Trevor Blake: Multiple Name Identities

Trevor Blake: The Residents. 1990.
Multiple name identities are co-incarnations, individuals who exist in more than one body at the same time.
A few multiple name identities can be found in academia. Nicholas Bourbaki has written several influential papers on mathematics since 1935. A number of men were Nicholas Bourbaki. The theologian Franz Bibfeldt was also a number of men.
Most multiple name identities are found in the arts. No one knows who is the author of the 1930 book The Little Engine That Could. The story is attributed to Watty Piper, which was the house name of publisher Platt & Munk. Many men and women wrote under the name Watty Piper.
Kenneth Robeson was the creator and author of the Doc Savage character, who first appeared in 1933. Lester Dent and a number of men wrote the stories, all of which were published under the Street & Smith house name Kenneth Robeson.
Three German men were Stefan Brockhoff, author of mystery novels from the 1930s to the 1950s.
Kilgore Trout is a science fiction author who first appears in the 1965 book God Bless You Mr. Rosewater by science fiction author Kurt Vonnegut. Trout is modeled after the science fiction author Theodore Sturgeon, who in turn was born with the name Edward Hamilton Waldo. Philip J. Farmer wrote the 1974 science fiction novel Venus on the Half-Shell and attributed it to Trout.
Since 1968, films which the director wishes to distance themselves from are attributed to Alan Smithee. The Internet Movie Database lists more than seventy titles attributed to Alan Smithee.
David Agnew is a name used by the BBC as a shared scriptwriting credit since the 1970s.
Bruce Lee died during the production of the 1978 film Game of Death. Two other actors took on the role of playing Bruce Lee playing the character Billy Lo and the film was released.
V. C. Andrews’ 1979 book Flowers in the Attic was so successful that authors have published dozens of books under her name since her death in 1986.
Between 1988 and 1994, the Dutch composer Van den Budenmayer wrote the score for Zbigniew Prisner’s films. den Budenmayer was several men working under one name.
Nicholas Palmer wrote the 1990 book Fuck Yes! under the pseudonym Rev. Wing Fu Fing. On a lark, author Tom Robbins signed a copy of Fuck Yes! when a Robbins fan handed it to him. This started the rumor that Robbins was the secret author of Fuck Yes!, a rumor which helped Palmer sell 50,000 copies of the self-published book over the next four years. Fuck Yes! tells the story of a man who says ‘yes’ to every circumstance that life presents him. In 1996 Palmer sued Robbins, who agreed to never sign another copy of the book again. Palmer said: “It’s not just Robbins, the book is good. It has allowed him to take advantage of my anonymity.” In 2008 Jim Carry starred in the film Yes Man, which tells the story of a man who says ‘yes’ to every circumstance that life presents him. Yes Man is based on the 2005 book of the same title by Danny Wallace.
Actor Heath Ledger died during the production of the 2009 film The Imaginarium of Doctor Parnassus. Three other actors took on the role of playing Heath Ledger playing the character Tony Shepard and the film was released.
The author Wu Ming is several Italian men who have published books since 2000.
There is a species of human behavior that is not quite art, not quite politics, and not quite as presumptuous as all that sounds. I prefer the term pranks. I first learned of multiple name identities from pranksters. Rrose Sélavy was an an artist and model in the 1920s, associated with a number of dadaists.
In 1960 the young Kerry Wendell Thornley worked as a desk clerk for the United States Marines. As a prank, he entered a false name in the training lecture roster: Omar Kayyam Ravenhurst. Over time Thornley and other Marines completed more paperwork for the non-existent Marine, giving him an IQ of 157 and fluency in 17 languages. Ravenhurst then got the blame when Thornley or one of his friends made a mistake on base, making Private Ravenhurst a multiple name identity.
A free music festival was held near Stonehenge in 1974. The audience decided to squat the location at the site after the performance. Eviction laws required naming each of the squatters, and so the squatters all adopted the same name to make the job of the police more difficult. Thus several dozen people became Wally. One of the Wallies, Wally Hope, was sent to a psychiatric institution for possession of LSD in May 1975. He was unable to detox from the forced drugging of the institution and died in September 1975. His free-spirited life and oppressive death was a central inspiration for Penny Rimbaud to form CRASS. Unrelated is the Stonehenge built by Wally Wallington.
David Zack has written about Monte Cantsin, who appeared in 1975:
Maris [Kundzins] and I were in Portland [Oregon]. We’d been working with a Xerox 3107 that makes big copies and reductions. We were making giant folios; monster folios and dinosaur folios we called them. And one night Maris started fooling around with the tape recorder, singing songs in Latuvian about toilets and traffic. Well, we decided to make a pop star out of Maris. But it had to be an open pop star, that is, anyone who wanted could assume the personality of the pop star. This open pop star would be the most talented in history, better than Elvis Presley, Frank Sinatra, Sal Mineo and even Ry Cooder all rolled together in one. Pop stars have always been special to me, growing up the son of a symphony conductor the way I did. To me they stand for rebellion and acceptance, revolution and success and a whole lot of other things at the same time. We were mouthing Maris Kundzins’ name, and it came out Monty Cantsins. Then we got to saying can’t sin and can’t sing and quite a few other things to give the impression that this pop star could be a thief as well as a saint.
