Category > television

Karen Elliot: Give Up Art, Save The Starving

19 August 2010 » In art, books, commerce, fight, food, money, music, ovo, periodical, religion, television, zine

Imagine a world in which art is forbidden! Art galleries would close. Books would vanish. Pop stars would shed their glamour overnight. Advertising would cease, television would die. We could refocus our vision not on a succession of false images but on the world as it is. A stillness would fill the air. Art has provided us with fantasy worlds, escapes from reality. For whatever else it is, art is not reality. Soap operas, novels, movies; concerts, the theatre, poetry. None of these are real as a starving child is real, as a town without water is real. Art is the glamorous escape, the transformation that shields us from the world we live in. Injustice, endemic disease, famine, war. Those are real. Art has replaced religion as the opiate of the people just as the artist has replaced the priest as the voice of the spirit. Once we reached inside ourselves to find God / truth /really / etc. Now we find only art. We are regulated by our addictions and art hm become an addiction. We struggle through life in a drugged dream, searching for escape, for brighter fantasies, longer voyages of the imagination, louder music. Another’s life is always more interesting than our own. It is only those who have given up art who can experience the true nature of creation. Now, a self-perpetuating elite sell art as a commodity for the wealthy who have everything while making the artists themselves rich beyond their wildest dreams. Art is money. It is ironic that the myth of the artist celebrates suffering while it is those who have never heard of art, the poor and wretched of our earth, who truly suffer. To call one person an artist is to deny another the equal right of vision. Paint all the paintings black and celebrate the dead art: there is no booze in hell. We tum away from mountains of food that rot in storage while acres the globe humans grow too weak to eat because it is time for our favorite TV program. We live up to our knees in blood, wasting not only hours but days – whole lifetimes – in the bind belief that art is good, art is pure, art is its own justification – and a nightmare scourges our planet. Until we end famine there will be no peace. Artists are murderers! Artists are murderers just as surely as is the soldier who sights down the barrel of a gun to shoot an unarmed civilian. Without art, life would be unendurable! We would have to transform this world. Overnight, one person’s dream can become a nation’s future – but we do not seize power because we are enchanted by art. Forbid art and revolution would follow: the withholding of creative action is the only weapon left. Seeing and creating are the same activity. Those who create art are also creating the starving. In a world in which art is forbidden the deserts would flower. Give up art. Save the starving.

(from OVO 14 Suffering March 1992)

Trevor Blake: So You Want to See an Alien? The Works of Nabil Shaban

31 July 2010 » In biographic, film, krankheit, sex, television, trevorblake, video

The Skin Horse
1982
Written by Nigel Evans and Nabil Shaban
Featuring Nabil Shaban with Nick Finden, Tony Gerrard, Tina Leslie, Kathleen Venner

Documentaries on the disabled can be difficult to watch. Not in the sense of such films being ugly. Documentaries on the disabled can be difficult to watch because one simply can’t find them. Frederick Wiseman shot Titicut Follies in 1967. The film depicts the lives of inmates at the Bridgewater State Hospital for the Criminally Insane. Their lives were made up of being bullied, forced feed, sprayed with a high-pressure water hose and confined in unlit windowless rooms. In 1968 the film was removed from distribution and all copies were ordered destroyed by Massachusetts Superior Court Judge Harry Kalus.  Judge Kalus said he acted in the interest of the privacy of the inmates. The following year in that the film was allowed to be shown but only to health care professionals. Wiseman appealed the decision to the Supreme Court, which declined to review the case. According to Wikipedia, “the dispute marked the first known instance in the history of the American film industry that a film was banned from general distribution for reasons other than obscenity, immorality or national security.” Superior Court Judge Andrew Meyer lifted the ban on the film in 1991, on the condition “a brief explanation shall be included in the film that changes and improvements have taken place at Massachusetts Correctional Institution Bridgewater since 1966.” Today you can buy a copy of Titicut Follies from Zipporah Films, Inc.

No such luck for The Skin Horse. Channel 4 (formerly Central Television) commissioned the 1982 film but does not sell it. No one sells it, not legally. Worldcat does not list it as existing in the interlibrary loan system.  Exactly one private library has it in their collection. If you are exceptionally fortunate you may have seen it one of the few times it has been broadcast on television. The documentary isn’t banned, it is merely unavailable.

The Skin Horse is a documentary by and about disabled people and their sex lives. Not their secret longing and private thoughts, although these are part of the film. This is a documentary about sex, sex among the disabled, sex between the disabled and the able.

Co-author and narrator Nabil Shaban does not skirt around the issue. The Skin Horse is an adult film, made by and for adults able to speak most clearly about themselves. Perhaps mere suggestiveness would not have succeeded in this film. Perhaps like the Last Poets or Valarie Solanas, the time for subtlty ended long ago for Shaban. When a person is just a little different from the norm, suggestiveness and being coy are more common. When we find a birthmark or personality quirk in a partner it stands out for a moment and then is gone. When one or one’s partner isn’t even considered fully human by some people, the time to beat around the bush ends. The average life span of the disabled is shorter than that of the non-disabled. The average screen time of the disabled is measured in minutes-per-decade compared to the screen time of the non-disabled. A wink and a nod just isn’t going to cut it. These are stories told once, and there’s no follow-up special presentation later on. The Skin Horse is honest in a way most sex documentaries only aspire to be honest.

The honesty begins with a discussion of beauty.  In antiquity philosophers claimed physical beauty was a virtue, like honesty or courage. Deviation from the form was either a punishment or a moral weakness. The etymology of the word monster is that of a beast sent by the gods as a warning. In the 21st Century other theories of beauty predominate. The Skin Horse speaks of four theories of beauty.  All quotes are from The Skin Horse.

Is beauty like the sun, radiating from a center and growing cold with distance? Some sections of The Skin Horse support this classic idea. Nabil: “Most disabled or deformed people I met at special school, sheltered workshop or crip college couldn’t wait to go to bed with an able-bodied person. I know that to be true of me.”

Is beauty is in the eye of the beholder? Perhaps disability does not matter. Those who are left handed tend towards mental illness, higher rates of suicide and imprisonment and shorter life spans. But being left handed is not seen as a disability. Nor are glasses on a person with a slight vision problem. Perhaps what we see as beauty or as a disability is arbitrary, a frame of reference we are free to modify or reject. This was the thinking behind the foundation of the Outsiders in 1979. The Outsiders “is a vibrant social and peer support network of disabled people. We are many different things to our many members. [...] Whenever possible, Outsiders works together with other groups to campaign for the acceptance of disabled people as sexual partners.” The Skin Horse includes interviews with a founder of The Outsiders: “If I’d thought about it before I started I don’t think I would have ever dared to do it because I never really thought it would work, everyone said it wouldn’t work. But actually, however disabled you are you are still able to love somebody and be loved. So the most amazing marriages and… parings… have taken place. Dispite the fact that they might not only be disabled but also homosexual. Goodness knows, they’re just like anybody else.” The Skin Horse also includes interviews with a member of Outsiders, Jack: “Everyone’s got ability and disability.”

