and women is being systematically used in Iran in an attempt to stifle opposition.

Justin Penrose, Rapist Jamaile Morally in Boiling Oil Jail Attack:

A jailed killer poured boiling oil over another inmate because he refused to convert to Islam. Jamaile Morally, 26 – sentenced to life as part of a gang that raped, tortured and murdered a teenage girl and left another for dead – led two other inmates in carrying out the attack.

Australian Broadcasting Corporation, Burqa-Clad Robbers Hold Up Post Office:

Two burqa-wearing robbers have held up a French post office using a handgun concealed beneath an Islamic-style full veil, court officials said.

All articles continue at links.  Part of a series that never ends… [1][2][3][4][5][6][7][8][9][10][11] and etc.  What sort of emotive debate can occur about honor killings?  I fail to see it as an issue with two valid perspectives which can come into harmony through compromise.  I am similarly too morally stunted to support the trial of Geert Wilders for – killing children?  Islamic theocracy-backed rape tortures? Prostelytising with boiling oil?  Robbing a bank?  No, Geert Wilders is on trial for making a film.  Maybe Wilders is lucky – some filmmakers who were critics of Islam in the Netherlands didn’t get to go to trial.  Violence and threats of violence to filmmakers and book authors, multicultural understanding for pedophiles and murderers.  That’s what Islam brings to the table in the 21st Century.  What do you bring?

Today (25 November) was a special day in the life of Yukio Mishima.  Men, take upon your shoulders now the portable shrine…

When l was small l would watch the young men parade the portable shrine through the streets at the local shrine festival. They were intoxicated with their task, and their expressions were of an indescribable abandon, their faces averted; some of them even rested the backs of their necks against the shafts of the shrine they shouldered, so that their eyes gazed up at the heavens. And my mind was much troubled by the riddle of what it was that those eyes reflected. As to the nature of the intoxicating vision that I detected in all this violent physical stress, my imagination provided no clue. For many a month, therefore, the enigma continued to occupy my mind; it was only much later, after I had begun to learn the language of the flesh, that I undertook to help in shouldering a portable shrine, and was at last able to solve the puzzle that had plagued me since infancy. They were simply looking at the sky. In their eyes there was no vision: only the reflection of the blue and absolute skies of early autumn. Those blue skies, though, were unusual skies such as I might never see again in my life: one moment strung up high aloft, the next plunged to the depths; constantly shifting, a strange compound of lucidity and madness. I promptly set down what I had discovered in a short essay, so important did my experience seem to me. In short, I had found myself at a point where there were no grounds for doubting that the sky that my own poetic intuition had shown me, and the sky revealed to the eyes of those ordinary young men of the neighborhood, were identical. That moment for which I had been waiting so long was a blessing that the sun and the steel had conferred on me. – Mishima, Sun and Steel.

Wikipedia: Yukio Mishima.
Yukio Mishima Museum.
Wax figure of Mishima (where is it now?).
Yukokio (The Rite of Love and Death), a 1966 film by Mishima.
Mishima conducting the Yomiuri Nippon Symphony.
Eirei No Koe (Voices of the Heroic Dead), an LP by Mishima.
Justin Raimondo: Mishima – Paleocon as Samurai.
Stephen Mansfield: A Life Less Ordinary.
… and more.

OVO triumphus for Yukio Mishima for 2008.

In Roland Emmerich’s upcoming global demolition derby movie 2012, the director gets to indulge his passion for destroying landmarks on a world scale. In 2012, he takes on landmarks in Rome, Rio de Janeiro and, yes, Washington, but there is one place even he couldn’t bring himself to obliterate. We caught up with Emmerich in Jackson Hole, Wyo., where he told us why he chose various landmarks to lay waste in 2012, and about the one that got away. [...] Emmerich said that he got approached by people who wanted their landmarks destroyed, such as the 101 Tower in Taipei, the world’s tallest building. But Emmerich was thinking of something even more explosive: the Kaaba, the cube-shaped building at the heart of Mecca, the focus of prayers and the Islamic pilgrimage called the Hajj; it is one of Islam’s holiest sites. Really? “Well, I wanted to do that, I have to admit,” Emmerich says. “But my co-writer Harald said I will not have a fatwa on my head because of a movie. And he was right. … We have to all … in the Western world … think about this. You can actually … let … Christian symbols fall apart, but if you would do this with [an] Arab symbol, you would have … a fatwa, and that sounds a little bit like what the state of this world is. So it’s just something which I kind of didn’t [think] was [an] important element, anyway, in the film, so I kind of left it out.”

