OVO

1040 NW Everett St. Portland, OR 97209

Bearing Service Company was founded in 1929. The Bearing Service Company building was built in 1945. Above the entryway there is a Deco style sign and round overhang. The round overhang is completed in it’s reflection in the front window. At the base of the column supporting the overhang there is a circle drawn in the sidewalk. The round overhang, column and circle form two wheels and an axle, a good match for an automotive business.

See Portland Memorials for thousands of memorials in downtown Portland, Oregon USA.

Music: Aeolian Piano Roll – “Phantom Patrol” (1903)

Kate Mather, The Oregonian:

Daniel Rafatpanah thought he was going to die. A jittery gunman was marching the 29-year-old and two of his Southeast Portland housemates upstairs to the attic, a handgun aimed at their backs. None of them knew the man, who demanded Popsicles and alcohol before taking them hostage Monday afternoon. But when he placed the gun under his foot to change into a new pair of pants, they knew it was their only chance. “Everything’s in slow-mo, and I’m like, ‘It’s go time.’ It’s time to fight this guy,” Rafatpanah said.

Jonathan Mooney, 26, bearhugged the gunman from behind. Robert Steinfeld, 21, broke a beer bottle over his head. And Rafatpanah started throwing punches, his hands bloodied by the shattered glass. Everyone reached for the gun as the man fell. The man fired a shot as the struggle continued. Rafatpanah’s right hand got sliced open by the gun’s mechanism, and blood poured everywhere.

A neck hold wasn’t working. Not knowing what else to do, Rafatpanah bit the man’s ear. “Let go of the gun, let go of the gun!” he yelled through clamped teeth. “Let go of my ear!” the gunman responded. The two tore apart, and Rafatpanah spat out a bean-sized piece of ear.

“I tasted the blood of my enemy in my mouth,” he said. “And so at that point you realize the stakes have gone so much higher because blood is being drawn – my blood, his blood.”

Rafatpanah lunged toward the gun and wrestled it away.

Article continues, with video.

Previously at OVO:

Trevor Blake: Time Machine (after The Invisibles by Grant Morrison). June 2011. Model: Danny Chaoflux.

Tuesday 7 February 2012
6:00pm to 7:00pm PST (GMT+8)

Hand-Eye Supply
23 NW 4th Ave
Portland, OR, 97209

503.575.9769
Regular Hours: Monday-Sunday: 12pm – 6pm PST (GMT+8)

Trevor Blake: The Sound of the Hammer Greets You on Every Side: Portland Memorials

Between 2009 and 2011 Trevor walked the length and breadth of downtown Portland. When he found a memorial, he transcribed what it said and where it was. Portland Memorials includes all the memorials in downtown Portland. The book is entered this book into the public domain for the same reason Joseph Shemanski gave Portland the Shemanski Fountain: “to express in small measure gratitude for what the city has done for me.” Trevor will discuss the book and the remarkable memorials he found while writing it.

Trevor Blake was born in Knoxville, Tennessee and moved to Portland in 1992. He works as a freelance sign language interpreter. Besides Portland Memorials, he is the publisher of OVO (1987 – present); author of The Buckminster Fuller Bibliography; contributor to The Journal of Ride Theory Omnibus (Portland, JORT 2003); In Extremis (Athens, Survival Kit 1994); Pozdravi iz Babilona (Ljubljana, KRT 1987); and the literature of the Church of the SubGenius.

Hand-Eye Supply

Curiosity Club

Curiosity Club Streaming Video

Portland Memorials
144 pages, 8.5 x 11, $15.00
Thousands of memorials in Portland, Oregon.
[Information] [Print] [Kindle]

Trevor Blake: Architectural Detail of Occupy Portland. 11/11/11. Portland Oregon USA. Public Domain.

More public domain photographs of Occupy Portland by Trevor Blake here.

The USS Oregon was launched in 1893 and served until 1919. The battleship’s crew saw action in five wars. The Oregon was scrapped in 1956. The bow, mast and anchor chain of the Oregon are in Tom McCall Waterfront Park, near SW Pine and Naito. One mile north is the Albers Mill Building. The smokestacks of the Oregon were in a Liberty Ship memorial park where this parking lot is now. The Willamette River Greenway Trail runs next to the Building. Walk along it until you find a wall running into the Willamette River. On the other side of this wall are the remains of some Liberty Ships that had been made in Portland. This is what remains of the Liberty Ship memorial park.