Is beauty a spiritual force? Is beauty to the body as the mind is to the brain? Perhaps beauty and disability are not part of us at all, but a shadow cast by an inner light. Most of the speakers in The Skin Horse hold this theory of beauty. Nabil is a keen researcher into the paranormal, psychic powers, UFOs and utopian politics. Welcome in a single taboo and the rest come marching in. Nabil: “From childhood we learn that there is always more than meets the eye that external appearances are misleading that what exists within us all is always greater than the sum of the parts. [...] To admit love is to admit there is more to appearances. And to admit that we all have to work much harder at being human. We have to consider not only the body but also the soul.” Another man speaks of sex as a spiritual experience rather than a physical one: “I know the joy, the contentment, the feeling of spirituality, the utter relief from the limitations of my body which comes from sex. Just calling it sex is a very limiting word. It’s far more than people think with just one word. My body is very limiting but in sex I feel complete freedom.” Tina Leslie talks about the difference between her body and her self. “Sometimes I eat in front of a mirror to see the mask as other people see me. And try to see their feelings but this is what they see. It’s got nothing to do with me, the real me, a lover sees that, the real me. But I still never quite, quite believe it. But my god, I’d rather this than some celibate martyrdom. [...] Some people see me as an ugly thing. They can’t see me as a being, and as a sexual person, never. Christ, I don’t mind being seen like that. What’s the point of militant feminism? I like men. I don’t want to take refuge in something disabled women use as an excuse supress their sexuality.” Nabil: “To admit love is to admit there is more to appearances. And to admit that we all have to work much harder at being human. We have to consider not only the body but also the soul.”

Is beauty a fetish? Are some beautiful because they are different? Thousands of gigabytes of disability pornography are shuttled about the globe every day, lending some weight to this theory. Nearly thirty years earlier, The Skin Horse made the connection between acceptable fetishes (weight lifters and surgical beauty queens) and unacceptable fetishes (in a word, freaks). Nabil: “Perfection becomes an imperfection, a curiosity, a handicap, and the handicap when taken to its physical extremes becomes an end in itself. Hence, King Size [magazine]. Jonny the Wad. Chesty Morgan. King Dong. Big Bum. And all those freaks we have learned to love and loathe. And some people lust after.” Freaks have their place, but it is a well proscribed place. Nabil: “In the world of sexuality, there are three genders: female, male and disabled. And what is more, traditionally, in the disabled group, we are categorized into monsters or children. Children, eh? So we’re either monsters or children. We’re either abused or patronized. We’re either a fetish or sexless. Never in between. [...] It seem we need freaks not only to reassure ourselves of our own normality but more importantly to help us rediscover something. Perhaps that’s why we create our own freaks in myths, legends, fairy stories, literature and films. Perhaps that’s why we impart a certain humanity in them, and allow them to love and be loved. But of course only in fiction.” Here The Skin Horse shows some of the approved and fictional couplings between able bodied persons and freaks, such as Leda and swan, a maid and a minautor, Kala and Charleton Heston.

If the disabled are (or would like to be) similar to anyone else in their sex lives, are they similar in their lonliness? One man in The Skin Horse says so: “The problem of exploring one’s own sexuality is a problem that everyone has.”  But no matter how we sees ourselves, the challenge in starting and maintaining a relationship (or getting laid) is in how others see us.  One woman in The Skin Horse describes her everyday life at the home for incurables for the past 34 years: “Washed, dressed, put in my chair. [...] Sometimes I ache for the human contact that I’ve been denied. For a new face that isn’t a nurse or another incurable. [...] It’s this sense of waste that I resent most of all. It’s as if people like me are somehow supposed to live our lives beyond frustration. As if part of accepting our lot should include the complete denial of any emotional life at all.” Hey! you’ve got to hide your love away…

Getting off for the disabled can mean breaking laws as well as breaking taboo. One man talks about when his personal assistant brought him to a prostitute: “She was really sort of a bit freaked out by the fact that this guy carried me up the stairs and plunked me on the bed and said ‘there he is.’ I stayed there for about three or four hours. One hears so many terrible things said about prostitutes and I believe it’s still illegal and all that but in that case in point the lady who I saw fulfilled a very useful purpose and I’m eternally grateful to her. [...] The events leading on from [hiring a prostitute] did make me much more relaxed and more self confident in myself as a sexy person, to meet other people, to make relationships, and I suppose over the last few years that has been growing and it’s still growing.”

The men and women in The Skin Horse are largely still with us.  Comedian Tony Gerrard continues to perform. The Outsiders still exists, and is the only place I’ve found that has The Skin Horse in its library. The Skin Horse was where I first learned of Nabil Shaban, and I hope that this review can draw more attention to this singular work. But Shaban has done much more, prior to and since The Skin Horse. He has many stage, film and television credits to his name, some of which are listed below. He was part of the CRASS Collective and in 1980 co-founded the Graeae Theater. Shaban is an artist, an author, an animator, a director, an actor and a musician. He is a father.  How uncomfortable he must feel to know he’s been such a positive influence on my life and the lives of so many others.  Sorry, friend, you’re a hero.

Shaban offers many of his works online. If I Decide to Commit Suicide, You Need Hands and The Fifth Gospel include Tina Leslie, also seen in The Skin Horse. If I Decide to Commit Suicide is a video for Shaban’s poem of the same name. It quotes from Eraserhead by David Lynch, just as The Skin Horse quotes from Lynch’s Elephant Man. You Need Hands is a dark music video. The Fifth Gospel describes Christianity as ‘body fascist’ and shows Shaban and Leslie being patronized during a trip to the non-healing fountains of Lourdes. Morticia is available as a video on demand from amazon.com. Morticia is about a girl who wants to become a vampire. A third party has posted The Strangest Viking online. This is a documentary narrated by Shaban on Ivar the Boneless, a viking who conquered much of England. An excerpt from The Alien Who Lived in the Sheds is online. In The Alien Who Lived in the Sheds is, Shaban shows that for all his fire and thunder he can make fun of himself. Shaban is a believer in the paranormal, but is aware of how such beliefs can look to non-believers. Shaban is an advocate of the outsider, but it not immune from gawking when he meets a fellow outsider. Shaban is his body, but his body is also a source of pain. Alien includes a film within a film, and this film is again one of his poems set to music and video. For all his success in the theater, Shaban has experienced one significant setback. He secured money for a production of his play The First to Go when England joined the war against Iraq. The First to Go is a play about the fate of the disabled under the T4 program in wartime Germany. Shaban returned the government’s ‘blood money’ in protest and the play has yet to find another backer.

