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	<title>OVO &#187; situationist</title>
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		<title>Trevor Blake: OVO Poetry Series</title>
		<link>http://ovo127.com/2012/04/04/trevor-blake-ovo-poetry-series/</link>
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		<pubDate>Wed, 04 Apr 2012 18:08:18 +0000</pubDate>
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		<description><![CDATA[Announcing the OVO Poetry Series.  Judge these books as beautiful or hideous, inspirational or horrifying, rather than true or false. Volume One is Raoul Vaneigem Selected Works 1962-1979 $1.99 for the Kindle at amazon.com Selections from the works of Raoul Vaneigem (1934 – present). Basic Banalities (1962), Some Theoretical Topics That Need To Be Dealt [...]]]></description>
			<content:encoded><![CDATA[<p>Announcing the <a href="http://ovo127.com/poetry-series/">OVO Poetry Series</a>.  Judge these books as beautiful or hideous, inspirational or horrifying, rather than true or false.</p>
<p>Volume One is <strong>Raoul Vaneigem Selected Works 1962-1979</strong></p>
<p><img src="http://ovo127.com/media/RVSW.jpg" alt="" /><br />
<a href="http://www.amazon.com/Vaneigem-Selected-1962-1979-Poetry-ebook/dp/B007R8B5L6/">$1.99 for the Kindle at amazon.com</a></p>
<p>Selections from the works of Raoul Vaneigem (1934 – present).  <em>Basic Banalities</em> (1962), <em>Some Theoretical Topics That Need To Be Dealt With Without Academic Debate or Idle Speculation</em> (1966), <em>The Revolution of Everyday Life</em> (1967), <em>Contributions  to The Revolutionary Struggle, Intended To Be Discussed, Corrected, And  Principally, Put Into Practice Without Delay</em> (1974) and <em>The Book of Pleasures</em> (1979).</p>
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		<title>Peter Lamborn Wilson &#8211; Back to 1911 Movement Manifesto: Music</title>
		<link>http://ovo127.com/2011/11/04/peter-lamborn-wilson-back-to-1911-movement-manifesto-music/</link>
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		<pubDate>Sat, 05 Nov 2011 02:48:34 +0000</pubDate>
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		<description><![CDATA[Recorded music realizes a dream of pure magic &#8211; but at the same time the end &#38; even death of music itself. A Blakean paradox or mystical dialectic: every phenomenon had a &#8220;good&#8221; &#38; a &#8220;bad&#8221; (in some rough sense), an Emanation &#38; a Spectre. When I worked in radio (on WBIA-FM, The Moorish Orthodox [...]]]></description>
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<p>Recorded music realizes a dream of pure magic &#8211; but at the same time the end &amp; even death of music itself.  A Blakean paradox or mystical dialectic: every phenomenon had a &#8220;good&#8221; &amp; a &#8220;bad&#8221; (in some rough sense), an <em>Emanation</em> &amp; a <em>Spectre</em>.  When I worked in radio (on WBIA-FM, <em>The Moorish Orthodox Radio Crusade</em>) &amp; played rembetica, Ottoman marching bands, Irish music composed by supernatural beings (the <em>Tuatha De Danaan</em>, aka the faeries), Anglican church music from the 15-20th Century, etc., I &amp; my listeners (I hope) experienced the first <em>Emanational</em> aspect of recording &#8211; its magic.</p>
<p>But as the MUZAK company understood, recorded music eventually loses its <em>presence</em> &#8211; and in its state of <em>absence</em> or deprivation it becomes a potent subliminal form of anxiety, often alleviated by a shopping spree or food binge &#8211; perfect capitalist behavior.</p>
<p>Thus music becomes <em>background</em> &#8211; in expensive restaurants one is expected to listen (but not pay attention) to music appropriate to a honkytonk whorehouse: rock&#8217;n'roll, which should be a highly presentational dionysiac experience &#8211; becomes aural vanilla for jaded yuppies.  Youth buys its latest &#8220;rebellion&#8221; from the world of commercial greed &amp; adult condescension called the Music Industry.  With headphones &amp; computers everyone composes a soundtrack for their own stupid boring movie, their life as &#8220;student&#8221; or wage slave &amp; consumer &#8211; music as anodyne for the constant <em>immiseration</em> (as the Sits used to say) of Too-Late Kapitalismo.</p>
<p>Finally &#8211; recording replaces our own voices with dumbness.  We let stars sing for us &#8211; we let machines come between us &amp; the divine musician within us.  Music attains Spectral status.  It haunts us with its own non-presence reduced to residual noise pollution.</p>
<p>I had to give up radio (both as producer &amp; consumer) &amp; get rid of all recorded music in my sphere of influence (basically my house) in order to preserve my relation to music.  I don&#8217;t dare sing in the street (as everyone did until about 1979) and there is no amateur communal music anymore (recording killed it) &#8211; no &#8220;music bees&#8221; so to speak.  Music now lacks all <em>sociality</em> except the ersatz of mass consumption to hear <em>live</em> music sometimes.  Usually now when I hear any decent live music I burst into tears.  I <em>give it my attention</em> &#8211; a process that produces a kind of high or <em>rausch</em>.</p>
<p>If we have to hear a recording let it be a 1911-style shellac disc or even wax cylinder, cranked up by hand, not electricity &#8211; a magic music box to baffle the dog with its master&#8217;s voice &#8211; a cabinet of aural marvels.  If we have to be haunted by music&#8217;s non-presence (every recording is the tombstone of a live performance) let it be by one of these (see above) graceful ear-shaped or seashell-shaped machines, a Surrealist&#8217;s delight (Leonora Carrington&#8217;s &#8220;ear trumpets&#8221;) or Spirit Trumpet for a charlatanesque medium&#8230;</p>
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		<title>Trevor Blake: Multiple Name Identities</title>
		<link>http://ovo127.com/2010/12/15/trevor-blake-multiple-name-identities/</link>
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		<pubDate>Thu, 16 Dec 2010 01:02:21 +0000</pubDate>
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		<guid isPermaLink="false">http://ovo127.com/?p=20921</guid>
		<description><![CDATA[Trevor Blake: The Residents. 1990. Multiple name identities are co-incarnations, individuals who exist in more than one body at the same time. A few multiple name identities can be found in academia. Nicholas Bourbaki has written several influential papers on mathematics since 1935.  A number of men were Nicholas Bourbaki.  The theologian Franz Bibfeldt was [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://ovo127.com/media/rz1990.png"><img class="alignnone size-medium wp-image-20920" title="Trevor Blake: The Residents.  Manipulated image, 1990." src="http://ovo127.com/media/rz1990-300x196.png" alt="" width="300" height="196" /></a><br />
Trevor Blake: <em>The Residents</em>. 1990.</p>
<p>Multiple name identities are co-incarnations, individuals who exist in more than one body at the same time.</p>
<p>A few multiple name identities can be found in academia.  <a href="http://en.wikipedia.org/wiki/Nicholas_Bourbaki">Nicholas Bourbaki</a> has written several influential papers on mathematics since 1935.  A number of men were Nicholas Bourbaki.  The theologian <a href="http://en.wikipedia.org/wiki/Franz_Bibfeldt">Franz Bibfeldt</a> was also a number of men.</p>