Music: Aeolian Piano Roll – Phantom Patrol (1903)

Learn of thousands of other memorials in Portland Memorials by Trevor Blake.

Portland writer Trevor Blake’s book, Portland Memorials, is a compilation of historical markers to be found by walking through the downtown area. Sound simple? Consider that the author must at some points have practically crawled on his hands and knees to transcribe dates and names from the thousands of “plaques, buildings, statues, benches and fountains” that were grist for his investigations. He even discovered that a few memorials touching on Black history were likely thrown into the Willamette River. The Skanner News traded electronic letters with Blake to get his story on how, and why, Portland has chosen to remember its past.

The Skanner News: Trevor what made you want to put this book together?

Trevor Blake: I wrote Portland Memorials for three reasons. The first reason is an echo of one of the memorials found in the book. The Shemanski Fountain is located at the north end of the South Park Blocks. It was a gift to the city by Portland shopkeeper Joseph Shemanski (1869-1951) in 1926. Shemanski gave the fountain to the city “to express in small measure gratitude for what the city has done for me.” And that is exactly the reason I have written Portland Memorials. I moved to Portland in 1992 and the city has given me as many opportunities, experiences and challenges as anyone could ask for. The second reason is writing a book is a good way to learn a subject, and I wanted to learn more about the architecture and history of Portland. The third reason is it provided some good exercise for the legs and the brain.

TSN: How did you research it, how many memorials are contained in it, and how long did it take?

Blake: I researched Portland Memorials the old fashioned way: I used my feet and my eyes. Over a three year period I walked around every block in downtown Portland, usually two or three times, and whenever I found a memorial I wrote down what it said and where it was using a pencil and paper. No special training or equipment was needed. There are a few websites and books that might have helped but I decided to see for myself what was there, and in doing so I’ve documented many thousands of memorials that are found in no other resource. I thought it would be a fine project for a Summer and include a few hundred items. It is a fine project, but it took three years and includes thousands of names. The best way to find a particular memorial is to look in the index, then find that page, then go to that memorial.

TSN: Can you talk a little bit about the Portland memorials that touch on the African American experience here?

BLAKE: I’m glad you asked this question. One of the most lively memorials downtown is for the Golden West Hotel at 707 NW Everett. This hotel was owned and frequented by African Americans from the early 1900s onward. Of all the memorials I found, this is the only one that includes photographs, text and a recording – the blind can enjoy and learn from this memorial, making it accessible to even more Portland citizens. The Walk of the Heroines on the campus of Portland State University includes the name of nearly thirty Black women civil rights pioneers. Strangely enough, there are three civil war cannons in downtown Portland. Two are in Lownsdale Square and were taken from Fort Sumter, the third was melted down and made into the church bell of First Presbyterian Church. There are some sidewalk plaques in the Old Town area that honor how the Chinese community has interacted with other communities, and one of them (on NW Flanders between 3 and 4) talks about how the Chinese and African American community mingled at the Royal Palm Hotel. There used to be a memorial park downtown dedicated to the Liberty Ships built by many African American workers in Portland during World War Two, but when that property was converted to condominiums most of what was in the park was thrown into the Willamette River.

TSN: What do you want to come from this book?

BLAKE: I want people to read about a memorial and go see it for themselves.  Not to read about it and forget it, not look it up online, but to go see it for themselves. It’s a reminder that each of us will just be a memory some day and that we’d best make hay while the sun shines.

TSN: What’s the most important thing about this town that you hope people take away from reading Portland Memorials?

BLAKE: Portland has preserved much of its history, and that can’t be said about many cities. Sometimes the preservation was by design of the city leaders, but often it was the efforts of individuals. In the 1950s many older buildings were torn down for being old fashioned.  The decorative iron work on the sides of some of these buildings was, shall we say, ‘privately preserved’ by individuals who couldn’t stand to see the art destroyed. Decades later, when Portland again appreciated its history, these works were returned to the city and can be seen in the Saturday Market area. I hope Portland Memorials is read for years to come by those who care about our city’s history.

TSN: Is there a website or other place people can access your book, or any other of your writings?

BLAKE: My book can be purchased in print or for Kindle at this address http://ovo127.com/ovo/ , where there is also a free sample chapter to download.

Originally published by The Skanner News on 19 December 2011.  Many thanks to Lisa and The Skanner.

Rev. Stang:

Dr. Onan Canobite sent two self-published books, one a best-of from his OVO zine and one about the monuments and plaques of Portland Oregon, his town, which he loves, having grown up in Knoxville TN.