Nabil Shaban has successfully scattered the ash circle that kept able and disabled actors apart. He is a man who can be judged on his talents.  Shaban recently turned fifty and has many years of innovation and experimentation ahead of him. Thank you to Nabil Shaban for opening many doors, taking many risks and thumbing your nose at heresy.

Nabil Shaban (selected works)

Stage:

  • Godspell (1987)
  • The Emperor (1987)
  • Hamlet (1988)
  • Iranian Nights (1989)
  • Measure for Measure (1990)
  • Imagine Drowning (1991)
  • Fleshfly (1996)
  • DARE (1997) [vimeo] [youtube 1][youtube 2][youtube 3]
  • Haroun and the Sea of Stories (1998) [wikipedia]
  • The Little Lamp (1999)
  • Portadown Blues (2000)
  • I am the Walrus (2001)
  • Knocknashee (2002)
  • Jasmine Road (2003)
  • Threepenny Opera (2005) [youtube][dailymotion]
  • One Hour Before Sunrise (2006)
  • Endgame (2007) [youtube]
  • The First to Go (2008)
  • Marat/Sade (?)

Film:

Television:

Radio

  • The Ramayana (1994)
  • Treasure Island (1995)

Books:

Internet:

Trevor Blake is a sign language interpreter who lives in Portland, Oregon USA.

Walter Alter: List of Recalibrations

23 July 2010 » In communication, education, luddite, ovo, science, synergetics, television, transhuman, zine

1.
Gauge function is the highest order of cognition in a total field.

2.
The level of technological development in any given society is the primary measurement of its state of intellectual amplitude. The result of technological advancement is axiomatically the production of free time, that is, time available to an expanding array of choices rather than to an expanding array of necessities. Freed from necessity, a society can invent forward, project a wide field of ideals determined by curiosity and exploration rather than inventing backwards within a narrow field determined by irritants. Up to now, invention has concerned itself with the creation of objects in space. In a free-time society, invention will emphasize organizational schemata for information throughput. The impetus will be to design frames of reference unfettered by ideology. Human culture will then consist of the interplay between various interpretive frameworks developed by their adherents in a spirit of problem solving.

3.
Technology is inherently democratizing. The popularization of technophobia will be increasingly perceived to be against the best interests of humanity. In dense information fields fear is dissipated when full attention can be applied to success in problem solving. Technology supplies the tools for amplifying intelligence to every citizen. The economics of mass production dissolves hierarchies of privilege. Technology is the sharing of created wealth, not the concentration of exploited wealth. Technology requires an educated work force in the production end. Under feudalism, divisions of labor were decided upon by tradition, birthright, wealth, privilege, etc., and resulted in caste system boundaries that tended to freeze the evolution of intelligence, hence the tendency of all pre-capitalist societies to collapse. Chattle control of technology is now an historic futility. The genie is out of the bottle. Human knowledge has passed the threshold where it may now self-amplify at a geometrically accelerating rate rather than at the pre-electronic, pre-TV linear rate.

4.
Imaging technology is the present organizing principle of social forms for two reasons: (a) information density – “a picture is worth a thousand words” really means that a picture oriented society has more accuracy of detail about its phase states. It can better predict the outcome of its policy decisions. This makes for stable social evolution. (b) image plasticity – a wider variety of imaginary constructs can be brought the 3-D world and tested for reality. Individual imaging prototyping, ie fantasizing, becomes less bound to subjective personality loops and better able to engage problem-solving efficiencies within the measurable realm of the externally perceived universals. It is time to place computational phenomena into the visual cortex of the brain. Over half the brain’s neurons are used to process and understand visual input. Its visual input data channel has a bandwidth estimated to be about 2 gigabits per second.

5.
Imaging screen plasticity allows for alternative functions of the same instrument. With the addition of touch screen, data glove or other “hot screen” technology, it can multi-function as memory, gauge display, media interface, and process controller. This is a powerful form of throughput amplification. Any tool that can lessen boundary pile-up and discontinuities between phases or objects is more efficient. A carpenter’s hammer can either drive or pull nails without retooling. The human mind is very good at alternating or simultaneous functions. It can walk and chew gum; it can both perceive and conceive. The imaging screen tool best reflects our capacities to both view and visualize and will probably be the first component of an artificial intelligence array that exceeds the primary limiting factor of human individual sentience – our built-in focus outward from a binocular being point singularity. An A.I. setup with multi-points of view, many eyed, will accelerate the next revolution in applied knowledge.

6.
Screens will be used to modulate other screens. Within a large bank of info feedback screens, any shift in paradigms introduced by the data or operator will cause a kaleidoscopic cascade of phase and intensity determinants to spread out across the screen like a living mosaic. Observations of changes in the rates as well as the shapes of patterns will awaken dormant potentials, such as our visual sense of acceleration pattern. Consequently, many of our biological sensoria will receive an impetus to make themselves available to a human-made environment of mental evolution. Interacting with images will become direct and immediate: in resonate proximity to internal visual imagining. This is an important development because it couples process of imagination to the real world where their function-ability is made apparent. By visually representing and revealing the interconnectivity of events within a phase and, by extension, of all phases within our universe, technology becomes the most humanitarian of all human endeavors.

7.
Multi-screen image display arrays are key to solving the problem of information overload. There is not too much information, there is too little cognitive ability to handle it. The synthetic capabilities of the visual cortex (mass-free mental imaging, thought pictures) coupled to the synthetic potential of our matter-composed universe (molecular Lego kit) provides us with a very large number of invention activated problem solving avenues. Actually we are over-engineered for survival. Meeting the necessities of biological survival is a piece of cake, an amoeba can do it. But systems propelled by discomfort are limited in that they focus backwards upon point-causal determinants (see #2). These systems are automatic not autonomous. Systems attracted by pleasure are area-focused rather than point-focused. They exercise forward acting (future oriented) area causal apperception over a range of possibilities. The implication of choice requires a modeling system which allows the comparative consideration of options in an autonomous manner. This modeling system should borrow as much as it can from the dimension of simultaneity in order to hold several or many choices up against each other for comparison. For this reason it is ideally multi-screen with zoom in / out potential at all foci and peripherally inclusive as well.