<p>Most multiple name identities are found in the arts.  No one knows who is the <a href="http://tigger.uic.edu/%7Eplotnick/littleng.htm">author</a> of the 1930 book <em>The Little Engine That Could</em>.   The story is attributed to Watty Piper, which was the house name of  publisher Platt &amp; Munk.  Many men and women wrote under the name  Watty Piper.  <a href="http://en.wikipedia.org/wiki/Kenneth_Robeson"></a></p>
<p><a href="http://en.wikipedia.org/wiki/Kenneth_Robeson">Kenneth Robeson</a> was the creator and author of the Doc Savage character, who first  appeared in 1933.  Lester Dent and a number of men wrote the stories, all of which were  published under the Street &amp; Smith house name Kenneth Robeson.</p>
<p>Three German men were <a href="http://en.wikipedia.org/wiki/Stefan_Brockhoff">Stefan Brockhoff</a>, author of mystery novels from the 1930s to the 1950s.  <a href="http://en.wikipedia.org/wiki/Kilgore_Trout"></a></p>
<p><a href="http://en.wikipedia.org/wiki/Kilgore_Trout">Kilgore Trout</a> is a science fiction author who first appears in the 1965 book <em>God Bless You Mr. Rosewater</em> by science fiction author Kurt Vonnegut.  Trout is modeled after the science fiction author Theodore Sturgeon, who in turn was  born with the name Edward Hamilton Waldo.  Philip J. Farmer wrote the  1974 science fiction novel <em>Venus on the Half-Shell</em> and attributed it to Trout.</p>
<p>Since 1968, films which the director wishes to distance themselves from are attributed to <a href="https://docs.google.com/document/d/16xwU8sJX30sY6ZhRMTfIDSQYh9XjIKObjBVLw4cN7KA/edit?hl=en&amp;pli=1">Alan Smithee</a>. The Internet Movie Database lists <a href="http://www.imdb.com/name/nm0000647/">more than seventy titles</a> attributed to Alan Smithee.</p>
<p><a href="http://en.wikipedia.org/wiki/David_Agnew">David Agnew</a> is a name used by the BBC as a shared scriptwriting credit since the  1970s.</p>
<p>Bruce Lee died during the production of the 1978 film <a href="http://en.wikipedia.org/wiki/Game_of_Death">Game of Death</a>.  Two other actors took on the role of playing Bruce Lee playing the character Billy Lo and the film was released.</p>
<p><a href="http://en.wikipedia.org/wiki/V_C_Andrews">V. C. Andrews</a>’ 1979 book <em>Flowers in the Attic</em> was so successful that authors have published dozens of books under her  name since her death in 1986.</p>
<p>Between 1988 and 1994, the Dutch  composer <a href="http://en.wikipedia.org/wiki/Van_den_Budenmayer#Van_den_Budenmayer">Van den Budenmayer</a> wrote the score for Zbigniew Prisner’s films.  den Budenmayer was  several men working under one name.</p>
<p>Nicholas Palmer wrote the 1990 book<em> Fuck Yes!</em> under the pseudonym Rev. Wing Fu Fing.  On a lark, author Tom Robbins signed a copy of <em>Fuck Yes!</em> when a Robbins fan handed it to him.  This started the rumor that Robbins was the secret author of <em>Fuck Yes!</em>, a rumor which helped Palmer sell 50,000 copies of the self-published book over the next four years.  <em>Fuck Yes!</em> tells the story of a man who says ‘yes’ to every circumstance that life presents him.  In 1996 <a href="http://www.thefreelibrary.com/AUTHOR+AUTOGRAPH+TIFF+ENDS+IN+SETTLEMENT.-a064936738">Palmer sued Robbins</a>, who agreed to never sign another copy of the book again.  Palmer <a href="http://community.seattletimes.nwsource.com/archive/?date=19941129&amp;slug=1944433">said</a>:  &#8220;It&#8217;s not just Robbins, the book is good. It has allowed him to take  advantage of my anonymity.&#8221;  In 2008 Jim Carry starred in the film <em><a href="http://en.wikipedia.org/wiki/Yes_Man_%28film%29">Yes Man</a></em>, which tells the story of a man who says ‘yes’ to every circumstance that life presents him.  <em>Yes Man</em> is based on the 2005 book of the same title by Danny Wallace.</p>
<p>Actor Heath Ledger died during the production of the 2009 film <em><a href="http://en.wikipedia.org/wiki/The_Imaginarium_of_Doctor_Parnassus">The Imaginarium of Doctor Parnassus</a></em>.   Three other actors took on the role of playing Heath Ledger playing  the character Tony Shepard and the film was released.</p>
<p>The author <a href="http://en.wikipedia.org/wiki/Wu_Ming">Wu Ming</a> is several Italian men who have published books since 2000.</p>
<p>There is a species of human behavior that is not quite art, not quite politics, and not quite as presumptuous as all that sounds.  I prefer the term pranks.  I first learned of multiple name identities from pranksters.<a href="http://en.wikipedia.org/wiki/Rrose_S%C3%A9lavy"> Rrose Sélavy</a> was an an artist and model in the 1920s, associated with a number of dadaists.</p>
<p>In 1960 the young <a href="../2009/08/02/ovo-17-the-dreadlock-recollections-january-2007/">Kerry Wendell Thornley</a> worked as a desk clerk for the United States Marines.  As a <a href="http://jubal.westnet.com/hyperdiscordia/lord_omar_biography.html">prank</a>,  he entered a false name in the training lecture roster: Omar Kayyam  Ravenhurst.  Over time Thornley and other Marines completed more  paperwork for the non-existent Marine, giving him an IQ of 157 and  fluency in 17 languages.  Ravenhurst then got the blame when Thornley or  one of his friends made a mistake on base, making Private Ravenhurst a  multiple name identity.</p>
<p>A  free music festival was held near Stonehenge in 1974.  The audience  decided to squat the location at the site after the performance.   Eviction laws required naming each of the squatters, and so the  squatters all adopted the same name to make the job of the police more  difficult.  Thus several dozen people became <a href="http://en.wikipedia.org/wiki/The_Wallys">Wally</a>.  One of the Wallies, <a href="http://en.wikipedia.org/wiki/Wally_Hope">Wally Hope</a>,  was sent to a psychiatric institution for possession of LSD in May  1975.  He was unable to detox from the forced drugging of the  institution and died in September 1975.  His free-spirited life and  oppressive death was a central inspiration for <a href="http://en.wikipedia.org/wiki/Penny_Rimbaud">Penny Rimbaud</a> to form <a href="http://en.wikipedia.org/wiki/CRASS">CRASS</a>.  Unrelated is the Stonehenge built by <a href="http://www.theforgottentechnology.com/">Wally Wallington</a>.</p>
<p>David Zack has written about Monte Cantsin, who appeared in 1975:</p>
<blockquote><p>Maris  [Kundzins] and I were in Portland [Oregon]. We&#8217;d been working with a  Xerox 3107 that makes big copies and reductions. We were making giant  folios; monster folios and dinosaur folios  we called them. And one night Maris started fooling around with the  tape recorder, singing songs in Latuvian about toilets and traffic.  Well, we decided to make a pop star out of Maris. But it had to be an  open pop star, that is, anyone who wanted could assume the personality  of the pop star. This open pop star would be the most talented in  history, better than Elvis Presley, Frank Sinatra, Sal Mineo and even Ry  Cooder all rolled together in one. Pop stars have always been special  to me, growing up the son of a symphony conductor the way I did. To me  they stand for rebellion and acceptance, revolution and success and a  whole lot of other things at the same time. We were mouthing Maris  Kundzins&#8217; name, and it came out Monty Cantsins. Then we got to saying can&#8217;t sin and can&#8217;t sing and quite a few other things to give the impression that this pop star could be a thief as well as a saint.</p>