See also: Church of the SubGenius.

Trevor Blake: Architecture. Portland Oregon USA. October 2011. Public Domain.

Trevor Blake: Architecture. Portland Oregon USA. October 2011. Public Domain.

Image c/o Retronaut.

Thanks to the following for linking to OVO.

Eithin links to Liberating Wednesday.
Monday Vatican links to The Concordant Story.
Financial Advices Blog links to The Bonus Army.
Rambone at Indiana Gun Owners links to The Bonus Army.
The American Book of the Dead links to Unspeakable Horrors.

Trevor Blake: Architecture.  Portland Oregon USA.  October 2011.  Public Domain.

This review of OVO 20: JUVEN(a/i)LIA by Trevor Blake was written by Ferdinand Bardamu, and appeared at his blog In Mala Fide in November 2011.

This is a best-of collection of articles and artwork from OVO, a zine founded and edited by friend of the blog Trevor Blake, “a public record of [his] interests and inquiries.” It’s interesting, it’s weird, and I don’t entirely know what to make of it. I guess it’s because I’m too young to appreciate it – I was barely out of diapers when Trevor was printing up the early editions of OVO on his pal’s company’s copiers in the eighties. To someone of the Internet Era, where narcissistic self-expression is just a couple of mouse clicks away, the effort and dedication involved in compiling an entire magazine, from writing and gathering the material to binding the physical copies and mailing them out, is difficult to relate to.

Still, this is a great little collection of oddities, ranging from poetry to short stories to investigative journalism on offbeat subjects. They include “Holding Games for Ransom,” about how one tabletop game creator found a way to keep online piracy from cutting into his profits; “A Pit Stop Along the Inward Journey,” a stream-of-consciousness tale beginning with white guilt and ending with madness; and “23 Sperm Stories 23,” the longest article in the book, on just about every aspect of sperm, from its discovery, its function, and its future. Of particular interest to us in the manosphere are “Warbucks Intra-Family Communique” and “Becoming More Free” by Ernest Mann. The former is a satirical article on the emptiness and mindlessness of American consumerism; the latter is on how Mann unplugged himself from the Matrix of American culture:

I am wasting less of my time (LIFE) watching, listening to and reading THOUGHT LEADERS, ie, TV, movies, radio, music, newspapers, magazines and novels. These are like spectator sports. They cause me to live life vicariously, ie, second-hand, not real, only in fantasy. These mind conditioners are subtly designed to create not only fear and anger emotions but also create feelings of guilt and inadequacy. These feeling stifle growth and keep one securely in one’s rut. And of course the more visible purpose of the media is to create the desire to acquire (BUY! BUY! BUY!) and keep up with the Joneses. ‘Buying’ uses up my savings. I spent 22 years of my TIME (life) working as a Wage Slave. I helped perpetuate the status quo, ie a world of 98.6% Slaves and less than 1% Elite (Billionaires). I don’t wish to do that any more.

But the real prize is Trevor’s own writings, comprising the second half of the book. They include book reviews (including an exhaustive review of one of my favorites, L.A. Rollins’ Myth of Natural Rights), interviews with such diverse individuals as a bulimia sufferer and an expert on out-of-body experiences/bilocation, and my favorite, “Trajectory Through Anarchism,” in which Trevor tracks the evolution of his political beliefs:

1996: Feeling free of anarchism and a little burned by what I now see was my own hooded thinking, I call up the imp of the perverse to see what other forbidden ideas might be out there. Ayn Rand is suggested, and I read her works. Having already shed one hood I’m less inclined to put another one on, and I do not become an Objectivist. But moving through Objectivism brings libertarian thinking to my attention. It’s something about the sovereignty of the individual… but I’ve walked down that path already and don’t sign on as a libertarian either.

Like The eXile, OVO 20 comes in a 8 1/2 by 11 inch size, to fit artwork and cartoons on the pages – I was particularly amused by “Attack of the Giant Killer Sperm.” One minor issue I have with the design is that all paragraphs in OVO 20 are punctuated with bullet points. I suppose they’re there to make the book look distinctive, but I found them mildly distracting, fooling my eyes into thinking I was reading a series of lists instead of articles.