8.
Various studies on the nature and effect of television upon culture have been made, their results and attendant opinions published. None, however, have taken into account a hitherto unknown potential of the video medium, that of multi-screen viewing. When television is discussed it is always within the parameter of a single screen, much like cinema. Marshal Mcluhan first hypothesized an important characteristic of technological advance – the tendency for the previous technology to dictate the form its subsequent evolution. For example, the first automobiles placed the engine in front, where the horses went. They called it the horseless carriage. This is a shock reducing social mechanism which serves to validate the past in its form while incorporating a new utility. So it is with television. We have a medium imprisoned within the form of its predecessor, cinema / theater. It has been captive to cinema’s physical form up to this point (ie a single screen) and theater content (the presentation of dramatic emotional suspense). Television is ideally suited to multi-screen arrays. Furthermore, being electronic and portable, its content is ideally suited to instantaneous update and real time look-in on relevant events. The ability for the viewer to switch through channels, to view within the autonomous framework of the domicile environment and to utilize the autonomous potentials of VCR and camcorder is lessening the power of “theatrics” in political and economic life – the popular anti-charisma of General Schwartzkopf is instructive.

9.
Multi-screen arrays imply more than one point of view which is the basis for dimensionality. We perceive time from the standpoint of a succession of temporal points of view. We perceive space from a binocular point of view, the conceptual fusion of which gives us 3-D.  Multiple points of view is a very powerful attribute of full awareness and, moreover, is the primary means by which awareness amplifies itself.  Putting oneself in the other person’s shoes, for example, is a key to successful communication and the generation of understanding. Having the flexibility to adopt many points of view during the analysis of a situation is the creative way to avoid traps in cognition.  Multi-screen arrays are tailor made for collaborative problem solving via teleconference hookups.  We can map out facets of a situation like a cubist painting and come upon a more complete picture. Completing our picture of the universe is the name of the game.

10.
Problem solving is very simple given enough information. The facts usually sort themselves out into necessity fields and mental effort is potentially freed up to pursue more and more pleasure of creativity. This is art. We are going to have to learn how to operate with freedom of choice within an incredibly dense global information matrix. The densest personal info matrix is the visual one. The human retina is capable of differentiating about 2 million color hues and intensities and probably a larger number of shapes, spatial attitudes, distances and motions. We mainly use only a small portion of the visual field at any one time, a pencil thin cone of maximum attention, and we see as we read, in a scanning manner. This leaves the peripheral visual field almost unused, merely a cue-up function; like hearing – an attention director. Expansion of peripheral apperception is desirable because it allows a wider field of view for the simultaneous comparative gauging of visual info which will, in turn, amplify that same potential within the memory and projective areas of the mind. In short, we can make parallel processing abilities accessible to consciousness. One can get a taste of this ability by setting two TV sets side by side, tuning in two different stations with audio up on both and concentrating on getting the gist of both programs simultaneously. Within ten minutes you should be catching on.

11.
High definition TV (HDTV) should be perceived by the media aware public as more than an embellishment upon the world of entertainment. 1,120 scan line resolution will transform our perceptual field and its resultant social appetites much as photo-journalism via Life and Look magazines helped to transform America from agrarianism to industrialism. HDTV viewed upon a living room TV set will make such superficial genre as game shows, soap operas, sitcoms and allied exercises in inanity naked to our faculties of analysis and skepticism. Nature does not represent itself to us in low definition. We do that.  The lower the definition, the more the optical phenomena take on the properties of undifferentiated peripheral visual field object, to cue-up our attention to more detailed, information dense appraisal.  Low definition communication leaves us in a state of mystery to one degree or another, which is not a fulfilling process.  HDTV plays directly to the central retina, where the blanks get filled in.  If the TV program content is a mismatch with the detailed configurative capability of the retina, the viewer will change channels to program content which does that capability justice.  With HDTV, video as a single-screen artifact reaches its maximum point of exploitation. It is suitable for nothing less than a documentary approach at all times. Low definition sectarian ideology is incapable of instantaneous update and will be perceived as a retrograde, obstructing methodology of patterning.  The viewer will be freed from any frame of reference which locks interpretation into pre-orchestrated categories. Fields of knowledge will become wide angle, making apparent the interconnectivity of event flux and causality. Equirement will supplant style. The demand for precision in all bio-necessity aspects of life will dictate a form-follows-function structuralist aesthetic.

12.
The compact handicam allows us to look in on areas of human discovery as they occur without the mitigation of commentary or editing or political top spin. exploration, laboratory and field research, global conferences, classroom lectures, etc. could be tuned in to for personal enjoyment and university credit. the key is “real-time”. CSPAN is the most important network currently in existence. Emergency situations already benefit to a degree from this technology, particularly in the medical field where difficult procedures are accessible to world wide expertise while in progress.T he recent events in china were covered in large measure by students with smuggled handicams. We are witness to events as they unfold. abuses of police or government procedures captured by a palm-corder, cannot be denied without the peril of full discovery and blown cabals. Video testimony and video documents are being recognized as legally true. The drama is reality itself.

13.
McLuhan’s prediction of the electronic global village is no joke. We are beginning to see into the lives of our global neighbors on an intimate scale, independent from the force feeding of stereotypes via ideological and governmental channels. The most important network program to date is America’s Funniest Home Videos. The most important broadcast area of the world was Eastern Europe. Real life is far more transformative and entertaining than entertainment, it touches us more deeply, and bonds us together at the level of reality. Truth is manifold viewpoint, manifold verification.

14.
We no longer have the option to select whether or not we perceive an event, but only where to place it within our frame of reference, what importance to give it. In an era of remote telecast, nothing remains remote, everything is right in front of our face. Your hand-held channel selector is a marvelous anti-gravity device. You don‘t have to get up to change the channel, consequently you don’t tend to get trapped inside mass inertia systems. The tendency, then, is to not pattern your mental life after mass / inertia systems. The remote channel selector is democracy’s most powerful weapon. Truth is never boring.

15.
The digitizing of media via digital signal processing is an exciting prospect from the standpoint that this will help in standardizing electronic communication languages. The more we appreciate that phenomena can be subdivided into smaller and smaller constituent particles, the more we perceive those particles responding to field interactions. This is how we can get to the ideal from the real. Image and recording quality will no longer be a function of equipment cost. There will be absolutely no point to operating giant media entertainment networks. With fiber optics and degeneration-proof image and sound recording, every human is a news wire service, like ham radio operators during a local emergency. Fiber optics already carry in-house video teleconferencing capability within many corporate office complexes. When the band width problem is solved, either by fiber optics or a rediscovery of Tesla standing wave technology, the wires will be humming with so much communication flux that new visual shorthand languages will spring up out of necessity. That will be interesting.