<p>One  thing I definitely did invent is &#8220;Monty Cantsin,&#8221; the open pop star. I  did not do this alone, I did it in Portland, Oregon with the very first  Monty Cantsin, an artist named Maris Kundzins. Maris and I sent a card  to Kantor in Montreal, you are Monty Cantsin, the open pop star. Well  Graf I have to assert what Kantor did with this simple postcard belongs  in any history of art and also any history of the world. The idea that  people can share their art power is a very good one I think. My own  understanding of Neoism is that it is about sharing, about bash:  cooperation between people, putting egos and tempers aside. Though not  always seeming to. [<a href="http://www.thing.de/projekte/7:9%23/cantsin_index.html">1</a>][<a href="http://www.thing.de/projekte/7:9%23/cantsin_17.html">2</a>]</p></blockquote>
<p>Stewart Home has written about Karen Elliot, who appeared in 1985:</p>
<blockquote><p>Karen  Eliot is a name that refers to an individual human being who can be  anyone. The name is fixed, the people using it aren&#8217;t. <em>Smile</em>  is a name that refers to an international magazine with multiple  origins. The name is fixed, the types of magazines using it aren&#8217;t. The  purpose of many different magazines and people using the same name is to  create a situation for which no one in particular is responsible and to  practically examine western philosophical notions of identity,  individuality, originality, value and truth.</p>
<p>Anyone  can become Karen Eliot simply by adopting the name, but they are only  Karen Eliot for the period in which the name is used. Karen Eliot was  materialised, rather than born, as an open context in the summer of &#8217;85.  When one becomes Karen Eliot one&#8217;s previous existence consists of the  acts other people have undertaken using the name. When one becomes Karen  Eliot one has no family, no parents, no birth. Karen Eliot was not  born, s/he was materialised from social forces, constructed as a means  of entering the shifting terrain that circumscribes the &#8216;individual&#8217; and  society.</p>
<p>The  name Karen Eliot can be strategically adopted for a series of actions,  interventions, exhibitions, texts, etc. When replying to letters  generated by an action / text in which the context has been used then it  makes sense to continue using the context, ie by replying as Karen  Eliot. However in personal relationships, where one has a personal  history other than the acts undertaken by a series of people using the  name Karen Eliot, it does not make sense to use the context. If one uses  the context in personal life there is a danger that the name Karen  Eliot will become over-identified with individual beings. [<a href="http://www.stewarthomesociety.org/sp/eliot.htm">3</a>]</p></blockquote>
<p>I published work by Karen Elliot in <a href="http://ovo127.com/2009/08/02/ovo-3-november-1987/">OVO 3 (1987)</a></p>
<p>Stewart Home, in turn, has seen publications under his own name that he did not write.  These include the <a href="http://www.stewarthomesociety.org/luv/stone.htm">books </a><em>Stone Circle</em>, <em>Harry Potter and the Quantum Time Bomb</em>, and <a href="https://docs.google.com/document/d/16xwU8sJX30sY6ZhRMTfIDSQYh9XjIKObjBVLw4cN7KA/edit?hl=en&amp;pli=1">essays </a>including  “Anarchism is Stupid: How Luther Blissett Hoaxed Bakunin&#8217;s Idiot  Children,” “Communism or Masochism? An Appeal to All Revolutionaries  Concerning the Rubber Slave Larry O&#8217;Hara,” and “An Open Letter to My  Avant-Garde Chums by Stewart Home.”  <a href="http://www.guardian.co.uk/news/blog/2005/apr/11/willtherealb">Someone anonymously suggested</a> the (then) anonymous blogger <a href="http://en.wikipedia.org/wiki/Belle_de_Jour_%28writer%29">Belle de Jour </a>was Stewart Home.  Not  necessarily with his cooperation or consent, Stewart Home has become several people.</p>
<p><a href="http://en.wikipedia.org/wiki/Luther_Blissett">Luther Blissett</a> (born 1958) is a professional footballer, manager and coach.  His name was adopted by the <a href="http://en.wikipedia.org/wiki/Luther_Blissett_%28nom_de_plume%29">Luther Blissett Project</a> as an open reputation in the 1990s.  Blissett the footballer is aware  of the other Blissetts and has taken his open reputation in stride.</p>
<p>I  enjoyed several people being me in the early 2000s.  A number of my  friends in Portland were on a site called irreality.  They encouraged me  to join, but I had enough internet time in my day and didn’t want to.   Some time back I&#8217;d heard that David Bowie had hired actors to play his press agents, and Bowie confirmed whatever exaggerated claim they made about him.  Inspired by this story I encouraged 2-3 of my friends to set up an irreality account for me and post to it as  if they were me, promising I’d confirm anything they posted as my own.   For a year or two these friends would mix some of my own writing (from <a href="../">ovo127.com</a>)  with original writing of their own and post it at irreality.  When I’d  meet up with those who thought I’d posted what they read at irreality  attributed to me I’d confirm it.  Some of the friends I made on irreality are friends to this day, perhaps only now learning I wasn&#8217;t necessarily who they thought I was at the time.  Irreality closed shop in 2008.</p>
<p>The second-most influential multiple name identity is <a href="http://en.wikipedia.org/wiki/Anonymous_%28group%29">Anonymous</a>.   Although Anonymous began as an internet meme around 2006, Anonymous is  also the name of many individuals who have appeared in public.   Inspired by a scene in Allan Moore’s<em> <a href="http://en.wikipedia.org/wiki/V_for_Vendetta">V for Vendetta</a></em>, Anonymous appears in numbers wearing the mask of Guy Fawkes.  As of December 2010, Anonymous is conducting <a href="http://en.wikipedia.org/wiki/Operation_Payback">successful attacks</a> on major credit card and communication companies around the world in retaliation for slights against <a href="http://en.wikipedia.org/wiki/WikiLeaks">wikileaks</a>.</p>
<p>The most influential multiple name identity is <a href="http://en.wikipedia.org/wiki/Saint_Nicholas">St. Nicholas</a> / <a href="http://en.wikipedia.org/wiki/Father_Christmas">Father Christmas</a> / <a href="http://en.wikipedia.org/wiki/Kris_Kringle">Kris Kringle</a> /  <a href="http://en.wikipedia.org/wiki/Santa_Claus">Santa Claus</a>.   Every December for over a century, Santa has appeared around the  world, wearing the same clothes, carrying out the same actions,  exhibiting the same demeanor, claiming the same home-base and promising  to return at the same time next year.  A significant part of the world  economy is shifted when Santa Claus comes to town.  In the late 1980s  the <a href="http://en.wikipedia.org/wiki/Orange_Alternative">Orange Alternative</a> of Poland held a parade of seventy-seven Santas as part of their absurdist protests against Communism.  The <a href="http://en.wikipedia.org/wiki/SantaCon">SantaCon / Santarchy</a> tactic appeared again in 1994, carried out by <a href="http://en.wikipedia.org/wiki/Suicide_Club_%28secret_society%29">Suicide Club</a> of San Francisco.</p>
<p>&#8220;You should never run out of people to be.&#8221; &#8211; Genesis P-Orridge.</p>
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		<title>Anonymous: Revolutionary Self-Theory</title>
		<link>http://ovo127.com/2010/07/01/anonymous-revolutionary-self-theory/</link>
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		<pubDate>Thu, 01 Jul 2010 14:45:50 +0000</pubDate>
