OVO

South East Lincoln, Sherman and Grant. Lone Fir Cemetery.

See Portland Memorials for thousands of memorials in downtown Portland, Oregon USA.

Music: Aeolian Piano Roll – “Phantom Patrol” (1903)

Lownsdale Park, First Presbyterian Church and the South Park Blocks all contain memorials to the Civil War (1861–1865). First of a series.

See Portland Memorials for thousands of memorials in downtown Portland, Oregon USA.

Music: Aeolian Piano Roll – “Phantom Patrol” (1903)

1040 NW Everett St. Portland, OR 97209

Bearing Service Company was founded in 1929. The Bearing Service Company building was built in 1945. Above the entryway there is a Deco style sign and round overhang. The round overhang is completed in it’s reflection in the front window. At the base of the column supporting the overhang there is a circle drawn in the sidewalk. The round overhang, column and circle form two wheels and an axle, a good match for an automotive business.

See Portland Memorials for thousands of memorials in downtown Portland, Oregon USA.

Music: Aeolian Piano Roll – “Phantom Patrol” (1903)

The USS Oregon was launched in 1893 and served until 1919. The battleship’s crew saw action in five wars. The Oregon was scrapped in 1956. The bow, mast and anchor chain of the Oregon are in Tom McCall Waterfront Park, near SW Pine and Naito. One mile north is the Albers Mill Building. The smokestacks of the Oregon were in a Liberty Ship memorial park where this parking lot is now. The Willamette River Greenway Trail runs next to the Building. Walk along it until you find a wall running into the Willamette River. On the other side of this wall are the remains of some Liberty Ships that had been made in Portland. This is what remains of the Liberty Ship memorial park.

Music: Aeolian Piano Roll – Phantom Patrol (1903)

Learn of thousands of other memorials in Portland Memorials by Trevor Blake.

Oscar the Grouch: I Hate Christmas [youtube].

Eric Idle: Fuck Christmas [youtube].

Fear: Fuck Christmas [youtube].

The Attery Squash: Santa’s Laughter Mocks The Poor [youtube].

The Rudy Schwartz Project: A Sandwich for Adolph [youtube].

Current 93: Happy Birthday Pigface Christus [youtube]

Rex Martin – Holidays are Coming [vimeo]

See also our extended Story of the First Christmas from 2009.

Previously: Make an Enlarging Projector.

First, find an abandoned projection television in 2008. Remove a lens with a hammer.

Lens removed by hammer.

In 2011, mount lens on cigar box base.  Mount video source upside down on cigar box sliding lid with Erector Set pieces from thrift store.  Sliding cigar box lid adjusts focus.  Image is mirror reversed, something that will be accommodated with a mirror in a future video projector – or, it could be used as a rear projector on a transparent screen, or projected from a mirror onto a screen.  This device works well in complete darkness but I don’t have a camera that can take a picture in complete darkness to show you.  Come by and I’ll show you in person.

Cost: older ipod ($79), cigar box (free), lens (free), Erector Set pieces ($2).  TOTAL: $81.00

Today, 25 November, was a special day in the life of Yukio Mishima.  May you have a special day as well.  I don’t want to do what Mishima did, I want to do what I do as fully as he did what he did.

“Young people get the foolish idea that what is new for them must be new for everybody else too. No matter how unconventional they get, they’re just repeating what others before them have done.” – Yukio Mishima, After the Banquet.

OVO triumphus for Yukio Mishima for 2010.
OVO triumphus for Yukio Mishima for 2009.
OVO triumphus for Yukio Mishima for 2008.

… and more.

“I came here from the United States of America to stand for freedom, with all free people, against the forces of oppression and darkness that you all are representing. I came here in order to stand with the people who are fighting for the freedoms that make it possible for you to do what you are doing today. Not the violence and hatred, but to stand in dissent. But you can’t stand to have any kind of rational discussion. You can’t stand any dissent. You have to try to throw bottles, and drown us out, because you are cowards. Because you know that you stand on nothing except oppression and darkness and hatred. And that is why you are there, and that is why I am here.