Still, if you want to take an excursion into the bizarre and come back a little more enlightened, OV0 20 is a fun and informative read. If you’re still not convinced, Trevor maintains a free online archive of all OVO articles here. He also has some words of wisdom for aspiring writers and publishers:

…First and most important, get busy. Your time is already diminished by work and mortality, and neither of those situations is going to improve. Keep a printed copy of what you make and write down the date of when you made it. Large bodies of work and the pleasure they bring are made a few small pieces at a time. Learn about the history of what interests you. Novelty is rare and not always of value for being novel. Your friends are not being documented right now and you are the one who can do a good job with that. Read with regularity outside your area of interests. Nothing will point out your own ignorance and error better than attentiveness to those who disagree with you, nothing makes what you know make sense like learning something unrelated to what you know. Take as many chances as you are willing to take the lumps for.

But most of all, get busy.

Bonus Army protest, Portland Oregon USA August 1932. SW 4th and Main Street.

Occupy Portland protest, Portland Oregon USA October 2011.  SW 4th and Main Street.

Smedley Butler, author of War is a Racket, addresses the Bonus Army.

Occupy Portland protest, Portland Oregon USA October 2011.

October 2011 photographs by Trevor Blake.  Public Domain.

Portland Memorials by Trevor Blake
144 pages, 8.5 x 11, $15.00
Thousands of memorials in downtown Portland, Oregon USA.
[Free Sample] [Print] [Kindle] [Front Cover 2550 x 3300 PNG]

Between 2009 and 2011 I walked the length and breadth of downtown Portland. When I found a memorial, I transcribed what it said and where it was. This book includes all the memorials in downtown Portland. I have entered this book into the public domain for the same reason Joseph Shemanski gave Portland the Shemanski Fountain: “to express in small measure gratitude for what the city has done for me.”

Video:
Trevor Blake: Bearing Service Co.
Trevor Blake: The Liberty Ships.

Press:
Trevor Blake at the Curiosity Club 7 February 2012.
Cornelius Rex: Twitter (26 December 2011).
Lost Oregon: Twitter (26 December 2011).
Oregon News Network: Twitter (26 December 2011).
Lisa Loving: Portland Memorials Lists City Histories Depicted in Park Benches, Fountains, and More (The Skanner, Volume XXXIII No. 60.  19 December 2011).
Klint Finley: Twitter (19 December 2011).
Ivan Stang: Portland Memorials (ScrubGenius, 19 December 2011).

Stupeflix is an online video editing application. They recently used some of my public domain photographs to make a demonstration video for their product. They asked permission first, did a fine job, and I approve. Thanks Stupeflix and good luck!

Anonymous: Lost Dog Reward! This 8.5 x 11 inch photocopy poster was made by someone I knew in the early 1990s in Portland Oregon. The seven-digit phone number on the poster has been obscured.

Trevor Blake, Portland Oregon USA. May 2011. Photograph by Kirby Urner.

Trevor Blake: Quit While You Are A Head. Digital image. 1 April 2010.

Trevor Blake: Collage 1988 – 2010
May 2011
Sound Grounds Coffee House
3711 Belmont St, Portland Oregon 97214 United States

Artist’s Statement

My first collages were made in the late 1970s when I was in 8th grade. They were inspired by comic books and advertising, and were meant to be funny. Collage was a way of making a picture that including elements I could not yet draw to my satisfaction. In the 1990s I worked in used book stores. The source material for my collages improved. Collage became a way of making a picture instead of a substitution for drawing. In the 2000s I’ve started learning how to use a computer to make collages.

Collages are evidence that meaning of an image is in the mind of the artist and the viewer, not in the image itself. There is no minimal meaning that is transferred from a source image into a collage. What is seen as the meaning of an image does not reside in the image itself. Therefore laws against hate speech, pornography, and blasphemy are of questionable merit. Projecting meaning onto fragments is how collage works and how the world works. Fortunately, it does work.

Collage is often criminal and immoral, made up of the work of others without credit or compensation. Stating this fact does not excuse it. It may partially cleanse my debt to others that the majority of my works are entered into the public domain.

Collage is enjoyable, inexpensive to produce and encourages design skills. Paper, scissors or a hobby knife, and glue are all that anyone needs.

Choose your meanings and fragments well.

Thank you.

Alayna May Wyland of Clackamas, Oregon. This young girl was burdened with a mass of blood vessels called a hemangioma at birth. Usually a minor surgery corrects this problem. But Alayna has parents that believe an invisible monster in the sky caused her to be born with a hemangioma, and only incantations and spells to the invisible monster would convince Him to make the hemangioma go away. So her parents said magic spells and rubbed magic oil on their little girl rather than take her to a doctor. The small hemangioma grew large, eroded her eye socket and likely damaged her ability to see.  What’s the harm in faith healing?  Ask Alayna when she’s a little older.  Oregon lawmakers are about one hundred dead children too late in passing this law, but better one hundred dead children too late than one hundred and one children too late.