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		<description><![CDATA[First published as Self-Theory: the Pleasure of Thinking For Yourself. United States 1975, The Spectacle.  Reprinted by OVO in 1989. This booklet is for people who are dissatisfied with their lives. If you are happy with your present existence, we have no argument with you. However&#8230; If you are tired of waiting for your life [...]]]></description>
			<content:encoded><![CDATA[<blockquote><p>First published as <em>Self-Theory: the Pleasure of Thinking For Yourself</em>. United States 1975, The Spectacle.  Reprinted by <a href="http://ovo127.com/">OVO</a> in 1989.</p></blockquote>
<p>This booklet is for people who are dissatisfied with their lives. If you are happy with your present existence, we have no argument with you. However&#8230;</p>
<p>If you are tired of waiting for your life to change&#8230;<br />
Tired of waiting for authentic community, love and adventure…<br />
Tired of waiting for the end of money and forced work…<br />
Tired of looking for new pastimes to pass the time…<br />
Tired of waiting for a lush, rich existence…<br />
Tired of waiting for a situation in which you can realize all your desires…<br />
Tired of waiting for the end of all authorities, alienations, ideologies and moralities…</p>
<p>&#8230; then we think you will find what follows to be quite handy.</p>
<p>I<br />
One of the great secrete of our miserable yet potentially marvelous time is that thinking can be a pleasure. This is a manual for constructing your own self-theory. Constructing your self-theory is a revolutionary pleasure, the pleasure of constructing your self-theory of revolution.</p>
<p>Building your self-theory is a destructive/constructive pleasure, because you are building a theory-of -practice for the destructive / constructive transformation of this society.</p>
<p>Self-theory is a theory of adventure. It is as erotic and humorous as an authentic revolution.</p>
<p>The alienation felt as a result of having had your thinking done for you by the ideologies of our day, can lead to the search for the pleasurable negation of that alienation: thinking for yourself. It is the pleasure of making your mind your own.</p>
<p>Self-theory is the body of critical thought you construct for your own use. You construct it and use it when you make an analysis of why your life is the way it is, why the world Ls the way it is. (And &#8216;thinking&#8217; and &#8216;feeling&#8217; are inseparable, since thought comes from subjective, emotive experience). You build your self-theory when you develop a theory of practice &#8211; a theory of how to get what you desire for your life.</p>
<p>Theory will be either a practical theory &#8211; a theory of revolutionary practice &#8211; or it will be nothing&#8230; nothing but an aquarium of ideas, a contemplative interpretation of the world. The realm of ideas is the eternal waiting-room of unrealized desire.</p>
<p>Those who assume (usually unconsciously) the impossibility of realizing their life&#8217;s desires, and of thus fighting for <em>themselves</em>, usually end up fighting for an ideal or cause instead (ie the illusion of self-activity or self-practice). Those who know that this is the acceptance of alienation will now know that all ideals and causes are <em>ideologies</em>.</p>
<p>II<br />
Whenever a system of ideas is structured with an abstraction at the center &#8211; assigning a role or duties to you for its sake &#8211; this system is an ideology. An ideology is a system of false consciousness in which you no longer function as the subject in your relation to the world.</p>
<p>The various forms of ideology are all structured around different abstractions, yet they all serve the interests of a dominant (or aspiring dominant) class by giving you a sense of purple in your sacrifice, suffering and submission.</p>
<p>Religious ideology is the oldest example, the fantastic projection called &#8216;God&#8217; is the Supreme Subject of the cosmos, acting on every human being as &#8216;His&#8217; subject,</p>
<p>In the &#8216;scientific&#8217; and &#8216;democratic&#8217; ideologies of bourgeois enterprise, capital investment is toe &#8216;productive&#8217; subject directing world history &#8211; the &#8216;invisible hand&#8217; guiding human development. The bourgeoisie had to attack and weaken the power that religious ideology once held. It exposed the mystification of the religious world in its technological investigation, expanding the realm of things and methods out of which it could make a profit.</p>
<p>The various brands of Leninism are &#8216;revolutionary&#8217; ideologies in which their Party is the rightful subject to dictate world history, by leading its object &#8211; the proletariat &#8211; to the goal of replacing the bourgeois apparatus with a Leninist one.</p>
<p>The many other forms of the dominant ideologies can be seen daily. The rise of the new religio-mysticisms serve the dominant structure of social relations in a round about way. They provide a neat form in which the emptiness of daily life may be obscured, and like drugs, make it easier to live with.  Volunteerism (shoulder to the wheel) and determinism (it&#8217;ll all work out) prevent us from recognizing our real place in the functioning of the world. In<em> avant-garde</em> ideology, novelty in (and of) itself is what&#8217;s important In survivalism subjectivity is preempted by fear through the invocation of the image of an impending world catastrophe.</p>
<p>In accepting ideologies we accept an inversion of subject and object; things take on a human power and will, while human beings have their place as things. Ideology is upside-down theory. We further accept the separation between the narrow reality of our daily life, and the image of a world totality that&#8217;s out of our grasp. Ideology offers us only a voyeur&#8217;s relationship with the totality.</p>
<p>In this separation, and this acceptance of sacrifice for the cause, every ideology serves to protect the dominant social order. Authorities whose power depends on separation must deny us our subjectivity in order to survive themselves. Such dental comes in the form of demanding sacrifices for &#8216;the common good&#8217;, &#8216;the national interest,&#8217; &#8216;the war effort,&#8217; &#8216;the revolution&#8217; &#8230;</p>
<p>III<br />
We get rid of the blinkers of ideology by constantly asking ourselves&#8230;</p>
<p>How do I feel?<br />
Am I enjoying myself?<br />
How&#8217;s my life?<br />
Am I getting what I want? Why not?<br />
What&#8217;s keeping me from getting what I want?</p>
<p>This is having consciousness of the common-place, awareness of one&#8217;s everyday routine. That Everyday Life &#8211; real life &#8211; exists, is a public secret that gets less secret every day, as the poverty of daily life gets more and more visible.</p>
<p>IV<br />
The construction of self-theory is based on thinking for yourself, being fully conscious of desires and their validity. It is the construction of <em>radical subjectivity</em>.</p>
<p>Authentic &#8216;consciousness raising&#8217; can only be the &#8216;raising&#8217; of people&#8217;s thinking to the &#8216;level&#8217; of positive (non-guilty) self-consciousness: developing their basic subjectivity free of ideology and imposed morality in all its forms.</p>