16.
Up to now, what we call communication is really sound wave communication carried out in a relatively dense atmosphere at very slow speeds within a linear sequential framework. Light travels 100,000 times faster than sound. This is the speed of vision. The visual field is also simultaneous. You can recognize many objects at a single glance. The advantages of incorporating a visual language into everyday affairs is readily apparent. The nature of that language is totally wide open. It could be any mix of graphic symbol, color cues, positional cues, motion cues, 3-D display, audio intermix, you name it.

l7.
Nikola Tesla, in his later years, claimed to have invented a process whereby mental images could be transferred to an imaging screen. His absolute mastery over the theory and application of EMF is a matter of historic fact. We use his AC current, polyphase motors, radio, transformers, etc. on a daily basis. The military has taken the threat of Soviet deployment of Tesla based EMF weapons very seriously; it was the impulse to develop the SDI program. We should make the attempt to understand EMF phenomena as Tesla did; the vacuum being no vacuum at all, rather a seething sea of electrostatic potential, a stressed vacuum.

18.
The leading edge of media research is currently to be found in the field of aircraft cockpit instrumentation display. Whenever you have two systems in relative motion, the requirements for rapid information updating rise exponentially as a function of the increase in velocity. Necessity dictates accuracy, i.e., a high volume of data, a dense data flux. These lessons can be applied to everyday life where the velocity and instability factors are less than in flight systems, but the simultaneity factors are greater. Information throughput density is the constant in either case. In education, students could fly themselves through a knowledge landscape at their own learning velocity. Information density is conceptually akin to object velocity. The more of it that pours through your visual perceptual field, the faster you are going, even though you may be physically at rest. This is why “couch potatoes” are actually rocket sled pilots traveling at warp speed.

l9.
What we presently enjoy as technological progress has been, up to this point, essentially a spin-off from military R & D. National destiny has heretofore required the motive of threat to unify and drive science. With the easing of cold war tensions, technology can be harnessed more directly to global human needs, but the motive of discovery must be powerful enough to supplant the motive of threat. Space exploration is vital as a replacement ‘science driver” because only in that realm is the crucial factor of power vs. weight, i.e., miniaturization, the primary factor.

20.
“Television has served as an internal communications system. Lawmakers can be working in their offices and keep one eye on the television screen to check the progress of debate on the house or senate floor” (story in the San Francisco Chronicle April 4, 1989). Government officials must absolutely be elected and appointed on a basis of technological literacy first and foremost. Even that won’t stop the capitol buildings from becoming ceremonial halls and museums.

21.
Tele-synthetic reality – virtual space imaging and allied tactile-referent systems – may prove to be a very big let down in any practical sense. It will intrinsically apply most easily to remote control of robotics, and a simulation trainer for certain kinds of athletics. Its over magnification of the subjective will tend to move it into the area of expensive escapist entertainment and even porn. However, certain of its spin-off developments are showing potential. Two forms of goggle-type display technology have recently been made available which will have consequences beyond their immediate markets. The first goggle display places heads up data overlayed upon the normal visual panorama. The prototypes do not have head movement tracking and directional capabilities, but can superimpose any word or symbol code upon the real world. No reason why one couldn’t read the paper while driving the car, for example; simply a matter of depth of field awareness. The other goggle technology projects any video signal directly in front of the eyes, but blanks out real world image. This British invention is designed as a substitute for regular television viewing with stereo earphones and goggle display in an integral unit. The remarkable potential in these videophonic goggles is that they will effectively cause the reintegration of the imaginative processes of cognition away from the subjective and towards the objective, real world. Such close-up projection will, in fact, substitute external objective content and relations for internal subjective imagination. Daydreaming will have a powerful impetus to relate directly to reality, rather than being a form of personal escapism. Documentary visual uptake will immerse the viewer within the docu-world and further accelerate the citizen’s potential to participate in world affairs beyond the mere possession of opinion.

22.
In the recent discussions about the most strategic of our nation’s industries, electronic design automation (EDA) has received undeserved neglect. EDA is nothing less than the computers ability to design itself into a more efficient form – it is the computer design of computer components, and is an absolutely crucial technology. The amazing fertility of electronic technology is constantly shrinking the “shelf life” of new products, now down to under a year. Rapid obsolescence has brought EDA into its own as a method for accelerating the design phase of new products through prototype testing. The implications of EDA, however, are far deeper. EDA is laying the practical foundations for artificial intelligence capabilities; in particular, the ability of a piece of hardware or program to educate itself about a task and then improve its performance on that.

23.
Computer aided design, animation and engineering will integrate within the entertainment industry and will eventually replace sets, actors, locations, cameras: everything, in fact, that we call “Hollywood.” Photorealistic animation will burst out of its “special effects” containment to take over the entire production. Feature-length entertainment will be produced start to finish by a handful of men and women in an editing suite at a hundredth the cost. Photorealistic animation will be as detailed as modern cinematography with the advantage of absolute creative freedom. The division between “amateur” and “professional”, “B” grade and studio, “artistic” and “kitsch” will be dissolved by the power of the animation hardware and programs themselves.

24.
Given proper in / out and control interface, any electronic circuitry can be made to function in the form of a software program. Any digitizable signal can be softwared through a computer to make the computer function in any way, as audio, video or radio gear, electronic testing and diagnostic gear, electronic gauge and monitoring gear.

25.
More international bodies will convene to work out interface standards for information technology than will meet to promote world peace, and will be more successful at both tasks.

26.
The economics of surplus, first-generation obsolete gear will remove overheated overhead costs from still viable technologies and promote vigorous experimentation and “re-prototyping” into new and unusual functions. This area should not be overlooked for its potential to provide breakthrough “off the shelf’ type applications and conceptual flanking movements, particularly in the area of parallel processing which may prove to be effectively applied in the absence of fast processor speeds.

27.
Up to this point most futurist projections have been hampered by either a simple minded “gee whiz” approach or an overly cautious approach philosophically opposed to technology per se. In absolutely no example of popularized futurology have authors exhibited an understanding of the process of mind that results in efficient applied human invention. This outlook robs us of a great sense of security about the intelligence of our forebears well as a sense of confidence in our ability to educate ourselves out of any problem that these three dimensions of existence present, eventually even that of mortality. Without a cultural optimism based on the real and tangible and beneficial accomplishments of the best minds of our kind, we hobble and retard human progress to a great cost of unnecessary pain. It is a shame that the names and stories of the great inventors are not an universal part of our folk culture and that the power of their method is kept from us.