You are fronting for the most radically intolerant and hateful ideology on the planet. Everywhere in the world where there are Muslims and non-Muslims there is conflict because the Muslims attack the non-Muslims. The Quran teaches to make war against the unbelievers and to subjugate them. And you are already subjugated. You are already their useful idiots. You are already their tools. You are out here in their service, and you think you’re fighting for freedom, and you are fighting for your own slavery. You are fighting for your own enslavement.

And it will come, it will come to you. You are fighting for an ideology that denies the freedom of speech. And one day you will wish you had the freedom of speech that you are trying to fight against today. ”

Links added by OVO. Watch the rest on youtube.

Robert Spencer: Spencer Versus the Leftist/Islamic Alliance, Stuttgart, Germany, June 2

Thursday afternoon I spoke in Stuttgart, Germany at the invitation of the human rights group Pax Europa. The event was well advertised, and so the thuggish Leftist/Islamic supremacist alliance mobilized and was out in full force.

About 1000 Antifa protesters showed up, banging drums, holding signs with the usual accusations of racism and “Islamophobia,” blowing whistles, and menacing people who came out for the Pax Europa event. There were also about 500 German police on hand in riot gear. The Pax Europa organizers told me, “This is all for you” — because they had publicized that I would be there. One young man came up to me as I was standing right in front of a line of German police and said, “You’re lucky there are so many police here today.” [...]

It was an incredible din. We had loudspeakers that appeared to be able to reach the considerable crowd behind the protesters, but the Antifa thugs did all they could to drown us out: the drums got louder, the vuvuzelas came out, they were blowing whistles, and of course they were screaming and yelling.

They started throwing things: bottles, eggs, excrement and more. One bottle narrowly missed the Coptic activist’s head and crashed onto the stage — other bottles crashed at our feet. Several speakers were hit with eggs. The manure they threw was all over the stage floor.

I stood right in front (they missed me; I dodged a few projectiles) and watched them as they screamed and gestured and threw things — it was like looking into the pit of hell. Here were young people passionately committed to their cause and believing it to be that of justice and freedom, and they are eager and willing useful idiots for the most radically intolerant ideology on the planet. So when my turn came to speak, I addressed them, and told them just that. I told them they wouldn’t like what happened to them when their friends took power, but by then it would be too late.

And it may be already, for Europe. But I was glad to be there yesterday, and to stand against what was so obviously a force for oppression, hatred, and evil.

Robert Spencer: Ugliness and Beauty in Germany

This morning I had the great honor of meeting with Susanne Zeller-Hirzel, one of the last surviving members of the White Rose, the nonviolent resistance movement that worked against Hitler’s regime in Nazi Germany in 1942 and 1943. We discussed numerous parallels between the Nazi era in Germany and the advance of Islamic supremacism today — as we saw in Stuttgart Thursday, Nazis and Islamic supremacists are remarkably similar in their taste for violent intimidation.

Susanne Zeller-Hirzel is the beauty mentioned in the headline of this post. The ugliness comes from an increasingly dangerous situation here in Germany. I have learned that the fascist Antifa and/or Islamic supremacist thugs have burned the truck belonging to the company that set up the stage for Pax Europa’s Thursday rally. Then last night they found out the hotel that the courageous anti-jihad politician René Stadtkewitz was planning to stay in when he came to Stuttgart to announce the founding of the local branch of his new Freedom Party; they broke the hotel’s windows and painted threatening messages on its walls. Also yesterday, I spoke to a Pax Europa meeting at a location in Stuttgart; Antifa thugs found out the location after the meeting had ended, and stormed and surrounded the place. Thirty-six were arrested.

Fascism is indeed coming back to Europe. But not because of the anti-jihadists.

Trevor Blake: Remmitron. Silent, color, 46 seconds. Electric razor, screws, wire, glue.

via youtube
See Brooklyn Feral Cat one year ago.

Via youtube.

Wikipedia: Mike Diana

Michael Christopher “Mike” Diana (born 1969) is an underground cartoonist who became the first artist ever to receive a criminal conviction for obscenity in the United States.