<p>The essence of what many leftists, therapy-mongers, racism awareness trainers and sisterizers term &#8216;consciousness raising&#8217; is their practice of beating people into unconsciousness with their ideological billyclubs.</p>
<p>The path from ideology (self-negation) to radical subjectivity (self-affirmation) passes through Point Zero, the capital city of nihilism. This is the windswept still point in social space and time&#8230; the social limbo wherein which one recognizes that the present is devoid of life; that there is no life in one&#8217;s daily existence. A nihilist knows the difference between surviving and living.</p>
<p>Nihilists go through a reversal of perspective on their life and the world. Nothing is true for them but their desires, their will to be. They refuse all ideology in their hatred for the miserable social relations in modern capitalist-global society. From this reversed perspective they see with a newly acquired clarity the upside-down world of <em>reification</em> (the act of converting people, abstract concepts etc. into things, ie commodities), the inversion of subject and object, of abstract and concrete. It is the theatrical landscape of fetishized commodities, mental projections, separations and ideologies; art, God, city planning, ethics, smile buttons, radio stations that say they love you and detergents that have compassion for your hands.</p>
<p>Daily conversation offers sedatives like: &#8220;You can&#8217;t always get what you want,&#8221; &#8220;Life has its ups and downs,&#8221; and other dogmas of the secular religion of survival. &#8216;Common sense&#8217; is just the nonsense of common alienation. Every day people are denied an authentic life and sold back its representation.</p>
<p>Nihilists constantly feel the urge to destroy the  system which destroys them each day. They cannot  go on living as they are, their minds are on fire. Soon  enough they run up against the fact that they must  come up with a coherent set of tactics that will have  a practical effect on the world.</p>
<p>But if a nihilist does not know of the historical  possibility for the transformation of the world, his or  her subjective rage will coralize into a role; the  suicide, the solitary murderer, the street hoodlum-vandal, the neo-dadaist, the professional mental patient&#8230; all seeking compensation for a life of dead  time.</p>
<p>The nihilists&#8217; mistake is that they do not realize that there are others who are also nihilists. Consequently they assume that common communication  and participation in a project of self-realization is  impossible.</p>
<p>V<br />
To have a &#8216;political&#8217; orientation towards one&#8217;s  life is just to know that you can only change your life  by changing the nature of life itself through transformation of the world &#8211; and that transformation of  the world requires collective effort.</p>
<p>This project of collective self-realization can  properly be termed politics. However, &#8216;politics&#8217; has  become a mystified, separated category of human  activity. Along with all the other socially enforced  separations of human activity, &#8216;polities&#8217; has become  just another interest. It even has its specialists &#8211; be  they politicians or politicos. It is possible to be interested (or not) in football, stamp collecting, disco  music or fashion. What people see as &#8216;politics&#8217; today  is the social falsification of the project of collective  self-realization &#8211; and that suits those in power just  fine.</p>
<p>Collective self-realization is the revolutionary  project. It is the collective seizure of the totality of  nature and social relations and their transformation  according to conscious desire.</p>
<p>Authentic therapy is changing one&#8217;s life by  changing the nature of social lite. Therapy must be  social if it is to be of any real consequence. Social  therapy (the healing of society) and individual therapy (the healing of the individual) are linked  together: each requires the other, each is a necessary  part of the other.</p>
<p>For example: in spectacular society we are expected to repress our real feelings and play a <em>role</em>.  This is called &#8216;playing a part in society&#8217; (How revealing that phrase is!) Individuals put on character armor &#8211; a steel-like suit of role playing is directly  related to the end of social role playing.</p>
<p>VI<br />
To think subjectively is to use your life &#8211; as it  is now and as you want it to be &#8211; as the center of  your thinking. This positive self-centering is accomplished by the continuous assault on externals: all  the false issues, false conflicts, false problems, false  identities and false dichotomies.</p>
<p>People arc kept from analyzing the totality of  everyday existence by being asked their opinion of  every detail: all the spectacular trifles, phony controversies and false scandals. Are you for or against  trades unions, cruise missiles, identity cards&#8230;  what&#8217;s your opinion of soft drugs, jogging, UFO&#8217;s,  progressive taxation?</p>
<p>These are false issues. The only issue for us is how  we live.</p>
<p>There is an old Jewish saying: &#8220;If you have only  two alternatives, then choose the third.&#8221; It offers a  way of getting the subject to search for a new perspective on the problem. We can give the lie to both  sides of a false conflict by taking our &#8216;third choice&#8217; &#8211; to view the situation from the perspective of  radical subjectivity.</p>
<p>Being conscious of the third choice is refusing to  choose between two supposedly opposite, but really equal, polarities that try to define themselves as the  totality of a situation. In its simplest form, this consciousness is expressed by the worker who is  brought to trial for armed robbery and asked, &#8220;Do  you plead guilty or not guilty?,&#8221; &#8220;I&#8217;m unemployed,&#8221; he replies. A more theoretical but equally classic  illustration is the refusal to acknowledge any essential difference between the corporate-capitalist ruling classes of the &#8216;West&#8217; and the state-capitalist  ruling classes of the &#8216;East.&#8217; All we have to do is look  at the basic social relations of production in the USA  and Europe on the one hand, and the USSR and  China on the other, to see that they are essentially the  same: over there, as here, the vast majority go to  work for a wage or salary in exchange for giving up  control over both the means of production and what  they produce (which is then sold back to them in the  form of commodities).</p>
<p>In the case of the &#8216;West&#8217; the surplus value (ie that  which is produced over and above the value of the  workers&#8217; wages) is the property of the corporate  managements who keep up a show of domestic  competition. In the &#8216;East&#8217; the surplus value is the  property of the state bureaucracy which does not  permit domestic competition but engages in international competition as furiously as any other capitalist nation. Big difference.</p>
<p>An example of a false problem is that stupid  conversational question, &#8220;What&#8217;s your philosophy  of life?&#8221; It poses an abstract concept of &#8216;Life&#8217; that,  despite the word&#8217;s constant appearance in conversation, has nothing to do with real life, because it  ignores the fact that living is what we are doing at  the present moment.</p>