28.
“Ninety-nine percent of humanity does not know that we have the option to ‘make it’ on the planet and in the universe. We do. It can only be accomplished, however, through a design science initiative and technological revolution” – R. Buckminster Fuller, Critical Path 1981.

(from OVO 12 SCIENCE November 1991)

Walter Alter: Densest?

29 June 2010 » In ovo, television, transhuman, zine

Multi-screen video display arrays are the key to solving the problem of information overload.  Actually, conceiving the problem as one of too much of one thing is a bass-ackwards approach.  Problems should be conceived in terms of too little of the other thing.  There is not too much info, there is too little cognitive ability to handle it.  The synthetic capabilities of the visual cortex (mass-free mental imaging, through pictures) coupled to the synthetic potential of our matter-composed universe (molecular lego kit) provides us with a very very large number of problem solving avenues.  We are over-engineered.  Meeting the necessities of biological survival is a piece of cake; an amoeba can do it.  But systems propelled by discomfort are limited in that they focus backwards upon point-casual determinants.  These systems are automatic, not autonomous.  Systems attracted by pleasure are less focused.  They exercise forward acting (future oriented) area-casual apperception over a range of possibilities.  The implication of choice requires a modeling system which allows the consideration of options which is an autonomous function.  Problem solving is very simple given enough information.  The facts usually sort themselves out into necessity fields and mental effort is potentially freed up to pursue more and more pleasure, mainly mental pleasure.  This is creativity, this is art.  In order to become artists we are going to have to learn how to operate within an incredibly dense information matrix.  The densest info matrix is the visual one.  The human retina is capable of differentiating about two million color hues and intensities and probably a larger number of shapes, spatial attitudes, distances and motions.  We mainly use only a small portion of the visual field at any one time, a pencil thin cone of maximum attention, and we see as we read, in a scanning manner.  This leaves the peripheral visual field almost unused, merely a cue-up function.  Like hearing, an attention director.  Expansion of peripheral apperception is desirable because it allows for the simultaneous comparative gauging of visual info which will, in turn, amplify the potential within the memory and projective areas of the mind.  In short, we can make parallel processing abilities accessible to consciousness.  One can get a taste of this ability by setting two TV sets side by side, tuning in two different stations with the audio upon both and concentrating on getting the gist of both programs at the same time.  Within ten minutes you should be catching on.

(from OVO 7 INFORMATION October 1989)

Walter Alter: Lights = Camera = Action

29 June 2010 » In ovo, television, zine

TV is not cinema.  It is, above all, a multi-screen medium, and when properly acted upon by the senses, makes apparent and emphasizes that aspect of choice which is the direction of attention.  The discovery of the inherent nature of phenomena, such as TV, is simply the discovery of that action which is most efficient.  Efficient action in the realm of mental activity is verifiable and measurable as the increase of intelligence.  The TV medium, which has a high potential information density, can literally create human genius, contrary to the mutterings of “new age” mandarins.  The operant concept is: full potential.  Since potential is a pre-existant state, how do we perceive and predict the potential of any system?  This, boys and girls, is the biiiiig question.  Stated otherwise, how does human intelligence select actions which leads to its increase?  My guess is that we must categorize efficient info as possessing density over time, ie, high throughput levels parallel in simultaneous space.  We perceive many things simultaneously with our senses, but we can engage info at greater distances with greater predictive ability in comparative array via the sense of sight alone.  The greatest inventions in all history were the microscope and the telescope.  Knowledge, and primarily visual knowledge, bridges the gap between quantity and quality.  The more info you got, the smarter you is.  This axiom is predicated upon the hypothesis that the universe is ultimately knowable.  Those of you who wish to challenge this hypothesis can best do so by choosing to remain stupid.  The universe is neither random nor infinite, merely complex.  The only shape that knowledge has that is independent from the shape of the universe is its rate of growth within our minds.  Knowledge and universe act upon each other.  Mass and energy attempt to understand one another.  The TV screen is an efficient interface between these two manifolds of existence.  It is a container (medium) which allows many image phases to play upon it.  Its potential can be multiplied by itself simply by adding more screens.  With a multi-screen array, one is forced to act one’s attention upon it in a way that inescapably increases… (A) the quantity of perceived material and, more importantly, (B) the potential to operate within the container of mass/energy which is simultaneously, and that, kids, is the definite characteristic of the global village.

(from OVO 7 INFORMATION October 1989)

Trevor Blake: LOST Link Dump

23 May 2010 » In art, television, video

Art:
Jack Bender: The Hatch Painting.
John Cabrera: Lost on the Subway.

Criticism:
Klint Finley: Hatch 23.
Jorje Garcia: Dispatches from the Island.
Jason Hunter: A Theory on Time Travel.
Various: Lostpedia.
Various: Lost Media.
Various: Lost Theories.

Video:
BBC Lost Experience.
John Lock and Dr. Pierre Chang Meet for the First Time.
LOST Opening Theme with Original Lyrics.
LOST Friends.
The Final Episode.

Henry Hanks: The Real Dharma Initiative?

06 May 2010 » In blog, television, trevorblake

The Dharma Initiative. Red herring or consequential? Once one of the biggest mysteries of “Lost,” much of what it was about was revealed in season five. A short refresher course: Dharma (Department of Heuristics And Research on Material Applications) was founded in the 1970s by a couple of scientists named the DeGroots, who were greatly influenced by the work of psychologist and inventor B.F. Skinner. They were given funding by one Alvar Hanso, which allowed them to send a large team to the island to conduct research in meteorology, psychology, parapsychology, zoology, electromagnetism and Utopian social engineering. [...]

One person who has thought about this quite a bit is blogger Klint “Klintron” Finley, who has written about the concept of “real-life Dharma initiatives” extensively at Hatch23.com. “I think it stems from various trends and movements from the ’60s and ’70s,” he said. “More specifically, anywhere that two or more of the following intersected: Eastern spirituality, fringe science, defense spending, disturbing psychological research, experiments in utopian/communal living and experiments social control.” He points to many possible influences for the Dharma concept but thinks there is one in particular that shares a lot with Dharma: the Esalen Institute. Made famous in a 1967 New York Times article, the institute began as a place where one could, as its website says, have “the intellectual freedom to consider systems of thought and feeling that lie beyond the current constraints of mainstream academia.” It still serves as a retreat center at the beautiful Big Sur mountains to this day and, according to the website, has been devoted to the exploration of human potential since the 1960s. It’s here that the “Physics Consciousness Research Group” was allegedly co-founded in 1975 by theoretical physicist Jack Sarfatti. Sarfatti is the author of such works as “Progress in Post-Quantum Physics and Unified Field Theory” and “Super Cosmos: Through Studies Through the Stars.”