Article continues. The Kaaba is a Muslim site, not (necessarily) an Arab site.  Some people will use any word except “Muslim” in describing Muslims out of fear of being killed offending.  Do people really get killed for making films perceived as sacreligious by Muslims? Ask Theo Van Gogh. Ask Maurice Williams and ask Officer Mack Cantrell.  It’s prudent to avoid doing things that might get you killed.  But what is prudent and what is right are not always the same thing.  In this case, a few moments of computer animation did not occur out of fear that the filmmakers might be killed by moral and intellectual runts who can’t tell the difference between pretend time and the real world.  What must be done to let filmmakers feel free to offend, inform or inspire?  Or is dhimmitude what the future holds for us all?

Wikipedia, Theo van Gogh:

Theodoor “Theo” van Gogh was a Dutch film director, film producer, columnist, author and actor. He was the great-grandson of Theo van Gogh, who was the brother of artist Vincent van Gogh. Van Gogh worked with writer Ayaan Hirsi Ali to produce the film Submission, which analyzed the treatment of women in Islam. Some claimed the film was critical of Islam. On 2 November 2004 he was murdered by Mohammed Bouyeri, a Dutch Muslim. The last film he completed before his death, 06/05, is a fictional version of the assassination of politician Pim Fortuyn.

Wikipedia, Pim Fortuyn:

Wilhelmus Simon Petrus “Pim” Fortuyn was a charismatic Dutch politician, author, columnist, public servant, sociologist and professor who formed his own party, Pim Fortuyn List (Lijst Pim Fortuyn or LPF). He was assassinated during the 2002 Dutch national election campaign by militant animal rights activist Volkert van der Graaf, who claimed in court he had murdered Fortuyn to stop him from exploiting Muslims as “scapegoats” and targeting “the weak parts of society to score points” in seeking political power.

Wikipedia, Ayaan Hirsi Ali:

Ayaan Hirsi Ali is a Dutch intellectual, feminist activist, writer, and politician. She is the estranged daughter of the Somali scholar, politician, and revolutionary opposition leader Hirsi Magan Isse. She is a prominent critic of Islam, and her screenplay for Theo Van Gogh’s movie Submission led to death threats. Since van Gogh’s assassination by a Muslim extremist in 2004, she has lived in seclusion under the protection of Dutch authorities. When she was eight, her family left Somalia for Saudi Arabia, then Ethiopia, and eventually settled in Kenya. She sought and obtained political asylum in the Netherlands in 1992, under circumstances that later became the center of a political controversy. In 2003 she was elected a member of the House of Representatives (the lower house of the Dutch parliament), representing the People’s Party for Freedom and Democracy (VVD). A political crisis surrounding the potential stripping of her Dutch citizenship led to her resignation from the parliament, and led indirectly to the fall of the second Balkenende cabinet. Ayaan Hirsi Ali was born in Somalia. Her father, Hirsi Magan Isse, was a prominent member of the Somali Salvation Democratic Front and a leading figure in the Somalian Revolution. Shortly after she was born, her father was imprisoned due to his opposition to Somalia’s Siad Barre government. Hirsi Ali’s father had studied abroad and was opposed to female genital cutting, but while he was imprisoned, Hirsi Ali’s grandmother had the traditional procedure performed on five-year-old Hirsi Ali.

Wikipedia, Religious Views on Female Genital Cutting:

Muslim scholars have often been divided on whether it should be considered as a non-religious traditional custom, or whether it should be specifically condemned by religious authorities.

Today is the anniversary of the death of Theo van Gogh, who was murdered for a film written by Ayaan Ali and who had just finished a film on Pim Fortyun.  Two ways of problem solving are on display here.  In one, people write scripts, make films and are elected to public office.  In the other, you kill people.  One is the way of the West, and one is the way of the Muslim world.  Which way do you favor?  If you’re having trouble deciding, look at the primary evidence.  Start by watching the film Submission.  Then look at this photograph of Theo van Gogh’s body, shot multiple times, head nearly cut off, stabbed repeatedly, with Muslim prayers pinned to his chest by his murderer’s knives.  Consider whether you think scholars should have nuanced debates on the merits of forced clitoridectomies for girls or… not.  I hope these comparisons brings you mental and moral clarity.

This is a book in process documenting the history of the concept of mutants in popular culture – from early science fiction to counter culture to modern mainstream media.

Evolution of the Mutant in Popular Culture

A Poor Wayfaring Stranger

Terror Transmission is a free podcast program dedicated to horror cinema, particularly classics of the genre and/or those hidden gems begging for rediscovery.