Steve Mayes: Oregon Lawmakers Appear Ready to End Legal Protections for Faith-Healing Parents

Oregon lawmakers will take the first step today [21 February 2011] toward ending legal protections for parents who rely solely on faith to treat their dying children. The bill targets the Followers of Christ, an Oregon City church with a long history of children dying from treatable medical conditions. A previous crackdown restricted but did not eliminate religious immunity from state criminal statutes. Rep. Carolyn Tomei, D-Milwaukie, said deaths of three Followers children in recent years – all without medical intervention – prompted her to introduce the bill. “Such gross and unnecessary neglect cannot be allowed, even if the parents are well-meaning,” Tomei said. The legislation appears primed for approval. It has wide support both political parties, prosecutors, medical providers and child-protection groups, and there is no organized opposition. “I don’t think there’ll be anyone coming to testify against it,” Tomei said. House Bill 2721 would remove spiritual treatment as a defense for all homicide charges. Moreover, if found guilty, parents would be subject to mandatory sentencing under Oregon’s Measure 11.

Previously at OVO:
The True Face of Faith Healing (27 July 2010)
Ore. parents face charges in child’s death (16 June 2009)
Abusing Children in the Name of God (5 January 2008)
Child Sacrifice in Oregon (4 June 2007)

“Time is money” is a rather common proverb generally heard as one explains why they are so wrapped up in their scheduling software or why they buy at wall-mart. To a degree this is a truism, in a capitalist economy time is money and money is the arbiter of all value. However the speaker of this proverb is rarely aware that if time is money and money is valuable then their time is valuable… even if they are not exchanging it for money. Time, not money, is the most valuable thing that anyone has. This is because it is a truly finite variable that so many other things depend upon. Instead people allow their schedules to rule their time telling them where they have to be when and what they have to do when they get there. It seems to me that people are exchanging a most precious commodity, their time to experience existence, for something much more common, little coloured rectangles of paper. Even after you have bought things with your coloured paper you still need your time to make use of the shiny things you have purchased. Its a cruel dynamic the more you work to make money to buy things the less time you have to enjoy the things you have been working for.

You trade your time for money and trade money for things. This is in some ways overly complicated and there are people who spend their time making those things that they want, cutting out all the middle men. The do-it-yourself movement is an example of this, as is subsistence level farming. Considering how wasteful consumer capitalism actually is, it is entirely possible to survive in a urban environment without engaging in wage labour. You can spend your time getting food by dumpstering. Food, of course, is far from the only thing thrown away while it is still usable.

Out of the discards of a wasteful culture you can pull the raw materials with which to construct objects of desire and engage in enjoyable activities. The simpler your needs are in terms of objects the more time you can spend on experiences, on living. Buckminster Fuller was an inventor who spent his time designing things to more efficiently meet the needs of people in order to free them up to live. He called this branch of technology livingry to put it in distinction to the other motor of innovation, weaponry.

Marx developed the Labour-time theory of value where the value of an object was determined by the amount of labour time that was put into its production. Of course this theory was partially a work of propaganda or myth-making to build up the claim of the workers to the rewards of the early capitalist economy but it still one of the better theories on what actually makes a commodity valuable. Perhaps another way of looking at this is that value is produced by the energy put into the object over time, Value as Kilowatt Hours. With the increasing mechanization of industrial production it is foreseeble that items will be stamped out that had so minimal an input by humans that they would be valueless in terms of labour. However, these objects will still take work in a physical sense to produce them. Whether this shift to inhuman production will be a liberatory experience for mankind or the creation of a destitute no-longer-working class is an open question as yet. In part the answer has been to push people into service and administrative roles but even these have begun to be mechanized with information technology such as recommendation systems and complicated telephony arrangements.

from OVO 18 MONEY (April 2008)

Edward Wilson is a freelance writer living in Vancouver, Canada; Portland, Oregon and Cyberspace. If not found writing in one of Vancouver’s coffee shops, Edward is likely drinking in one of Portland’s Bars. Edward, known online as Fenris23, specializes in rediscovering magical techniques in the fields of psychology and sociology. He is Co-Author of The Art of Memetics with Wes Unruh and his next project will be space/ time/ punctuation, an exploration of the experience of space and time.
http://fenris23.wordpress.com
fenris23@gmail.com