<p>In the absence of real community, people cling to  all kinds of phony social identities, corresponding  to their individual role in the Spectacle (in which  people contemplate and consume images of what-life-is, so that they will forget how to live for themselves). These social identities can be ethnic  (&#8216;Italian&#8217;), racial (&#8216;Black&#8217;), organizational (&#8216;Trade  Unionist&#8217;), residential (&#8216;New Yorker&#8217;), sexual  (&#8216;Gay&#8217;), cultural (&#8216;sports fan&#8217;), and so on; but all are  rooted in a common desire for affiliation, for belonging.</p>
<p>Obviously being &#8216;Back&#8217; is a lot more real as an  identification than being a &#8216;sports fan,&#8217; but beyond  a certain point these identities only servo to mask our  real position in society. Again, the only issue for us  is how we live. Concretely, this means understanding the reasons for the nature of one&#8217;s life in one&#8217;s relation to society as a whole. To do this one  has to shed all the false identities, the partial associations, and begin with oneself as the center. From  here we can examine the material basis of life,  stripped of all mystification.</p>
<p>For example: suppose I want a cup of coffee from  the machine at work, First of all, there are the cup of  coffee itself: that involves the workers on the coffee  plantation, the ones on the sugar plantations and in  the refineries, the ones in the paper mill, and so on. Then you have all the workers who made the different parts of the machine and assembled it. Then the  ones who extracted the iron ore and bauxite, smelted  the steel, drilled the oil and refined it. Then all the  workers who transported the raw materials and  parts over three continents and two oceans. Then the  clerks, typists and communications workers who  coordinate the production and transportation. Finally you have all the workers who produce all the  other things necessary for the others to survive. That  gives me a direct material relationship to several  million people: in fact, to the immense majority of  the world&#8217;s population. They <em>produce my life</em>: and I  help to produce theirs. In this light, all partial group  identities and special interests fade into insignificance. Imagine the potential enrichment of one&#8217;s life  that is presently locked up in the frustrated creativity  of those millions of workers, held back by obsolete  and exhausting methods of production, strangled by  alienation, warped by the insane rationale of capital-accumulation! Here we begin to discover a real social  identity: in people all over the world who are fighting to win back their lives, we find ourselves.</p>
<p>We arc constantly being asked to choose between  two sides in a false conflict. Governments, charities  and propagandists of all kinds are fond of presenting  us with choices that are no choice at all (eg the  Central Electricity Generating Board presented its  nuclear program with the slogan &#8216;Nuclear Age or  Stone Age&#8217;. The CEGB would like us to believe that  these are the only two alternatives &#8211; we have the  illusion of choice, but as long as they control the  choices we perceive as available to us, they also  control the outcome).</p>
<p>The new moralists love to tell those in the rich  West how they will &#8216;have to make sacrifices,&#8217; how  they &#8216;exploit the starving children of the Third  World.&#8217; The choice we are given is between sacrificial altruism or narrow individualism. (Charities  cash in on the resulting guilt by offering us a feeling  of having done something, in exchange for a coin in  the collecting tin.) Yes, by living in the rich West we  do exploit the poor of the Third World &#8211; but not  personally, not deliberately. We can make some  changes in our life, boycott, make sacrifices, but the  effects are marginal. We become aware of the false  conflict we are being presented with when we realize  that under this global social system we, as individuals, are as locked in our global role as &#8216;exploiters&#8217;  as others are in their global role as the exploited. We  have a role in society, but little or no power to do  anything about it. We reject the false choice of &#8216;sacrifice or selfishness&#8217; by calling for the destruction of the global social system whose existence forces that  decision upon us. It isn&#8217;t a case of tinkering with the  system, of offering token sacrifices or calling for &#8216;a  little less selfishness&#8217;. Charities and reformers never  break out of the terrain of the false choice.</p>
<p>Those who have a vested interest in maintaining  the present situation constantly drag us back to their  false choices &#8211; that is, any choice which keeps their  power intact. With myths like &#8216;If we shared it all out  there wouldn&#8217;t be enough to go round,&#8217; they attempt  to deny the existence of any other choices and to hide  from us the fact that the material preconditions for  social revolution already exist.</p>
<p>VII<br />
Any journey towards self-demystification must avoid those two quagmires of lost thought &#8211; absolutism and cynicism; twin swamps that camouflage themselves as meadows of subjectivity.</p>
<p>Absolutism is the total acceptance or rejection of  all components of particular ideologies, spectacles and reifications. An absolutist cannot see any other  choice than complete acceptance or complete rejection.  The absolutist wanders along the shelves of the  ideological supermarket looking for the ideal commodity, and then buys it &#8211; lock, stock and barrel,  but the ideological supermarket &#8211; like any supermarket &#8211; is fit only for looting. It is more productive  for us if we can move along the shelves, rip open the packets, take out what looks authentic and useful  and dump the rest.</p>
<p>Cynicism is a reaction to a world dominated by ideology and morality. Faced with conflicting ideologies the cynic says: Ha plague on both your houses.&#8221;  The cynic is as much a consumer as the absolutist, but one who has given up hope of ever finding the ideal commodity.</p>
<p>VIII<br />
The process of dialectical thinking is constructive thinking, a process of continually synthesizing one&#8217;s current body of self-theory with new observations and appropriations; a resolution of the contradictions between the previous body of theory and new theoretical elements. The resulting synthesis is thus not some quantitative summation of the previous and the new, but their qualitative supersession, a new <em>totality</em>.</p>
<p>This synthetic/dialectic method of constructing a theory is counter to the eclectic style which just collects a rag-bag of its favorite bits from favorite ideologies without ever confronting the resulting contradictions. Modern examples include libertarian capitalism, christian marxism and liberalism in general.</p>
<p>If we are continually conscious of how we want to live, we can critically appropriate from anything in the construction of our self-theory: ideologies, culture critics, technocratic experts, sociological studies, mystics and so forth. All this rubbish of the old world can be scavenged for useful material by those who desire to reconstruct it.</p>
<p>IX<br />