And what about Dharma’s benefactor, Hanso? Aside from maybe Richard Alpert and Charles Widmore, no one character has fascinated and mystified fans more. … In fact, much of the online “Lost Experience” a few years ago revolved around him. (According to Finley, Hanso may have been modeled after people like inventor Charles F. Kettering, who died in 1958.) In ABC’s game “The Lost Experience,” players found out that a main reason for his interest in the Dharma Initiative was the “Valenzetti Equation.” In “Lost” lore, this is a calculation of the exact date on which humankind would wipe itself out, consisting of the familiar “numbers” from the hatch, Hurley’s lottery ticket and, we now know, Jacob’s candidates. Dharma was trying to change these numbers in order to save the world.

Article continues. Congratulations to Klint Finley for this interview at CNN. Disclosure: I am an ‘advising scholar’ for Hatch 23.

Ghada Jamshir: "Even in Mosques They Accuse Me of Heresy. So What?"

22 February 2010 » In islam, television, theocracy, video

Subtitled.

Wikipedia:

Ghada Jamshir is a Bahraini women’s rights activist and an ardent campaigner for the reform of Sharia courts in Bahrain and the Arab Gulf states. Jamshir heads the Women’s Petition Committee lobbying for a law that would shift jurisdiction over family and women’s affairs from Islamic Sharia court to civil courts. In 2006, Time Magazine identified Jamshir as one of four heroes of freedom in the Arab world, and Forbes magazine selected her as one of the ten most powerful and effective women in the Arab world.

In 2005, the Bahraini government brought three criminal charges against Jamshir for allegedly publicly defaming the Islamic family court judiciary, and faced a jail sentence of up to 15 years. These charges were eventually dropped on 19 June 2005. Since 2006, Ghada Jamsheer has been under permanent surveillance, there is a 24-hour presence of plainclothes Public Security officials of the Ministry of the Interior outside her home. After her criticism of government policies, Bahrain authorities ordered the local media and press to prevent the publication of any news relating to Jamshir. The order came from the Royal Court, through its minister Shaikh Khalid bin Ahmed Al-Khalifa. Jamshir also claims that the Minister of the Royal Court gave her a direct threat demanding that she end her public work, after which the regime attempted to install a spy camera in her house, bugged her telephone, and sent individuals to bribe and blackmail her.

I admire her courage.

Stephen Fry: "Where are One Percent of American Adults?"

10 February 2010 » In prison, television, video

Look at the faces of these people as the facts are revealed. Listen to the silence.

Trevor Blake: The Geodesic Domes of LOST

02 February 2010 » In architecture, math, television, trevorblake

The television program LOST (first broadcast on the United States channel ABC between 2004-2010) includes a geodesic dome.  I do not intend to say much here about the show other than I have enjoyed it tremendously.  The sixth and final season of LOST begins in February 2010.  This essay will discuss the geodesic domes appearing in LOST.

Article continues.

Trevor Blake: Television

07 January 2010 » In art, subgenius, television, trevorblake

Trevor Blake: Television. 7 January 2010. Digital image. Public domain.

Camel: Give the Gift of Cigarettes This Christmas

26 December 2009 » In prohibition, television, video

Chris Huhne: Why I will debate with Nick Griffin

21 October 2009 » In fascism, race, television, trevorblake

Nick Griffin of the [British National Party] has been gagging to appear on Question Time, because it is a test of his continental-style strategy of normalising and legitimising the extreme right. On the model of the Italian National Alliance, Jean-Marie Le Pen’s Front National and Pim Fortuyn in the Netherlands, Griffin is attempting to yank his party into greater acceptability and live down its Mosleyite roots of confrontation and street violence. Since the BNP’s objectives have not changed – and they remain racist – that is a very good reason to be sceptical about the BBC’s decision to give him a platform. However, the issue is one of thresholds. The BBC has judged that two MEPs in a nation-wide election entitles the BNP to a voice on Question Time, just as previously a similar threshold elevated Ukip and the Greens. The BBC’s duty of impartiality is too important to have broadcasting executives decide that some opinions are acceptable and others are not, providing of course that those opinions are within the law (notably in avoiding incitement to racial hatred or violence). Therefore I do not myself criticise the BBC for making the invitation, even though I am acutely aware that extending such democratic rights to a party that does not respect them is paradoxical. [...]

The issue here is different to the old “no platform” policy. I would not appear at a meeting organised by the BNP, and nor would I extend an invitation to them. It is no part of the business of an elected liberal to drum up larger audiences for our most reviled opponents. They are welcome to their freedom of speech, but they can choose their own street corner and their own soapbox without my help. But the BBC has decided to invite Griffin, and I fear that Thursday night’s excitement would not have been called off just because the Liberal Democrats decided not to participate. Better surely to champion the great British values of moderation and tolerance rather than give bigotry the only say.

Article continues at link, with much to recommend it. I am not a member or supporter of the BNP, and I don’t expect them to fare well on the television show Question Time. I am a supporter of public debate. I believe people’s words and actions speak for themselves. I believe accurate judgments are best gained by access to source materials and not second-hand opinion. The contradiction of offering a debate platform to someone who would not do the same to you is an important one. It is exactly the reason the tradition of debate is superior to the ‘no platform’ policy. If you can articulate why it is superior, you will have advanced in your defense of free speech.

Having said that, a few comments on Huhne’s article. Huhne compares the BNP to the Italian National Alliance, Front National and Pim Fortuyn in the Netherlands. But only the BNP has limitations on the race of who can join, so the comparison is not entirely accurate. Huhne writes about confrontation and street violence and incitement to racial hatred or violence. Are these all the same thing, or points along a continuum, or actions that always and only appear as a set? The heart of public debate is confrontation, and there’s no getting around some of that confrontation being awful. Incitement to racial hatred is illegal in England and in much of the world, but not in the USA. I do not support ‘hate speech’ laws for the same reason I do support public debate. I do not believe hate speech leads to violence (in the street or otherwise) any more than I believe love songs lead to love. Huhne talks about Mosley and Pin Fortuyn, who did know about street violence. Watch a film of Mosley in 1936 trying to march down Cable Street. Look at a photograph of Mosley in 1962 as he speaks to a crowd. Marching, speaking, violence – but who is committing the violence, and against whom, and for how many decades? Free speech has its contradictions, and Mosley had some practical lessons in these contradictions by being put in prison (along with his wife) for years without charge or trial. Pin Fortuyn had fewer experiences with street violence, but one was enough. Again, who is committing the violence and who is speaking their mind?