One thing I definitely did invent is “Monty Cantsin,” the open pop star. I did not do this alone, I did it in Portland, Oregon with the very first Monty Cantsin, an artist named Maris Kundzins. Maris and I sent a card to Kantor in Montreal, you are Monty Cantsin, the open pop star. Well Graf I have to assert what Kantor did with this simple postcard belongs in any history of art and also any history of the world. The idea that people can share their art power is a very good one I think. My own understanding of Neoism is that it is about sharing, about bash: cooperation between people, putting egos and tempers aside. Though not always seeming to. [1][2]
Stewart Home has written about Karen Elliot, who appeared in 1985:
Karen Eliot is a name that refers to an individual human being who can be anyone. The name is fixed, the people using it aren’t. Smile is a name that refers to an international magazine with multiple origins. The name is fixed, the types of magazines using it aren’t. The purpose of many different magazines and people using the same name is to create a situation for which no one in particular is responsible and to practically examine western philosophical notions of identity, individuality, originality, value and truth.
Anyone can become Karen Eliot simply by adopting the name, but they are only Karen Eliot for the period in which the name is used. Karen Eliot was materialised, rather than born, as an open context in the summer of ’85. When one becomes Karen Eliot one’s previous existence consists of the acts other people have undertaken using the name. When one becomes Karen Eliot one has no family, no parents, no birth. Karen Eliot was not born, s/he was materialised from social forces, constructed as a means of entering the shifting terrain that circumscribes the ‘individual’ and society.
The name Karen Eliot can be strategically adopted for a series of actions, interventions, exhibitions, texts, etc. When replying to letters generated by an action / text in which the context has been used then it makes sense to continue using the context, ie by replying as Karen Eliot. However in personal relationships, where one has a personal history other than the acts undertaken by a series of people using the name Karen Eliot, it does not make sense to use the context. If one uses the context in personal life there is a danger that the name Karen Eliot will become over-identified with individual beings. [3]
I published work by Karen Elliot in OVO 3 (1987)
Stewart Home, in turn, has seen publications under his own name that he did not write. These include the books Stone Circle, Harry Potter and the Quantum Time Bomb, and essays including “Anarchism is Stupid: How Luther Blissett Hoaxed Bakunin’s Idiot Children,” “Communism or Masochism? An Appeal to All Revolutionaries Concerning the Rubber Slave Larry O’Hara,” and “An Open Letter to My Avant-Garde Chums by Stewart Home.” Someone anonymously suggested the (then) anonymous blogger Belle de Jour was Stewart Home. Not necessarily with his cooperation or consent, Stewart Home has become several people.
Luther Blissett (born 1958) is a professional footballer, manager and coach. His name was adopted by the Luther Blissett Project as an open reputation in the 1990s. Blissett the footballer is aware of the other Blissetts and has taken his open reputation in stride.
I enjoyed several people being me in the early 2000s. A number of my friends in Portland were on a site called irreality. They encouraged me to join, but I had enough internet time in my day and didn’t want to. Some time back I’d heard that David Bowie had hired actors to play his press agents, and Bowie confirmed whatever exaggerated claim they made about him. Inspired by this story I encouraged 2-3 of my friends to set up an irreality account for me and post to it as if they were me, promising I’d confirm anything they posted as my own. For a year or two these friends would mix some of my own writing (from ovo127.com) with original writing of their own and post it at irreality. When I’d meet up with those who thought I’d posted what they read at irreality attributed to me I’d confirm it. Some of the friends I made on irreality are friends to this day, perhaps only now learning I wasn’t necessarily who they thought I was at the time. Irreality closed shop in 2008.
The second-most influential multiple name identity is Anonymous. Although Anonymous began as an internet meme around 2006, Anonymous is also the name of many individuals who have appeared in public. Inspired by a scene in Allan Moore’s V for Vendetta, Anonymous appears in numbers wearing the mask of Guy Fawkes. As of December 2010, Anonymous is conducting successful attacks on major credit card and communication companies around the world in retaliation for slights against wikileaks.
The most influential multiple name identity is St. Nicholas / Father Christmas / Kris Kringle / Santa Claus. Every December for over a century, Santa has appeared around the world, wearing the same clothes, carrying out the same actions, exhibiting the same demeanor, claiming the same home-base and promising to return at the same time next year. A significant part of the world economy is shifted when Santa Claus comes to town. In the late 1980s the Orange Alternative of Poland held a parade of seventy-seven Santas as part of their absurdist protests against Communism. The SantaCon / Santarchy tactic appeared again in 1994, carried out by Suicide Club of San Francisco.
“You should never run out of people to be.” – Genesis P-Orridge.