The nature of modern society, its global and capitalist unity indicates to us the necessity of making our self-theory a unitary critique. By this we mean a critique of all geographic areas where various forms of socio-economic domination exist (ie both the capitalism of the &#8216;free&#8217; world and the state-capitalism of the &#8216;communist&#8217; world), as well as a critique of all alienations {sexual poverty, enforced survival, urbanism, etc). In other words, a critique of the totality of daily existence everywhere, from the perspective of the totality of one&#8217;s desires.</p>
<p>Ranged against this project are all the politicians and bureaucrats, preachers and gurus, city planners and policemen, reformers and militants, central committees and censors, corporate managers and union leaders, male supremacists and feminist ideologues, psycho-sociologists and conservation capitalists who work to subordinate individual desire to a reified &#8216;common good&#8217; that has supposedly designated therm as its representatives. They are all forces of the old world, all bosses priests and creeps who have something to lose if people extend the game of seizing hack their minds into seizing back their lives.</p>
<p>Revolutionary theory and revolutionary ideology are enemies &#8211; <em>and both know it</em>.</p>
<p>X<br />
By now it should be obvious that self-demystification and the construction of our own revolutionary theory doesn&#8217;t eradicate our alienation; &#8216;the world&#8217; (capital and the Spectacle) goes on, reproducing itself every day.</p>
<p>Although this booklet had the construction of self-theory as its focus, we never intended to imply that revolutionary theory can exist separate from revolutionary practice. In order to be consequential, effectively to reconstruct the world, practice must seek its theory, and theory must be realized in practice. The revolutionary project of disalienation and the transformation of social relations requires that one&#8217;s theory be nothing other than a theory of practice, of what we do and how we live. Otherwise theory will degenerate into an impotent contemplation of the world, and ultimately into survival ideology &#8211; a projected mental fog bank, a static body of reified thought of intellectual armor, that acts as a buffer between the daily world and oneself. And if revolutionary practice is not the practice of revolutionary theory, it degenerates into altruistic militantism, &#8216;revolutionary&#8217; activity as one&#8217;s social duty.</p>
<p>We don&#8217;t strive for a coherent theory purely as an end in itself. For us, the practical use value of coherence is that having a coherent self-theory makes it easier for someone to think. As an example, it&#8217;s easier to get a handle on future developments in social control if you have a coherent understanding of modern social control ideologies and techniques up to the present.</p>
<p>Having a coherent theory makes it easier to conceive of the theoretical practice for realizing your desires for your life.</p>
<p>XI<br />
In the process of constructing self-theory, the last ideologies that have to be wrestled with and determinedly pinned down are the ones that most closely resemble revolutionary theory. These final mystifications are (a) situationism (b) councilism.</p>
<p>The Situationist International (1958-1971) was an international revolutionary organization that made an immense contribution to revolutionary theory.  Situationist theory is a body of critical theory that can be appropriated into one&#8217;s self-theory, and nothing more. Anything more is the ideological misappropriation known as situationism.</p>
<p>For those who newly discover it, SI theory has a way of seeming like &#8216;the answer I&#8217;ve been searching for for years,&#8217; the answer to the riddle of one&#8217;s dead life. But that&#8217;s exactly when a new alertness and self-possession become necessary. Situationism can be quite the complete survival ideology, a defense mechanism against the wear and tear of daily life.   Included in the ideology is the spectacular commodity-role of being &#8216;a situationist, ie radical jade and ardent esoteric.</p>
<p>Councilism (aka &#8216;Workers&#8217; Control,&#8217; &#8216;Syndicalism&#8217;) offers &#8216;self-management&#8217; as a replacement for the capitalist system of production.</p>
<p>Real self-management is the direct management (unmediated by any separate leadership) of social production, distribution and communication by workers and their communities.  The movement for self-management has appeared again and again all over the world in the course of social revolution. Russia in 1905 and 1917-21, Spain in 1936-7, Hungary in 1956, Algeria in I960, Chile in 1972 and Portugal in 1975. The form of organization most often created in the practice of self-management has been workers&#8217; councils: sovereign general assemblies of the producers and neighborhoods that elect mandated delegates to co-ordinate their activities. The delegates are not representatives, but carry out decisions already made by their assemblies. Delegates can be recalled at any time, should the general assembly feel that its decisions are not being rigorously carried out.</p>
<p>Council<em>ism</em> is this historical practice and theory of self-management turned info an ideology. Whereas the participants in these uprisings <em>lived</em> a critique of the social totality, beginning with a critique of wage labor, of the commodity economy and exchange value, councilism makes a partial critique: it seeks not the self-managed, continuous and qualitative transformation of the whole world, but the static, quantitative self-management of the world <em>as it is</em>. The economy thus remains a separate realm cut off from the rest of daily life and dominating it. On the other hand a movement for generalized self-management seeks the transformation of all sectors of social life and all social relations (production, sexuality, housing, services, communications, etc), councilism thinks that a self-managed economy is all that matters. It misses, literally, the whole point: subjectivity and the desire to transform the whole of life.  The problem with workers&#8217; control is that all it controls is work.</p>
<p>The world can only be turned right-side-up by the conscious collective activity of those who construct a theory of why it is upside-down.  Spontaneous rebellion and insurrectionary subjectivity alone are not sufficient. An authentic revolution can only occur in a practical movement in which all the mystifications of the past are being consciously swept away.</p>
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		<title>&#039;Happy-Go-Lucky&#039;: At Last, The Sunny Side of Hollywood &#8211; washingtonpost.com</title>
		<link>http://ovo127.com/2008/10/20/happy-go-lucky-at-last-the-sunny-side-of-hollywood-washingtonpost-com/</link>
		<comments>http://ovo127.com/2008/10/20/happy-go-lucky-at-last-the-sunny-side-of-hollywood-washingtonpost-com/#comments</comments>
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		<description><![CDATA[Personifying happiness as a hard-won philosophical stance in what Leigh proudly calls an &#8220;anti-miserablist film&#8221; [How many people besides me understand what 'miserablism' is a reference to? It isn't situationist.] &#8216;Happy-Go-Lucky&#8217;: At Last, The Sunny Side of Hollywood &#8211; washingtonpost.com]]></description>
			<content:encoded><![CDATA[<p>Personifying happiness as a hard-won philosophical stance in what Leigh proudly calls an &#8220;anti-miserablist film&#8221; [How many people besides me understand what 'miserablism' is a reference to?  It isn't situationist.]