No matter your beliefs, at some point in its evolution it got in your head because you or someone else proposed it at a time when it was a heresy. All religious founders are by definition people who were heretics of their time. Science progresses by questioning what has come before, not by observation of what is. I sometimes feel frustrated (even confronted and incited) by other people, but the knowledge that belief is a market of ideas and not a battleground of ideas gives me calm. I am glad the BNP will appear on Question Time and that has nothing to do with my general dislike for the nationalists, racists or television.

Chip Smith: The Gas Chamber of Samuel Crowell

14 October 2009 » In books, fascism, judaism, magick, television, trevorblake

It is one thing, I am told, to defend the free speech rights of Holocaust deniers; but to engage and defend the content of their views, however cautiously – well, that’s another matter. Smoky’s over the line, says the one consumed with electric suspicion. And questions must follow. What are your motives? Do you hate Jews? Do you still beat your wife? Of course, the abstract argument is fine as far as it goes. It’s just that it doesn’t go very far. If we are serious, the next question must, at some point, intrude. Put another way, if people are being sent to jail for expressing ideas and writing words – and they are – it is only natural and fair to ask: what are those ideas? What are those words? When does a thought expressed become a crime? When it is incitement? When it is a lie? Could it be more complicated? Or less? My position is simple. I believe that you absolutely have to get your fucking hands dirty. I am convinced this is ultimately a matter of decency, and I mean this without irony. [...]

Decades ago, when the works of Henry Miller and William Burroughs and Hubert Selby and Jean Genet and other “literary outlaws” were at issue, expert witnesses lined up to testify as to the redeeming merit of every presumed obscenity. Sometimes the good guys won, and sometimes they lost. But such recourse is largely denied to today’s class of thought criminal. When Ernst Zundel’s lawyer attempted to defend the credibility of her client’s presumptively criminal views, they locked her up. Thus a game is rigged. Grove Press isn’t going to step up this time. It’s easier to sign the petition and shrug. If the lying fuckers should’ve known better, if they’re as bad as CP traders, if they only stoke the embers of a special hate – then a problem may filed away with an asterisk, that might as well be a swastika.  A subject has become inseparable from the stigma that latches. In lieu of discourse, one finds crass signage and deflective satire. A genuine controversy is held hostage by the nuanced strictures of dinner-party form, by the huff and heat of the latest never forget editorial. Yet the noise can only mask a familiar authoritarian gesture. The greatest taboo of our age is sustained in the synchronized cultural choreography of finger-wagging, sometimes from the professoriate, sometimes from the judge’s bench. You are being admonished. You are being told not to consider that there could be a second possibility. You are being told, in so many ways, not to look. And it’s only too easy to abide. All you have to do is read from the script you’ve been handed. Tell yourself it’s of a class with snuff porn or whatever agreed-to boundary. Console yourself with anti-hate sugarplums and bubbles and Frankfurt-schooled excuses. Play it safe. You will have their blessing. Yet something is wrong. Because people are in prison for writing and selling books. Once again, the public library etagerie is arranged for your edification. Construction paper letters stapled to the tackboard. Mark Twain and D.H Lawrence chain-locked in the display case. Harry Potter facing off against familiar cartoon christian enemies. Newsclips about southern school-board busybodies wringing hands over Heather’s two mommies. Banned Books Week as nostalgia, as distraction. As crude extortion, really – once you know what’s missing. And you don’t even feel the chill.

People are in prison for writing and selling books.

Article continues at link.

Johann Strauss Sr. : Radetzky March

09 October 2009 » In music, television, video

Wikipedia: “Radetzky March, Op. 228 is a march composed by Johann Strauss Sr. in 1848. It was dedicated to the Austrian Field Marshal Joseph Radetzky von Radetz, and became quite a popular march among soldiers.”

Oh, but for some of us this song means something else entirely [4:30].

Trevor Blake: Christianity in the News

04 August 2009 » In atheist, christianity, fight, magick, television, video

Nigerian atheist attacked by a mob of Christians at a child witchcraft conference: Nigerian atheist Leo Igwe was attacked this week by a mob of Christians at a conference he staged to discuss Child Rights and Witchcraft.
Murder-defendant Houston brothers may represent selves: “We’ve got the best counsel in the world,” Leon Houston said. “We’ve got God on our side.”
Abstinence-Supporting GOP State Lawmaker Admits To Sex With 22-Year-Old Intern: According to his website is “a member of Christ United Methodist Church, where he serves as a Sunday school teacher and board member of their day school.” He recently sponsored a bill designed to prevent gay couples from adopting children. Also quoted as saying he ‘didn’t believe young people should have sex before marriage anyway, that his faith and church are important to him, and he wants to promote abstinence.’
100 Huntley Street hosts suspended during Ponzi scheme probe: Ron and Reynold Mainse have been relieved of their duties as hosts of Christian program 100 Huntley Street after allegedly becoming involved in a $14.1-million Ponzi scheme.
Pastor and sons face fraud charges: They allegedly ran a multi-million dollar, faith-based affinity fraud for at least five years that duped thousands of investors into buying bonds that raised at least $120 million. The Reeves allegedly stole $6 million for themselves in the process.
Priest held for selling body parts: The Zion Apostolic Church priest and a casual worker for at least two mortuaries were arrested after police were called to a home in Acornhoek, where they found a white woman’s breast and hand on Saturday.
‘I was only giving the boy anatomy lessons’, said paedophile priest: The 79-year-old ex-priest from Melbourne refused to apologise for the assault on the boy for fear of a compensation claim being made against the church.

Rudolf Rocker on MySpace Music – Free Streaming MP3s, Pictures & Music Downloads

27 July 2009 » In music, television, video

Jeremy Dyson [League of Gentlemen] band

Rudolf Rocker on MySpace Music – Free Streaming MP3s, Pictures & Music Downloads

Mr. Cluck's – Hurley's New Chicken Shack!

27 July 2009 » In food, television, video

Announced at Comic-Con 2009, Hurley appears to be the proud owner of a new chicken franchise!

Mr. Cluck’s – Hurley’s New Chicken Shack!

YouTube – Carolina Camera: The Sling Shot Man

23 July 2009 » In television, video

This is the story of a man who makes sling shots and shoots them like an expert marksman. [Don't F with hillbillies.]

YouTube – Carolina Camera: The Sling Shot Man

Panoramio – Photo of War memorial, Hadfield, High Peak, Derbyshire

21 July 2009 » In art, television

League of Gentlemen

Panoramio – Photo of War memorial, Hadfield, High Peak, Derbyshire