In the early 1990s, Mike Diana, a young man from Tallahassee, Florida, began producing the adult comic book Boiled Angel. This amateur comic contained graphic depictions of a variety of taboo and gory subjects, and it was distributed to only a handful of retailers. In 1991, while investigating a Florida murder case, a police officer discovered an issue of Boiled Angel and, desperate for clues, contacted Diana, informed him he was a suspect, and requested a blood sample. The real killer was soon apprehended, and Diana was not pursued. The officer in question, however, collected additional issues of Boiled Angel and sent them to the State’s Attorney’s office where they went on file. Two years later, the Assistant State’s Attorney, Stuart Baggish, came across the books and sent Diana a certified letter that said he was being charged with three counts of obscenity pursuant to Florida Statute § 847.011(1): one for publishing the material, one for distributing it, and one for advertising it. At this point, Diana contacted the non-profit First Amendment organization the Comic Book Legal Defense Fund (CBLDF), which provided him, free of cost, with the services of several prominent defense attorneys and expert witnesses.

Diana was employed as an elementary school janitor at the time of his first notoriety. He had used the school’s copier to reproduce some of his comic books representing crude, graphic drawings of sexual molestation and limb severing. Some of the material was allegedly left there, and Diana was fired.

On June 4, 1996, after a brief trial, Largo, Florida, Circuit Judge Douglas Baird declared the comics Boiled Angel #7 and Boiled Angel #ATE to be obscene, stating that he found them to be “patently offensive,” and that “The evident goal of the appellant’s publication is to portray shocking and graphic pictures of sexual conduct so it will be noticed. If the message is about victimization and that horrible things are happening in our society, as the appellant alleges, the appellant SHOULD HAVE created a vehicle to send his message that was not obscene.” Diana was found guilty on all three counts, and was sentenced to a three-year probation, during which time his residence was subject to inspection to determine if he was in possession of or was creating obscene material. He was to avoid all contact with children under 18, undergo psychological testing, enroll in a journalistic ethics course, pay a $3,000 fine, and perform 1,248 hours of community service. He was also ordered to cease drawing for personal use, and his place of residence was to be open to inspection by the police, without warning or warrant, at any time, for illustrations violating this ruling. He was not sentenced to any jail time, but spent four days in jail between the dates of the verdict and the sentencing.

To fulfill the requirement of undergoing a psychiatric evaluation, Diana was informed that the doctor whom he would see charged $100 an hour, which he would have to pay for himself, and that his evaluation would take two hours. After the evaluation, Diana was informed the session would cost $1,200 because the doctor claimed to have spent 10 hours reading Boiled Angel in preparation. Out of funds, Diana was unable to pay, and the doctor refused to give her evaluation to the court, effectively making him in violation of his probation.

Two appeals to the State Appellate Court failed to have the case reversed or reheard in Florida. During the first appeal process, the prosecution used evidence gathered after the original trial, a move that, according to the CBLDF, is usually considered unethical. The only count of the three under which Diana was convicted that was judged incorrect was the conviction for “advertising obscene material.” The Court agreed that it was improper to convict someone for advertising material that had not yet been created since Diana could not, at the time, know the nature or character of the work. The courts refused to accept an amicus brief submitted by the American Civil Liberties Union, and responded without comment to the second appeal. On June 27, 1997 the United States Supreme Court denied Mike Diana’s petition for a writ of certiorari without comment, effectively ending his legal options in his battle to overturn his conviction.

Diana moved to New York, where he was granted permission to serve out his sentence, and fulfill his community service obligation through volunteer work for the Comic Book Legal Defense Fund.

OVO was one of the handful of publishers that printed Mike’s work before his legal troubles. My only trouble connected to Mike’s work was having OVO removed from the shelves of a magazine store in Knoxville, Tennessee. Mike also contributed original art to OVO 15 SPERM (February 2005).  Compare the style and content of Mike’s work in 1990 with the 2007 television program Superjail [wikipedia][google video].  What Mike paid the price for, Cartoon Network makes the profit from.