<p class="delicious_post_link"><a href="http://www.washingtonpost.com/wp-dyn/content/article/2008/10/17/AR2008101703028.html">&#8216;Happy-Go-Lucky&#8217;: At Last, The Sunny Side of Hollywood &#8211; washingtonpost.com</a></p>
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		<title>A moving image of capitalism screaming and exploding &#124; MetaFilter</title>
		<link>http://ovo127.com/2008/09/25/a-moving-image-of-capitalism-screaming-and-exploding-metafilter/</link>
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		<description><![CDATA[In the early days of the occupation of Iraq, a &#8220;gathering of antagonists to capital and empire&#8221; known as the Retort Collective published Afflicted Powers, a contentious analysis of September 11th and its aftermath grounded in the Situationist concepts developed by Guy Debord in The Society of the Spectacle. A moving image of capitalism screaming [...]]]></description>
			<content:encoded><![CDATA[<p>In the early days of the occupation of Iraq, a &#8220;gathering of antagonists to capital and empire&#8221; known as the Retort Collective published Afflicted Powers, a contentious analysis of September 11th and its aftermath grounded in the Situationist concepts developed by Guy Debord in The Society of the Spectacle.
<p class="delicious_post_link"><a href="http://www.metafilter.com/75143/A-moving-image-of-capitalism-screaming-and-exploding">A moving image of capitalism screaming and exploding | MetaFilter</a></p>
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		<title>Raoul Vaneigem, La Resistance au Christianisme</title>
		<link>http://ovo127.com/2008/07/16/raoul-vaneigem-la-resistance-au-christianisme/</link>
		<comments>http://ovo127.com/2008/07/16/raoul-vaneigem-la-resistance-au-christianisme/#comments</comments>
		<pubDate>Wed, 16 Jul 2008 16:11:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[christianity]]></category>
		<category><![CDATA[situationist]]></category>

		<guid isPermaLink="false">http://ovo127.com/2008/07/16/raoul-vaneigem-la-resistance-au-christianisme/</guid>
		<description><![CDATA[The Resistance to Christianity The Heresies at the Origins of the 18th Century Raoul Vaneigem, La Resistance au Christianisme]]></description>
			<content:encoded><![CDATA[<p>The Resistance to Christianity The Heresies at the Origins of the 18th Century
<p class="delicious_post_link"><a href="http://www.notbored.org/resistance.html">Raoul Vaneigem, La Resistance au Christianisme</a></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>May 1968 &#124; MetaFilter</title>
		<link>http://ovo127.com/2008/04/19/may-1968-metafilter/</link>
		<comments>http://ovo127.com/2008/04/19/may-1968-metafilter/#comments</comments>
		<pubDate>Sat, 19 Apr 2008 04:57:59 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[situationist]]></category>

		<guid isPermaLink="false">http://ovo127.com/2008/04/19/may-1968-metafilter/</guid>
		<description><![CDATA[An interactive audiovisual tour [flash, audio] of the student protests in Paris in May 1968. May 1968 &#124; MetaFilter]]></description>
			<content:encoded><![CDATA[<p>An interactive audiovisual tour [flash, audio] of the student protests in Paris in May 1968.
<p class="delicious_post_link"><a href="http://www.metafilter.com/70965/May-1968">May 1968 | MetaFilter</a></p>
]]></content:encoded>
			<wfw:commentRss>http://ovo127.com/2008/04/19/may-1968-metafilter/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>what is it good for? &#8211; bookforum.com / in print</title>
		<link>http://ovo127.com/2008/02/24/what-is-it-good-for-bookforum-com-in-print/</link>
		<comments>http://ovo127.com/2008/02/24/what-is-it-good-for-bookforum-com-in-print/#comments</comments>
		<pubDate>Sun, 24 Feb 2008 09:16:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[games]]></category>
		<category><![CDATA[situationist]]></category>

		<guid isPermaLink="false">http://ovo127.com/2008/02/24/what-is-it-good-for-bookforum-com-in-print/</guid>
		<description><![CDATA[Atlas Press has just rereleased A Game of War in a new English rendering by Donald Nicholson-Smith, a translator [Guy] Debord appears to have trusted. what is it good for? &#8211; bookforum.com / in print]]></description>
			<content:encoded><![CDATA[<p>Atlas Press has just rereleased A Game of War in a new English rendering by Donald Nicholson-Smith, a translator [Guy] Debord appears to have trusted.
<p class="delicious_post_link"><a href="http://www.bookforum.com/inprint/014_05/2071">what is it good for? &#8211; bookforum.com / in print</a></p>
]]></content:encoded>
			<wfw:commentRss>http://ovo127.com/2008/02/24/what-is-it-good-for-bookforum-com-in-print/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>20th Century Avant-Garde &#124; MetaFilter</title>
		<link>http://ovo127.com/2008/01/25/20th-century-avant-garde-metafilter/</link>
		<comments>http://ovo127.com/2008/01/25/20th-century-avant-garde-metafilter/#comments</comments>
		<pubDate>Fri, 25 Jan 2008 15:14:37 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[situationist]]></category>

		<guid isPermaLink="false">http://ovo127.com/2008/01/25/20th-century-avant-garde-metafilter/</guid>
		<description><![CDATA[20th Century Avant-Garde is a great resource guide to experimental art from 1900 onwards. Special sections for dada, the situationists and fluxus. 20th Century Avant-Garde &#124; MetaFilter]]></description>
			<content:encoded><![CDATA[<p>20th Century Avant-Garde is a great resource guide to experimental art from 1900 onwards. Special sections for dada, the situationists and fluxus.
<p class="delicious_post_link"><a href="http://www.metafilter.com/68448/20th-Century-AvantGarde">20th Century Avant-Garde | MetaFilter</a></p>
]]></content:encoded>
			<wfw:commentRss>http://ovo127.com/2008/01/25/20th-century-avant-garde-metafilter/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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