Terror Transmission

Photocopy, 8.5 x 5.5 inches, 16 pages. Ernest Mann Becoming More Free, Hakim Bey (first publication of Salon Apocalypse / Secret Theater, later published in T.A.Z. The Temporary Autonomous Zone), tENTATIVELY, a cONVENIENCE Mike Film, body art (two years before Modern Primitives), copy art, collage art and graffiti stencil art.

[01] Cover. Copy art, photocopier, prosthetic eyes and pen.
[02] Introduction. I was no more than 21 years old in this photograph.  I was on the right track with making OVO something for friends, to foster communication.  It would have been better to simply be a more social young man, but that’s what happened.  And I was on the right track to put the work in the public domain.  But I regret asking readers to refrain from reviewing OVO.  I changed my mind on that one soon enough.
[03][04][05] Becoming More Free. Ernest Mann.  Ernest Mann advocated refusing to take pay for one’s work, with the idea that if everyone worked for free then the need to charge for goods and services (and scarcity of goods and services) would vanish, bringing universal prosperity. Good ideas that can’t be carried out aren’t good ideas at all.  This is why Gerry Reith’s piece in OVO 1 was impressive to me.  After decades of publishing his own newsletter and two books, Ernest Mann was murdered by his grandson in the 1990s.  The addresses shown here are no longer valid.
[06] Mike Film. tENTATIVELY, a cONVENIENCE. Mike Film is a super-8 movie of infinite duration shot in 1978.  The film was cut into individual cells and distributed around the world.  Actual cells of Mike Film were taped to pages in this issue of OVO. I still have a few hundred cells of Mike Film.  The address shown here is no longer valid.
[07] OCCUPANT booklet. Booklet not shown here. Collage elements drawn from album cover art by The Residents. OCCUPANT was the first band I was in.
[08] Death Car. Top left background by Trevor Blake using an Amiga computer. Top right background is the burglar image used many times in OVO. Bottom left background unknown, tape deck same as seen in OVO 1. Bottom right background from ‘teenage’ collage by Trevor Blake (including surrealist photography and David Merrik). The hundreds of tapes I was making and receiving seldom had labels. These j-cards were designed for any cassette; any tape could be ‘Death Car.’ ‘Death Car’ and the skull are from a police museum in Pigeon Forge, Tennessee – the same museum I’m standing in front of on page 88 of Pagan Kennedy’s book Zine.
[09][10] Salon Apocalypse. Hakim Bey. First appearance of this essay. Published four years later in T.A.Z. The Temporary Autonomous Zone.
[11][12] Body art. These photographs of a nipple pierced in 1985 were published in 1987, two years before the Modern Primitives issue of Re/Search.
[13] Collage.
[14] Collage. Elements drawn from album cover art by The Residents. Stencil graffiti by Trevor Blake from the mid-1980s in Knoxville, Tennessee.
[15] Collage. Background is a photocopy image a plastic fork spinning on the scanning glass while being copied.

OVO is a collection of new works in the public domain edited and published by Trevor Blake. New issues are in progress. Past issues include…

OVO 18 Money (April 2008)
OVO 17 The Dreadlock Recollections (January 2007)
OVO 16 AntiChrist (January 2006)
OVO 15 Sperm (February 2005)
OVO 14 Suffering (March 1992)
OVO 13 Travel (January 1992)
OVO 12 Science (November 1991)
OVO 11 Control (September 1991)
OVO 10 Mayhem (July 1991)
OVO 9 (July 1991)
OVO 8 (May 1991)
OVO 7 Information (October 1989)
OVO 6 (Infinite)
OVO 5 (November 1988)
OVO 4 (May 1988)
OVO 3 (November 1987)
OVO 2 (July 1987)
OVO 1 (1987)

… and may be downloaded here.

Star Wars: Uncut

Spurs by Tod Robbins is the short story which the film Freaks by Tod Browning was based on. Thanks to the Internet you can read Spurs and watch Freaks. If you want to watch this film as it was first presented, shut it off at 1:02:27.

An Ongoing Series of Cultural and Personal Observations by Tom Sutpen, Stephen Cooke, Richard Gibson and Kimberly Lindbergs. [superb.]

If Charlie Parker Was a Gunslinger,There’d Be a Whole Lot of Dead Copycats

Since 1999, Oddcast has powered some of the web’s most groundbreaking and successful viral marketing campaigns [from the minds of EBN]

Oddcast – The Viral Marketing Company

Dr Seuss / Friedrich Hollander song about childhood

Because We’re Kids – 5000 Fingers of Dr. T

The Good Little Monkeys, Hear no Evil, See No Evil, and Speak No Evil take up smoking, and have a trippy time with dancing and singing hobo cigars, Mexican cigarettes and hillbilly corn-cob pipes!

YouTube – “Pipe Dreams”