Mike Diana
http://www.testicle.com/mikediana.htm

(from OVO 10 MAYHEM July 1991)

As the pillars of Western culture collapse (replaced by institutionalized alienation) schizophrenia and violence cease to be deviations and instead become survival characteristics. The apocalypse culture has bred a new form of death, the multiple (serial or mass) murderer. Death sports, murder clubs and snuff art may have existed only in fiction or as isolated instances in the past, but accelerated decline in social order coupled with spectacular un-living creates new possibilities for such to flourish and federate. The multiple murderer is an agent from an increasingly inevitable future.

Heralding the multiple murderer is a support system of mayhem fetishists and media. This is not an exposure of deviants but a warning about what is to become as “normal” as any slasher movie, comic book or pornography.

Anyone seeking to understand the roots and effects of modern alienation would do well to study multiple murderers. There is a wealth of information about multiple murder in the mainstream and alternative press that has not been assimilated into an anti-authoritarian critique. This issue is offered as a summation of research into multiple murder from a variety of perspectives, as a contribution to the struggle against the apocalypse culture.

(from OVO 10 MAYHEM July 1991)

Trevor Blake: Orrery. Cardboard, glue, string, tape. 13 November 2010.

via youtube, where citation links are available.

Trevor Blake: Redshirt.

Tricorder.

Tricorder with blinky light.

via youtube.

via youtube.

Wikipedia: Seikilos Epitaph

The Seikilos epitaph is the oldest surviving example of a complete musical composition, including musical notation, from anywhere in the world. The song, the melody of which is recorded, alongside its lyrics, in the ancient Greek musical notation, was found engraved on a tombstone, near Aidin, Turkey (not far from Ephesus). The find has been dated variously from around 200 BC to around AD 100. While older music with notation exists (for example the Delphic Hymns), all of it is in fragments; the Seikilos epitaph is unique in that it is a complete, though short, composition.

Also on the tombstone is an indication that states: I am a tombstone, an icon. Seikilos placed me here as an everlasting sign of deathless remembrance.

The following is a transliteration of the words which are sung to the melody, and an English translation:

Hoson zēs, phainou
Mēden holōs sy lypou;
Pros oligon esti to zēn
To telos ho chronos apaitei

While you live, shine
Don’t suffer anything at all;
Life exists only a short while
And time demands its toll.

Thanks to James D. Sass for informing me of the Seikilos Epitaph.

How dry I am, how dry I am, nobody knows how dry I am…

(sh) Speak easy, (sh) speak easy, said Johnny Brown.
I’m gonna leave this town, everything is closing down.

(sh) Speak easy, (sh) speak easy, and tell the bunch
I won’t go East, won’t go West, got a different hunch.

I’ll be leaving in the summer and I won’t come back till fall.
Goodbye Broadway, hello Montreal.
With a stein upon the table I’ll be laughing at you all.
Goodbye Broadway, hello Montreal.

I’m on my way, I’m on my way,
And I’ll make whoop-whoop whoopee night and day.

Anytime my wifey wants me you can tell her where to call.
Goodbye Broadway, hello Montreal.

Let’s go!

Yamo, yamo, I think I want a drink.
Yamo, yamo, there’s water in the sink.
The sink, the sink, the sink, the good old rusty sink.
But who the heck wants water when you’re dying for a drink?

That old tin pail, that old tin pail, was never meant to carry ginger ale.

[original additional lyrics]

Oh, We Won’t Get Home Till Morning is the best song after all.
Goodbye Broadway, hello Montreal.
There’ll be no more Orange Phosphates you can bet your Ingersoll,
Goodbye Broadway, hello Montreal.

There’ll be photographs of breweries all around my bedroom wall.
Goodbye Broadway, hello Montreal.

(sh) Speak easy, (sh) speak easy, asked Tommy Gray
I must know right away, are the gals up there okay?
(sh) Speak easy, (sh) speak easy, said Johnny Brown
You ain’t been hugged, ain’t been kissed, till you’ve hit that town.

Undisclosed Location, 9 August 2010.